Handel Edition, Vol. 1-9 (2018)
BAND/ARTIST: Various Artists
- Title: Handel Edition, Vol. 1-9
- Year Of Release: 2018
- Label: Brilliant Classics
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 39:09:33
- Total Size: 12 gb
- WebSite: Album Preview
Tracklist
Handel Edition, Vol. 1 [05:02:28]
01. Suite No. 1 in F Major, HWV 348: I. Ouverture. Largo-Allegro
02. Suite No. 1 in F Major, HWV 348: II. Adagio e staccato
03. Suite No. 1 in F Major, HWV 348: III. —
04. Suite No. 1 in F Major, HWV 348: IV. Andante
05. Suite No. 1 in F Major, HWV 348: V. Da capo
06. Suite No. 1 in F Major, HWV 348: VI. —
07. Suite No. 1 in F Major, HWV 348: VII. Air
08. Suite No. 1 In F Major, Hwv 348: VIII. Minuet
09. Suite No. 1 in F Major, HWV 348: IX. Bourrée
10. Suite No. 1 in F Major, HWV 348: X. Hornpipe
11. Suite No. 1 in F Major, HWV 348: XI. —
12. Suite No. 2 in D Major, HWV 349: I. —
13. Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe
14. Suite No. 2 in D Major, HWV 349: III. Minuet
15. Suite No. 2 in D Major, HWV 349: IV. Lentement
16. Suite No. 2 in D Major, HWV 349: V. Bourrée
17. Suite No. 3 in G Major, HWV 350: I. —
18. Suite No. 3 in G Major, HWV 350: II. Rigaudon
19. Suite No. 3 in G Major, HWV 350: III. —
20. Suite No. 3 in G Major, HWV 350: IV. Da capo
21. Suite No. 3 in G Major, HWV 350: V. Menuet
22. Suite No. 3 in G Major, HWV 350: Vi. —
23. Suite No. 3 in G Major, HWV 350: VII. —
24. Suite No. 3 In G Major, Hwv 350: VIII.
25. Music for the Royal Fireworks, HWV 351: I. Ouvertüre
26. Music for the Royal Fireworks, HWV 351: II. Bourrée
27. Music for the Royal Fireworks, HWV 351: III. La Paix
28. Music for the Royal Fireworks, HWV 351: IV. La Réjouissance
29. Music for the Royal Fireworks, HWV 351: V. Menuet I
30. Music for the Royal Fireworks, HWV 351: Vi. Menuet II
31. Sinfonia in B-Flat Major, HWV 339: I. Allegro
32. Sinfonia in B-Flat Major, HWV 339: II. Adagio
33. Sinfonia in B-Flat Major, HWV 339: III. Allegro
34. Sinfonia in B-Flat Major, HWV 347: I. Pomposo
35. Sinfonia in B-Flat Major, HWV 347: II. Air lentement
36. Sinfonia in B-Flat Major, HWV 347: III. Air. A tempo ordinario
37. Concerto a due cori, HWV 332: I. Ouvertüre
38. Concerto a due cori, HWV 332: II. Allegro ma non troppo
39. Concerto a due cori, HWV 332: III. Allegro
40. Concerto a due cori, HWV 332: IV. Largo
41. Concerto a due cori, HWV 332: V. A tempo ordinario
42. Concerto a due cori, HWV 332: Vi. Alla breve moderato
43. Concerto a due cori, HWV 332: VII. Menuet
44. Concerto a due cori, HWV 333: I. Pomposo
45. Concerto a due cori, HWV 333: II. Allegro
46. Concerto a due cori, HWV 333: III. A tempo giusto
47. Concerto a due cori, HWV 333: IV. Largo
48. Concerto a due cori, HWV 333: V. Allegro ma non troppo
49. Concerto a due cori, HWV 333: Vi. A tempo ordinairo
50. Concerto a due cori, HWV 334: I. Ouvertüre
51. Concerto a due cori, HWV 334: II. Allegro
52. Concerto a due cori, HWV 334: III. Allegro ma non troppo
53. Concerto a due cori, HWV 334: IV. Adagio
54. Concerto a due cori, HWV 334: V. Andante larghetto
55. Concerto a due cori, HWV 334: Vi. Allegro
56. Organ Concerto No. 1 in G Minor, HWV 289, Op. 4: I. Larghetto e staccato
57. Organ Concerto No. 1 in G Minor, HWV 289, Op. 4: II. Allegro
58. Organ Concerto No. 1 in G Minor, HWV 289, Op. 4: III. Adagio
59. Organ Concerto No. 1 in G Minor, HWV 289, Op. 4: IV. Andante
60. Organ Concerto No. 2 in B-Flat Major, HWV 290, Op. 4: I. A tempo ordinario e staccato
61. Organ Concerto No. 2 in B-Flat Major, HWV 290, Op. 4: II. Allegro
62. Organ Concerto No. 2 in B-Flat Major, HWV 290, Op. 4: III. Adagio e staccato
63. Organ Concerto No. 2 in B-Flat Major, HWV 290, Op. 4: IV. Allegro ma non presto
64. Organ Concerto No. 3 in G Minor, HWV 291, Op. 4: I. Adagio
65. Organ Concerto No. 3 in G Minor, HWV 291, Op. 4: II. Allegro
66. Organ Concerto No. 3 in G Minor, HWV 291, Op. 4: III. Adagio
67. Organ Concerto No. 3 in G Minor, HWV 291, Op. 4: IV. Allegro
68. Organ Concerto No. 4 in F Major, HWV 292, Op. 4: I. Allegro
69. Organ Concerto No. 4 in F Major, HWV 292, Op. 4: II. Andante
70. Organ Concerto No. 4 in F Major, HWV 292, Op. 4: III. Adagio
71. Organ Concerto No. 4 in F Major, HWV 292, Op. 4: IV. Allegro
72. Organ Concerto No. 5 in F Major, HWV 293, Op. 4: I. Larghetto
73. Organ Concerto No. 5 in F Major, HWV 293, Op. 4: II. Allegro
74. Organ Concerto No. 5 in F Major, HWV 293, Op. 4: III. Alla Siciliana
75. Organ Concerto No. 5 in F Major, HWV 293, Op. 4: IV. Presto
76. Harp Concerto in B-Flat Major, HWV 294: I. Andante allegro
77. Harp Concerto in B-Flat Major, HWV 294: II. Larghetto
78. Harp Concerto in B-Flat Major, HWV 294: III. Allegro moderato
79. Organ Concerto No. 6 in B-Flat Major, HWV 294, Op. 4: I. Andante allegro
80. Organ Concerto No. 6 in B-Flat Major, HWV 294, Op. 4: II. Larghetto
81. Organ Concerto No. 6 in B-Flat Major, HWV 294, Op. 4: III. Allegro moderato
82. Organ Concerto No. 7 in B-Flat Major, HWV 306, Op. 7: I. Andante
83. Organ Concerto No. 7 in B-Flat Major, HWV 306, Op. 7: II. Largo e Piano
84. Organ Concerto No. 7 in B-Flat Major, HWV 306, Op. 7: III. Fuga
85. Organ Concerto No. 7 in B-Flat Major, HWV 306, Op. 7: IV. Adagio
86. Organ Concerto No. 7 in B-Flat Major, HWV 306, Op. 7: V. Bourrée
87. Organ Concerto No. 8 in A Major, HWV 307, Op. 7: I. Ouverture
88. Organ Concerto No. 8 in A Major, HWV 307, Op. 7: II. A tempo ordinario
89. Organ Concerto No. 8 in A Major, HWV 307, Op. 7: III. Organo ad libitum
90. Organ Concerto No. 8 in A Major, HWV 307, Op. 7: IV. Allegro
91. Organ Concerto No. 9 in B-Flat Major, HWV 308, Op. 7: I. Andante
92. Organ Concerto No. 9 in B-Flat Major, HWV 308, Op. 7: II. Organo ad libitum. Sarabande
93. Organ Concerto No. 9 in B-Flat Major, HWV 308, Op. 7: III. Spiritoso
94. Organ Concerto No. 9 in B-Flat Major, HWV 308, Op. 7: IV. Minuet I
95. Organ Concerto No. 9 in B-Flat Major, HWV 308, Op. 7: V. Minuet II
96. Organ Concerto No. 10 in D Minor, HWV 309, Op. 7: I. Adagio
97. Organ Concerto No. 10 in D Minor, HWV 309, Op. 7: II. Allegro così così
98. Organ Concerto No. 10 in D Minor, HWV 309, Op. 7: III. Organo ad libitum
99. Organ Concerto No. 10 in D Minor, HWV 309, Op. 7: IV. Allegro
100. Organ Concerto No. 11 in G Minor, HWV 310, Op. 7: I. Staccato ma non troppo allegro. Adagio
101. Organ Concerto No. 11 in G Minor, HWV 310, Op. 7: II. Andante larghetto e staccato. Adagio
102. Organ Concerto No. 11 in G Minor, HWV 310, Op. 7: III. Menuet
103. Organ Concerto No. 11 in G Minor, HWV 310, Op. 7: IV. Gavotte
Handel Edition, Vol. 2 [03:34:11]
01. Organ Concerto No. 12 in B-Flat Major, HWV 311, Op. 7: I. Pomposo
02. Organ Concerto No. 12 in B-Flat Major, HWV 311, Op. 7: II. Organo ad libitum
03. Organ Concerto No. 12 in B-Flat Major, HWV 311, Op. 7: III. Largo
04. Organ Concerto No. 13 in F Major, HWV 295: I. Larghetto
05. Organ Concerto No. 13 in F Major, HWV 295: II. Allegro
06. Organ Concerto No. 13 in F Major, HWV 295: Fugue in A Minor, HWV 609. Organo ad libitum
07. Organ Concerto No. 13 in F Major, HWV 295: III. Larghetto
08. Organ Concerto No. 13 in F Major, HWV 295: IV. Allegro
09. Organ Concerto No. 14 in A Major, HWV 296a: I. Largo e staccato
10. Organ Concerto No. 14 in A Major, HWV 296a: II. Organo ad libitum. Air in A Major HWV 468
11. Organ Concerto No. 14 in A Major, HWV 296a: III. Andante
12. Organ Concerto No. 14 in A Major, HWV 296a: IV. Grave. Organo ad libitum
13. Organ Concerto No. 14 in A Major, HWV 296a: V. Allegro
14. Organ Concerto No. 15 in D Minor, HWV 304: I. Andante
15. Organ Concerto No. 15 in D Minor, HWV 304: II. Grave
16. Organ Concerto No. 15 in D Minor, HWV 304: III. Organo ad libitum. Fuga in G Major, HWV 606
17. Organ Concerto No. 15 in D Minor, HWV 304: IV. Allegro
18. Organ Concerto No. 16 in F Major, HWV 305a: I. Ouverture
19. Organ Concerto No. 16 in F Major, HWV 305a: II. Allegro
20. Organ Concerto No. 16 in F Major, HWV 305a: III. Organo ad libitum
21. Organ Concerto No. 16 in F Major, HWV 305a: IV. Allegro ma non troppo
22. Organ Concerto No. 16 in F Major, HWV 305a: V. Adagio
23. Organ Concerto No. 16 in F Major, HWV 305a: Vi. Andante
24. Organ Concerto No. 16 in F Major, HWV 305a: VII. Allegro
25. Organ Concerto No. 16 In F Major, Hwv 305a: VIII. Marche Allegro
26. 6 Fugues, HWV 605-610: Fugue in G Minor, HWV 605
27. 6 Fugues, HWV 605-610: Fugue in B-Flat Major, HWV 607
28. 6 Fugues, HWV 605-610: Fugue in B-Flat Minor, HWV 608
29. 6 Fugues, HWV 605-610: Fugue in C Minor, HWV 610
30. Oboe Concerto in G Minor, HWV 287: I. Grave
31. Oboe Concerto in G Minor, HWV 287: II. Allegro
32. Oboe Concerto in G Minor, HWV 287: III. Sarabande. Largo
33. Oboe Concerto in G Minor, HWV 287: IV. Allegro
34. Oboe Concerto in B- Flat Major, HWV 302a: I. Vivace
35. Oboe Concerto in B- Flat Major, HWV 302a: II. Fuga. Allegro
36. Oboe Concerto in B- Flat Major, HWV 302a: III. Andante
37. Oboe Concerto in B- Flat Major, HWV 302a: IV. Allegro
38. Oboe Concerto in B- Flat Major, HVW 301: I. Adagio
39. Oboe Concerto in B- Flat Major, HVW 301: II. Allegro
40. Oboe Concerto in B- Flat Major, HVW 301: III. Siciliana
41. Oboe Concerto in B- Flat Major, HVW 301: IV. Vivace
42. Air in G Minor, HWV 466
43. Rondo in G Major
44. Suite in G Minor, HWV 432: I. Ouverture
45. Suite in G Minor, HWV 432: II. Gavotte
46. Suite in G Minor, HWV 432: III. Bourrée I
47. Suite in G Minor, HWV 432: IV. Bourrée II
48. Suite in G Minor, HWV 432: V. Bourrée I da capo
49. Suite in G Minor, HWV 432: Vi. Sarabande
50. Suite in G Minor, HWV 432: VII. Rigaudon
51. Suite In G Minor, Hwv 432: VIII. Passacaille
52. Suite in G Minor, HWV 432: IX. Passepied
53. Overture in B-Flat Major: I. Meastoso
54. Overture in B-Flat Major: II. Allegro
55. Overture in B-Flat Major: III. Gavotta
56. Recorder Sonata in C Major, HWV 365: I. Larghetto
57. Recorder Sonata in C Major, HWV 365: II. Allegro
58. Recorder Sonata in C Major, HWV 365: III. Larghetto
59. Recorder Sonata in C Major, HWV 365: IV. A tempo di gavotte
60. Recorder Sonata in C Major, HWV 365: V. Allegro
61. Flute Sonata in B Minor, HWV 367a: I. Largo
62. Flute Sonata in B Minor, HWV 367a: II. Vivace
63. Flute Sonata in B Minor, HWV 367a: III. Furioso
64. Flute Sonata in B Minor, HWV 367a: IV. Adagio
65. Flute Sonata in B Minor, HWV 367a: V. Alla breve
66. Flute Sonata in B Minor, HWV 367a: Vi. Andante
67. Flute Sonata in B Minor, HWV 367a: VII. A tempo di menuet
68. Recorder Sonata in G Minor, HWV 360: I. Larghetto
69. Recorder Sonata in G Minor, HWV 360: II. Andante
70. Recorder Sonata in G Minor, HWV 360: III. Adagio
71. Recorder Sonata in G Minor, HWV 360: IV. Presto
72. Recorder Sonata in B-Flat Major, HWV 377: I. Allegro
73. Recorder Sonata in B-Flat Major, HWV 377: II. Adagio
74. Recorder Sonata in B-Flat Major, HWV 377: III. Allegro
75. Recorder Sonata in A Minor, HWV 362: I. Larghetto
76. Recorder Sonata in A Minor, HWV 362: II. Allegro
77. Recorder Sonata in A Minor, HWV 362: III. Adagio
78. Recorder Sonata in A Minor, HWV 362: IV. Allegro
79. Flute Sonata in F Major, HWV 369: I. Grave
80. Flute Sonata in F Major, HWV 369: II. Allegro
81. Flute Sonata in F Major, HWV 369: III. Alla siciliana
82. Flute Sonata in F Major, HWV 369: IV. Allegro
83. Recorder Sonata in F Major, HWV 358: I. Allegro
84. Recorder Sonata in F Major, HWV 358: II. Adagio
85. Recorder Sonata in F Major, HWV 358: III. Allegro
Handel Edition, Vol. 3 [05:00:36]
01. Suite in A Major, HWV 426: I. Prelude
02. Suite in A Major, HWV 426: II. Allemande
03. Suite in A Major, HWV 426: III. Courante
04. Suite in A Major, HWV 426: IV. Gigue
05. Suite in F Major, HWV 427: I. Adagio
06. Suite in F Major, HWV 427: II. Allegro
07. Suite in F Major, HWV 427: III. Adagio
08. Suite in F Major, HWV 427: IV. Allegro
09. Suite in D Minor, HWV 428: I. Prelude. Presto
10. Suite in D Minor, HWV 428: II. Allegro
11. Suite in D Minor, HWV 428: III. Allemande
12. Suite in D Minor, HWV 428: IV. Courante
13. Suite in D Minor, HWV 428: V. Air
14. Suite in D Minor, HWV 428: Vi. Presto
15. Suite in E Minor, HWV 429: I. Allegro
16. Suite in E Minor, HWV 429: II. Allemande
17. Suite in E Minor, HWV 429: III. Courante
18. Suite in E Minor, HWV 429: IV. Sarabande
19. Suite in E Minor, HWV 429: V. Gigue
20. Suite in E Major, HWV 430: I. Prelude
21. Suite in E Major, HWV 430: II. Allemande
22. Suite in E Major, HWV 430: III. Courante
23. Suite in E Major, HWV 430: IV. Air
24. Suite in F-Sharp Minor, HWV 431: I. Prelude
25. Suite in F-Sharp Minor, HWV 431: II. Largo
26. Suite in F-Sharp Minor, HWV 431: III. Allegro
27. Suite in F-Sharp Minor, HWV 431: IV. Gigue. Presto
28. Suite in G Minor, HWV 432: I. Ouverture. Largo-Presto-Lentement
29. Suite in G Minor, HWV 432: II. Andante
30. Suite in G Minor, HWV 432: III. Allegro
31. Suite in G Minor, HWV 432: IV. Sarabande
32. Suite in G Minor, HWV 432: V. Gigue
33. Suite in G Minor, HWV 432: Vi. Passacaille
34. Suite in F Minor, HWV 433: I. Prelude. Adagio
35. Suite in F Minor, HWV 433: II. Fugue
36. Suite in F Minor, HWV 433: III. Allemande
37. Suite in F Minor, HWV 433: IV. Courante
38. Suite in F Minor, HWV 433: V. Gigue
39. Suite in B-Flat Major, HWV 434: I. Prelude
40. Suite in B-Flat Major, HWV 434: II. Sonata
41. Suite in B-Flat Major, HWV 434: III. Aria con variazioni
42. Suite in B-Flat Major, HWV 434: IV. Minuet
43. Chaconne in G Major, HWV 435
44. Suite in D Minor, HWV 436: I. Allemande
45. Suite in D Minor, HWV 436: II. Allegro
46. Suite in D Minor, HWV 436: III. Air. Lentement
47. Suite in D Minor, HWV 436: IV. Gigue. Presto
48. Suite in D Minor, HWV 436: V. Menuetto
49. Suite in D Minor, HWV 437: I. Allmand
50. Suite in D Minor, HWV 437: II. Corrant
51. Suite in D Minor, HWV 437: III. Saraband
52. Suite in D Minor, HWV 437: IV. Jigg
53. Suite in E Minor, HWV 438: I. Allmand
54. Suite in E Minor, HWV 438: II. Saraband
55. Suite in E Minor, HWV 438: III. Jigg
56. Suite in G Minor, HWV 439: I. Allmand
57. Suite in G Minor, HWV 439: II. Corrant
58. Suite in G Minor, HWV 439: III. Jigg
59. Suite in B-Flat Major, HWV 440: I. Allmand
60. Suite in B-Flat Major, HWV 440: II. Corrant
61. Suite in B-Flat Major, HWV 440: III. Saraband
62. Suite in B-Flat Major, HWV 440: IV. Jigg
63. Suite in G Major, HWV 441: I. Allemande
64. Suite in G Major, HWV 441: II. Allegro
65. Suite in G Major, HWV 441: III. Corante
66. Suite in G Major, HWV 441: IV. Aria. Presto
67. Suite in G Major, HWV 441: V. Menuetto
68. Suite in G Major, HWV 441: Vi. Gavotta
69. Suite in G Major, HWV 441: VII. Gigue
70. Preludio. Allegro
71. Vo' far guerra from Rinaldo
72. Suite in C Major, HWV 443: I. Praeludium
73. Suite in C Major, HWV 443: II. Allemande
74. Suite in C Major, HWV 443: III. Courante
75. Suite in C Major, HWV 443: IV. Sarabande Double
76. Suite in C Major, HWV 443: V. Gigue
77. Suite in C Major, HWV 443: Vi. Chaconne
78. Partita in G Major, HWV 450: I. Preludio
79. Partita in G Major, HWV 450: II. Allemande
80. Partita in G Major, HWV 450: III. Courante
81. Partita in G Major, HWV 450: IV. Sarabande
82. Partita in G Major, HWV 450: V. Gigue
83. Partita in G Major, HWV 450: Vi. Menuet
84. Prelude in D Minor, HWV 563
85. Prelude and Capriccio in G Major, HWV 571: I. Prelude
86. Prelude and Capriccio in G Major, HWV 571: II. Capriccio
87. Ouverture in G Minor, HWV 453: I. Ouverture. Grave- Allegro
88. Ouverture in G Minor, HWV 453: II. Entrée
89. Ouverture in G Minor, HWV 453: III. Chaconne
90. Preludio in D Minor, HWV 564
91. Allegro in C Major, HWV 472
92. Chaconne in F Major, HWV 485
93. Suite D Minor, HWV 448: I. Ouverture. Grave- Allegro -Adagio-Allegro
94. Suite D Minor, HWV 448: II. Allemande
95. Suite D Minor, HWV 448: III. Courante
96. Suite D Minor, HWV 448: IV. Sarabande I- Sarabande II
97. Suite D Minor, HWV 448: V. Chaconne
Handel Edition, Vol. 4 [04:45:04]
01. Suite in D Minor, HWV 449: I. Prelude
02. Suite in D Minor, HWV 449: II. Allemande
03. Suite in D Minor, HWV 449: III. Courante
04. Suite in D Minor, HWV 449: IV. Sarabande
05. Suite in D Minor, HWV 449: V. Aria
06. Suite in D Minor, HWV 449: Vi. Gigue
07. Suite in D Minor, HWV 449: VII. Menuet
08. Keyboard Sonatina in D Minor, HWV 581
09. Allemande in A Minor, HWV 478
10. Fuga in F Major, HWV 611
11. Chaconne in G Minor, HWV 486
12. Partita in C Minor, HWV 444: I. Prelude
13. Partita in C Minor, HWV 444: II. Allemande
14. Partita in C Minor, HWV 444: III. Courante
15. Partita in C Minor, HWV 444: IV. Gavotte
16. Partita in C Minor, HWV 444: V. Menuet
17. Suite in C Minor, HWV 445: I. Prelude
18. Suite in C Minor, HWV 445: II. Allemande
19. Suite in C Minor, HWV 445: III. Courante
20. Prelude and Allegro in A Minor, HWV 576: I. Prelude
21. Prelude and Allegro in A Minor, HWV 576: II. Allegro
22. Air in G Minor, HWV 467
23. Toccata in G Minor, HWV 586
24. Keyboard Sonatina in G Minor, HWV 583
25. Keyboard Sonata (In G Minor, HWV 580: Larghetto
26. Concerto in G Major, HWV 487: I. Allegro
27. Concerto in G Major, HWV 487: II. Andante
28. Air in B-Flat Major, HWV 471
29. Preludium in F Major, HWV 567
30. Preludium in F Minor, HWV 568
31. Prelude in G Minor, HWV 573
32. Prelude in E Major, HWV 566
33. Air in G Minor, HWV 466
34. Air in B-Flat Major, HWV 470
35. Impertinence in G Minor, HWV 494
36. Air in F Major, HWV 465
37. Allegro in D Minor, HWV 475
38. Courante in B Minor, HWV 489
39. Prelude Chaconne in G Major, HWV 442: I. Prelude
40. Prelude Chaconne in G Major, HWV 442: II. Chaconne
41. Fugue in G Minor, HWV 605
42. Fugue in G Major, HWV 606
43. Fugue in B-Flat Major, HWV 607
44. Fugue in B Minor, HWV 608
45. Fugue in A Minor, HWV 609
46. Fugue in C Minor, HWV 610
47. Sonata in C Major, HWV 577
48. Capriccio in F Major, HWV 481
49. Preludio ed Allegro in G Minor, HWV 574
50. Fantasie in C Major, HWV 490
51. Suite in D Minor, HWV 447: I. Allemande
52. Suite in D Minor, HWV 447: II. Courante
53. Suite in D Minor, HWV 447: III. Sarabande
54. Suite in D Minor, HWV 447: IV. Gigue
55. Suite in G Minor, HWV 452: I. Allemande
56. Suite in G Minor, HWV 452: II. Courante
57. Suite in G Minor, HWV 452: III. Sarabande
58. Suite in G Minor, HWV 452: IV. Gigue
59. Capriccio in G Minor, HWV 483
60. Suite in C Minor, HWV 446: I. Allemande
61. Suite in C Minor, HWV 446: II. Courante
62. Suite in C Minor, HWV 446: III. Sarabande
63. Suite in C Minor, HWV 446: IV. Chaconne
64. Allemande in A Major, HWV 477
65. Allemande in F Major, HWV 476
66. Gigue in F Major, HWV 492
67. Prelude in D Minor, HWV 562
68. Keyboard Sonatina in G Major, HWV 582
69. Keyboard Sonatina in B-Flat Major, HWV 585
70. Prelude in F-Sharp Minor, HWV 570
71. Air in A Major, HWV 468
72. Sonata for a Musical Clock in C Major, HWV 578: I. Allegro
73. Sonata for a Musical Clock in C Major, HWV 578: II. Trio. Larghetto
74. Sonata for a Musical Clock in C Major, HWV 578: Gavotte. Non troppo presto
75. Prelude in A Minor, HWV 575
76. Lesson in A Minor, HWV 496
77. Partita in A Major, HWV 454: I. Allemande
78. Partita in A Major, HWV 454: II. Courante
79. Partita in A Major, HWV 454: III. Sarabande
80. Partita in A Major, HWV 454: IV. Gigue
81. Prelude G Minor, HWV 572
82. Keyboard Sonata in G Major, HWV 579
83. The Occasional Oratorio, HWV 62: I. Andante maestoso-Allegro
84. The Occasional Oratorio, HWV 62: II. Largo
85. The Occasional Oratorio, HWV 62: III. March
86. Suite in B-Flat Major, HWV 434: I. Prelude
87. Suite in B-Flat Major, HWV 434: II. Allegro moderato
88. Suite in B-Flat Major, HWV 434: III. Air-Five variations
89. Serse HWV40-Largo ('ombra mai fu')
90. Saul, HWV 53, Act I: Symphony. I. Allegro
91. Saul, HWV 53, Act I: Symphony. II. Andante
92. Saul, HWV 53, Act I: Symphony. III. Allegro
93. Saul, HWV 53, Act I: Symphony. IV. Larghetto
94. Saul, HWV 53, Act II: Symphony. I. Largo
95. Saul, HWV 53, Act II: Symphony. II. Allegro
96. Messiah, HWV 56:"I know that my Redeemer liveth
97. Messiah, HWV 56:"Hallelujah
98. Prelude and Fugue in F Minor: Prelude
99. Prelude and Fugue in F Minor: Fugue
100. Zadok the priest, HWV 258
101. Judas Maccabaeus, HWV 63, Act III: See the conqu'ring hero comes
102. Messiah, HWV 56:"Lift up your heads
Handel Edition, Vol. 5 [04:28:16]
01. 9 German Arias: I. Künft'ger Zeiten eitler Kummer HWV 202
02. 9 German Arias: II. Das zitternde Glänzen der spielenden Wellen HWV 203
03. 9 German Arias: III. Süßer Blumen Ambraflocken HWV 204
04. 9 German Arias: IV. Süße Stille, sanfte Quelle HWV 205
05. 9 German Arias: V. Singe, Seele, Gott zum Preise HWV 206
06. 9 German Arias: Vi. Meine Seele hört im Sehen HWV 207
07. 9 German Arias: VII. Die ihr aus dunklen Grüften HWV 208
08. 9 German Arias: VIII. In Den Angenehmen Büschen Hwv 209
09. 9 German Arias: IX. Flammende Rose, Zierde der Erden HWV 210
10. Da quel giorno fatale, HWV 99: I. Introduzione
11. Da quel giorno fatale, HWV 99: II. Recitativo. Da quel giorno fatale
12. Da quel giorno fatale, HWV 99: III. Aria. Un pensiero voli in ciel
13. Da quel giorno fatale, HWV 99: IV. Recitativo. Ma fermati pensier
14. Da quel giorno fatale, HWV 99: V. Aria. Per te lasciai la luce
15. Da quel giorno fatale, HWV 99: Vi. Recitativo. Non ti bastava ingrate
16. Da quel giorno fatale, HWV 99: VII. Aria. Lascia omai le brune vele
17. Da Quel Giorno Fatale, Hwv 99: VIII. Recitativo. Ma Siamo Giunti In Lete
18. Da quel giorno fatale, HWV 99: IX. Entrée
19. Da quel giorno fatale, HWV 99: X. Minuet e Arietta. In queste amene piagge serene
20. Da quel giorno fatale, HWV 99: XI. Recitativo. Sì disse Clori
21. Da quel giorno fatale, HWV 99: XII. Minuet
22. Ditemi, o piante, HWV 107: I. Recitativo. Ditemi, o piante
23. Ditemi, o piante, HWV 107: II. Aria. Il candore tolse al giglio
24. Ditemi, o piante, HWV 107: III. Recitativo. Ma la beltà del volto
25. Ditemi, o piante, HWV 107: IV. Aria. Per formar sì vaga e bella pastorella
26. Care selve, aure grate, HWV 88: I. Recitativo. Care selve, aure grate
27. Care selve, aure grate, HWV 88: II. Aria. Ridite a Clori
28. Care selve, aure grate, HWV 88: III. Recitativo. Se cangiarsi potesse
29. Care selve, aure grate, HWV 88: IV. Aria. Non ha forza nel mio petto
30. Allor ch'io dissi addio HWV 80: I. Recitativo. Allor ch'io dissi addio
31. Allor ch'io dissi addio HWV 80: II. Aria. Son qual cerva ferita che fugge
32. Allor ch'io dissi addio HWV 80: III. Recitativo. Anzi se nacque il mio amoroso desio
33. Allor ch'io dissi addio HWV 80: IV. Aria. Il dolce foco mio
34. Un'Alma innamorata, HWV 173: I. Recitativo. Un'alma innamorata
35. Un'Alma innamorata, HWV 173: II. Aria. Quel povero core
36. Un'Alma innamorata, HWV 173: III. Recitativo. E pur benché egli veda
37. Un'Alma innamorata, HWV 173: IV. Aria. Io godo, rido e spero
38. Un'Alma innamorata, HWV 173: V. Recitativo. In quanto a me
39. Un'Alma innamorata, HWV 173: Vi. Aria. Ben impari come s'ama
40. O lucenti, o sereni occhi, HWV 144: I. Recitativo. O lucenti, o sereni occhi
41. O lucenti, o sereni occhi, HWV 144: II. Aria. Per voi languisco e moro
42. O lucenti, o sereni occhi, HWV 144: III. Recitativo. Messaggiero verace
43. O lucenti, o sereni occhi, HWV 144: IV. Aria. In voi, pupille ardenti
44. O lucenti, o sereni occhi, HWV 144: V. Recitativo. Del bell'idolo mio
45. O lucenti, o sereni occhi, HWV 144: Vi. Aria. Formidabil gondolier
46. O lucenti, o sereni occhi, HWV 144: VII. Recitativo. Ma se non la rinvengo
47. O Lucenti, O Sereni Occhi, Hwv 144: VIII. Aria. Piangerò
48. O lucenti, o sereni occhi, HWV 144: IX. Recitativo. Fra quell'orride soglie
49. O lucenti, o sereni occhi, HWV 144: X. Aria. Su rendetemi colei
50. Aure soavi e liete, HWV 84: I. Recitativo. Aure soavi e liete
51. Aure soavi e liete, HWV 84: II. Aria. Care luci
52. Aure soavi e liete, HWV 84: III. Recitativo. Pietà, clori, pietà
53. Aure soavi e liete, HWV 84: IV. Aria. Un'aura flebile
54. Tra le fiamme, HWV 170: I. Aria. Tra le fiamme
55. Tra le fiamme, HWV 170: II. Recitativo. Dedalo già
56. Tra le fiamme, HWV 170: III. Aria. Pien di nuovo e bel diletto
57. Tra le fiamme, HWV 170: IV. Recitativo. Sì, sì, purtroppo è vero
58. Tra le fiamme, HWV 170: V. Aria. Voli per l'aria
59. Tra le fiamme, HWV 170: Vi. Recitativo. L'uomo che nacque per salire al cielo
60. Tra le fiamme, HWV 170: VII. Aria. Tra le fiamme
61. Aminta e Fillide, HWV 83: Ouverture & Recitativo. Arresta il passo (Aminta)
62. Aminta e Fillide, HWV 83: Aria Fermati, non fuggir! (Aminta)
63. Aminta e Fillide, HWV 83: Recitativo. Questa sol volta almeno (Aminta, Fillide)
64. Aminta e Fillide, HWV 83: Aria. Fiamma bella (Fillide)
65. Aminta e Fillide, HWV 83: Recitativo. Credi a miei detti (Fillide, Aminta)
66. Aminta e Fillide, HWV 83: Aria. Forse che un giorno (Aminta)
67. Aminta e Fillide, HWV 83: Recitativo. Invano, in van presumi (Fillide, Aminta)
68. Aminta e Fillide, HWV 83: Aria. Fu scherzo, fu gioco (Fillide)
69. Aminta e Fillide, HWV 83: Recitativo. Libero piè fugga dal laccio (Fillide, Aminta)
70. Aminta e Fillide, HWV 83: Aria. Se vago rio (Aminta)
71. Aminta e Fillide, HWV 83: Recitativo. D'un incognito foco (Fillide)
72. Aminta e Fillide, HWV 83: Aria. Sento che il dio bambin (Fillide)
73. Aminta e Fillide, HWV 83: Recitativo. Felicissimo punto (Aminta)
74. Aminta e Fillide, HWV 83: Aria. Al dispetto di sorte crudele (Aminta)
75. Aminta e Fillide, HWV 83: Recitativo. Vincesti Aminta (Fillide)
76. Aminta e Fillide, HWV 83: Aria. È un foco, quel d'amore (Fillide)
77. Aminta e Fillide, HWV 83: Recitativo. Gloria bella di Aminta (Aminta, Fillide)
78. Aminta e Fillide, HWV 83: Duo. Per abbatter il rigore (Aminta, Fillide)
79. Clori, mia bella Clori, HWV 92: Recitativo. Clori, mia bella Clori
80. Clori, mia bella Clori, HWV 92: Aria. Chiari lumi
81. Clori, mia bella Clori, HWV 92: Recitativo. Temo ma pure io spero
82. Clori, mia bella Clori, HWV 92: Aria. Ne' gigli e nelle rose
83. Clori, mia bella Clori, HWV 92: Recitativo. Non è però che non molesta e grave
84. Clori, mia bella Clori, HWV 92: Aria. Mie pupille
85. Clori, mia bella Clori, HWV 92: Recitativo. Tu nobil alma
86. Clori, mia bella Clori, HWV 92: Aria. di gelosia il timore
87. Sans y penser (Cantate française), HWV 155: Chanson. Sans y penser (Silvie)
88. Sans y penser (Cantate française), HWV 155: Récitatif. S'il ne falloit que bien aimer pour attendrir (Tirsis)
89. Sans y penser (Cantate française), HWV 155: Air. Petite fleur brunette (Tirsis)
90. Sans y penser (Cantate française), HWV 155: Récitatif. Vous, qui m'aviez procuré une amour éternelle (Tirsis)
91. Sans y penser (Cantate française), HWV 155: Air. Nos plaisirs seront peudurables (Silvie)
92. Sans y penser (Cantate française), HWV 155: Récitatif. Vous ne sauriez flatter ma peine (Silvie)
93. Sans y penser (Cantate française), HWV 155: Air. Non, non, je ne puis plus souffrir (Tirsis)
94. Clori, vezzosa Clori HWV 95: Recitativo. Clori, vezzosa Clori
