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Choir of Merton College & Oxford, Benjamin Nicholas - Sleeper's Prayer: Choral Music from North America (2020) [Hi-Res]

Choir of Merton College & Oxford, Benjamin Nicholas - Sleeper's Prayer: Choral Music from North America (2020) [Hi-Res]
  • Title: Sleeper's Prayer: Choral Music from North America
  • Year Of Release: 2020
  • Label: Delphian
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-44.1kHz FLAC (tracks+booklet)
  • Total Time: 63:29
  • Total Size: 245 / 565 MB
  • WebSite:
Tracklist:

01. Senex puerum portabat (Version for Brass & Choir) (7:18)
02. Again (After Ecclesiastes) (4:22)
03. The Rev'd Mustard His Installation Prelude (3:05)
04. If I Sing (After Psalm 101) (3:47)
05. A Hymn on the Nativity (4:29)
06. Hudson Preludes: No. 1, Take Care (4:47)
07. I Will Sing and Raise a Psalm (5:07)
08. A Song of Ephrem the Syrian (5:25)
09. Sleeper's Prayer (Arr. for Choir & Organ) (7:20)
10. Satyagraha: Conclusion (Arr. M. Riesman for Solo Organ) (7:44)
11. Cedit, hyems (3:20)
12. Deep River (Arr. G. Hancock for Choir) (3:21)
13. The Road Home (After Graham's "Prospect") (3:28)

In barely a decade of existence, Merton College’s new choral foundation has ambitiously redefined the choral landscape of the great university city of Oxford through its twin commitment to excellence & innovation. Now, focusing entirely on American music of the late twentieth and early twenty-first centuries, this latest in a series of thematically conceived recordings begins as a striking ‘double portrait’ of two composers who have written or arranged works especially for the choir.

David Lang’s austere choral postminimalism, informed by a background of Jewish liturgy and thought, provides a striking foil to Nico Muhly’s more richly referential approach; Muhly fell in love with the Anglican tradition as a young chorister in Rhode Island. Two solo organ works by Muhly, and a transcription from his mentor Philip Glass’s opera Satyagraha, widen the expressive gamut still further – from whimsical allusiveness to meditative calm – and are set in context alongside the more stylistically eclectic yet no less powerfully communicative sound-worlds of Libby Larsen and Abbie Betinis. Two final choral items draw on pre-existing traditions of the spiritual and the Baptist hymnal in moving demonstration of the New World’s ability to honour its past while gazing Firmly ahead.


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  • RobertZZ
  •  wrote in 21:38
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Thanks for Hi-Res!!
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  • platico
  •  wrote in 21:58
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gracias....