Lucia Casagrande Raffi, Elisabetta Pallucchi, Rombarocca Ensemble & Lorenzo Tozzi - Rossi: Cantata in onore di S. Antonio da Padova & Lectio quarta (2020) [Hi-Res]
![Lucia Casagrande Raffi, Elisabetta Pallucchi, Rombarocca Ensemble & Lorenzo Tozzi - Rossi: Cantata in onore di S. Antonio da Padova & Lectio quarta (2020) [Hi-Res]](https://www.dibpic.com/uploads/posts/2020-05/1589958503_lucia-casagrande-raffi-elisabetta-pallucchi-rombarocca-ensemble-lorenzo-tozzi-rossi-cantata-in-onore-di-s_-antonio-da-padova-lectio-quarta-2020.jpg)
BAND/ARTIST: Lucia Casagrande Raffi, Elisabetta Pallucchi, Rombarocca Ensemble, Lorenzo Tozzi
- Title: Rossi: Cantata in onore di S. Antonio da Padova & Lectio quarta
- Year Of Release: 2020
- Label: Bongiovanni
- Genre: Classical
- Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
- Total Time: 01:16:13
- Total Size: 442 / 799 mb
- WebSite: Album Preview
Tracklist
01. Cantata in onore di S. Antonio da Padova No. 1, Sinfonia. Allegro
02. Cantata in onore di S. Antonio da Padova No. 2, Sinfonia. Largo e amoroso
03. Cantata in onore di S. Antonio da Padova No. 3, Sinfonia. Balletto spiritoso
04. Cantata in onore di S. Antonio da Padova No. 4, Suvvia in trionfo
05. Cantata in onore di S. Antonio da Padova No. 5, Con echi festosi
06. Cantata in onore di S. Antonio da Padova No. 6, Quanto dicesti e vero
07. Cantata in onore di S. Antonio da Padova No. 7, Con cento e mille voci
08. Cantata in onore di S. Antonio da Padova No. 8, Si, gia m’e noto appieno
09. Cantata in onore di S. Antonio da Padova No. 9, Caro, Gesu adorato
10. Cantata in onore di S. Antonio da Padova No. 10, Anima pura e bella
11. Cantata in onore di S. Antonio da Padova No. 11, Alma diletta
12. Cantata in onore di S. Antonio da Padova No. 12, Sol voi d’ira fremete
13. Cantata in onore di S. Antonio da Padova No. 13, Frema, ma d’empio orrore
14. Cantata in onore di S. Antonio da Padova No. 14, Quante grazie, quai doni
15. Cantata in onore di S. Antonio da Padova No. 15, Dunque che piu s’aspetta
16. Cantata in onore di S. Antonio da Padova No. 16, Su via a’ piedi suoi
17. Cantata in onore di S. Antonio da Padova No. 17, D’ogni fedele il core
18. Lectio quarta No. 1, Introduzione
19. Lectio quarta No. 2, Ex tractatu Sancti Augustini
20. Lectio quarta No. 3, Protexisti me Deus
21. Lectio quarta No. 4, Multi martyres
22. Lectio quarta No. 5, Protectus est
23. Lectio quarta No. 6, Filius Dei
24. Lectio quarta No. 7, Parum ergo
Girolamo Rossi, an 18th century Neapolitan of whose life and work very little is known, was certainly a Neapolitan Chapelmaster at the Oratory of the SS. Crocefisso dei Cavalieri. With its Latin text, (St. Augustine’s commentary on Psalm 63), the Lectio IV is for Good Friday and has such late baroque, galant or preclassical features which are intended to facilitate both enjoyment of the music and communication of the religious message concerning the dual nature of Christ as son of God and of Man. The scoring of the Lectio IV for psaltery and harpsichord, (rather than organ as was common), is in keeping with the custom of performing sacred music for holy week in Latin in the homes of the Neapolitan aristocracy. In the Cantata in onore di S. Antonio the main characters are allegories - Merit (soprano) and Glory (contralto) – who sing the saint’s praises. The tone of the Cantata is in keeping with the relaxed sincerity of popular worship – the Child is called Jesus, never Christ as in oratorios or other more solemn genres. By an unknown author, the text exalts the virtues of St. Anthony and invites the faithful to honor him as a hero whose actions were marked by clarity and openness.
01. Cantata in onore di S. Antonio da Padova No. 1, Sinfonia. Allegro
02. Cantata in onore di S. Antonio da Padova No. 2, Sinfonia. Largo e amoroso
03. Cantata in onore di S. Antonio da Padova No. 3, Sinfonia. Balletto spiritoso
04. Cantata in onore di S. Antonio da Padova No. 4, Suvvia in trionfo
05. Cantata in onore di S. Antonio da Padova No. 5, Con echi festosi
06. Cantata in onore di S. Antonio da Padova No. 6, Quanto dicesti e vero
07. Cantata in onore di S. Antonio da Padova No. 7, Con cento e mille voci
08. Cantata in onore di S. Antonio da Padova No. 8, Si, gia m’e noto appieno
09. Cantata in onore di S. Antonio da Padova No. 9, Caro, Gesu adorato
10. Cantata in onore di S. Antonio da Padova No. 10, Anima pura e bella
11. Cantata in onore di S. Antonio da Padova No. 11, Alma diletta
12. Cantata in onore di S. Antonio da Padova No. 12, Sol voi d’ira fremete
13. Cantata in onore di S. Antonio da Padova No. 13, Frema, ma d’empio orrore
14. Cantata in onore di S. Antonio da Padova No. 14, Quante grazie, quai doni
15. Cantata in onore di S. Antonio da Padova No. 15, Dunque che piu s’aspetta
16. Cantata in onore di S. Antonio da Padova No. 16, Su via a’ piedi suoi
17. Cantata in onore di S. Antonio da Padova No. 17, D’ogni fedele il core
18. Lectio quarta No. 1, Introduzione
19. Lectio quarta No. 2, Ex tractatu Sancti Augustini
20. Lectio quarta No. 3, Protexisti me Deus
21. Lectio quarta No. 4, Multi martyres
22. Lectio quarta No. 5, Protectus est
23. Lectio quarta No. 6, Filius Dei
24. Lectio quarta No. 7, Parum ergo
Girolamo Rossi, an 18th century Neapolitan of whose life and work very little is known, was certainly a Neapolitan Chapelmaster at the Oratory of the SS. Crocefisso dei Cavalieri. With its Latin text, (St. Augustine’s commentary on Psalm 63), the Lectio IV is for Good Friday and has such late baroque, galant or preclassical features which are intended to facilitate both enjoyment of the music and communication of the religious message concerning the dual nature of Christ as son of God and of Man. The scoring of the Lectio IV for psaltery and harpsichord, (rather than organ as was common), is in keeping with the custom of performing sacred music for holy week in Latin in the homes of the Neapolitan aristocracy. In the Cantata in onore di S. Antonio the main characters are allegories - Merit (soprano) and Glory (contralto) – who sing the saint’s praises. The tone of the Cantata is in keeping with the relaxed sincerity of popular worship – the Child is called Jesus, never Christ as in oratorios or other more solemn genres. By an unknown author, the text exalts the virtues of St. Anthony and invites the faithful to honor him as a hero whose actions were marked by clarity and openness.
Year 2020 | Classical | FLAC / APE | HD & Vinyl
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads