Konstantin Lifschitz - J.S. Bach: Musikalisches Opfer, Op. 6, BWV 1079 (Arr. for Piano) (2015)
BAND/ARTIST: Konstantin Lifschitz
- Title: J.S. Bach: Musikalisches Opfer, Op. 6, BWV 1079 (Arr. for Piano)
- Year Of Release: 2015
- Label: Orfeo
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 01:13:22
- Total Size: 228 MB
- WebSite: Album Preview
Tracklist:
1. Ricercar a 3 (5:21)
2. Canon perpetuus super Thema Regium (0:42)
3. Canon 1. a 2: Canon cancrizans (0:24)
4. Canon 2. a 2 Violini in unisono (0:36)
5. Canon 3. a 2 per Motum contrarium (0:29)
6. Canon 4. a 2 per Augmentationem, contrario Motu (2:44)
7. Canon 5. a 2: Canon circularis per Tonos (2:25)
8. Fuga canonica in Epidiapente (2:01)
9. Canon a 2 Querendo invenietis (3:28)
10. Canon perpetuus (1:44)
11. Ricercar a 6 (7:01)
12. Canon a 4 (3:03)
13. Triosonate: Largo (6:52)
14. Triosonate: Allegro (5:40)
15. Triosonarte: Andante (2:59)
16. Triosonate: Allegro (2:44)
17. Prelude (8:12)
18. Fugue (6:19)
19. Toccata prima (4:13)
20. Toccata quinta (2:36)
21. Toccata seconda (3:49)
1. Ricercar a 3 (5:21)
2. Canon perpetuus super Thema Regium (0:42)
3. Canon 1. a 2: Canon cancrizans (0:24)
4. Canon 2. a 2 Violini in unisono (0:36)
5. Canon 3. a 2 per Motum contrarium (0:29)
6. Canon 4. a 2 per Augmentationem, contrario Motu (2:44)
7. Canon 5. a 2: Canon circularis per Tonos (2:25)
8. Fuga canonica in Epidiapente (2:01)
9. Canon a 2 Querendo invenietis (3:28)
10. Canon perpetuus (1:44)
11. Ricercar a 6 (7:01)
12. Canon a 4 (3:03)
13. Triosonate: Largo (6:52)
14. Triosonate: Allegro (5:40)
15. Triosonarte: Andante (2:59)
16. Triosonate: Allegro (2:44)
17. Prelude (8:12)
18. Fugue (6:19)
19. Toccata prima (4:13)
20. Toccata quinta (2:36)
21. Toccata seconda (3:49)
For the first time complete on a modern concert grand the Musical Offering that Bach presented to King Frederick the Great of Prussia, together with three toccatas by Frescobaldi, a composer highly regarded by Bach and whose keyboard style is as genuinely pianistic as that of Chopin and Scriabin.
In 1994, Russian pianist Konstantin Lifschitz burst onto the international scene with a recording of Bach's Goldberg Variations.
The CD received a Grammy nomination and was praised as the most convincing Bach interpretation since Glenn Gould. Today, Lifschitz is celebrated for his musical sensibility and nuanced playing.
In 1994, Russian pianist Konstantin Lifschitz burst onto the international scene with a recording of Bach's Goldberg Variations.
The CD received a Grammy nomination and was praised as the most convincing Bach interpretation since Glenn Gould. Today, Lifschitz is celebrated for his musical sensibility and nuanced playing.
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