95. Clori, vezzosa Clori HWV 95: Aria. Il bosco, il prato, il rio
96. Clori, vezzosa Clori HWV 95: Recitativo. Se l'usignol canoro
97. Clori, vezzosa Clori HWV 95: Aria. Non è possibile o Clori amabile
98. Pensieri notturni di Filli (Nel dolce dell'oblio), HWV 134: Recitativo. Nel dolce dell'oblio
99. Pensieri notturni di Filli (Nel dolce dell'oblio), HWV 134: Aria. Giacché il sonno a lei dipinge
100. Pensieri notturni di Filli (Nel dolce dell'oblio), HWV 134: Recitativo. Così fida ella vive
101. Pensieri notturni di Filli (Nel dolce dell'oblio), HWV 134: Aria. Ha l'inganno il suo diletto
102. Lungi n'andò Fileno, HWV 128: Recitativo. Lungi, lungi n'andò Fileno
103. Lungi n'andò Fileno, HWV 128: Aria. Si piangete, o mie pupille
104. Lungi n'andò Fileno, HWV 128: Recitativo. Ahi! M'inganno, infelice
105. Lungi n'andò Fileno, HWV 128: Aria. Dunque se il tanto piangere
Handel Edition, Vol. 6 [04:19:31]
01. Mira Lilla gentile, cantata à canto solo con violino obbligato: Recitativo. Mira Lilla gentile
02. Mira Lilla gentile, cantata à canto solo con violino obbligato: Aria. Non dar più pena o cara
03. Mira Lilla gentile, cantata à canto solo con violino obbligato: Recitativo. Ferma deh ferma o bella
04. Mira Lilla gentile, cantata à canto solo con violino obbligato: Aria. Consolati mio core
05. Mira Lilla gentile, cantata à canto solo con violino obbligato: Recitativo. Sogno o son desto
06. Mira Lilla gentile, cantata à canto solo con violino obbligato: Aria. Benché infida tu mi fuggi
07. La caduta di Icaro, cantata a canto solo con Violini: Sinfonia
08. La caduta di Icaro, cantata a canto solo con Violini: Aria. Tra le fiamme tu scherzi per gioco
09. La caduta di Icaro, cantata a canto solo con Violini: Recitativo. Dedalo già le fortunate penne
10. La caduta di Icaro, cantata a canto solo con Violini: Aria. Pien di nuovo e bel diletto
11. La caduta di Icaro, cantata a canto solo con Violini: Recitativo. Si sì, purtroppo è vero
12. La caduta di Icaro, cantata a canto solo con Violini: Aria. Impenni l'ali chi può volare
13. La caduta di Icaro, cantata a canto solo con Violini: Recitativo. L'uomo che nacque per salire al cielo
14. La caduta di Icaro, cantata a canto solo con Violini: Aria. Tra le fiamme tu scherzi per gioco (Reprise)
15. Mira Lilla gentile, cantata à canto solo con violoncello obbligato: Recitativo. Mira Lilla gentile
16. Mira Lilla gentile, cantata à canto solo con violoncello obbligato: Aria. Non dar più pena o cara
17. Mira Lilla gentile, cantata à canto solo con violoncello obbligato: Recitativo. Ferma deh ferma o bella
18. Mira Lilla gentile, cantata à canto solo con violoncello obbligato: Aria. Consolati mio core
19. Mira Lilla gentile, cantata à canto solo con violoncello obbligato: Recitativo. Sogno o son desto
20. Mira Lilla gentile, cantata à canto solo con violoncello obbligato: Aria. Benché infida tu mi fuggi
21. Tra le fiamme (Il consiglio), HWV 170: Aria. Tra le fiamme tu scherzi per gioco
22. Tra le fiamme (Il consiglio), HWV 170: Recitativo. Dedalo già le fortunate penne
23. Tra le fiamme (Il consiglio), HWV 170: Aria. Pien di nuovo e bel diletto
24. Tra le fiamme (Il consiglio), HWV 170: Recitativo. Si sì, purtroppo è vero
25. Tra le fiamme (Il consiglio), HWV 170: Aria. Voli nell'aria chi può volare
26. Tra le fiamme (Il consiglio), HWV 170: Recitativo. L'uomo che nacque per salire al cielo
27. Tra le fiamme (Il consiglio), HWV 170: Aria. Tra le fiamme tu scherzi per gioco (Reprise)
28. Sonata in B Major
29. Quel fior che all'alba ride, HWV 154
30. Preludio in D Minor
31. Và, và, speme infida, pur, HWV 199
32. Prelude
33. Amor gioie mi porge, HWV 180
34. Entreé
35. Caro autor di mia doglia, HWV 181a
36. Toccata
37. Ahi, nelle sorti umane, HWV179
38. Prelude
39. No, di voi non vò fidarmi, HWV 189
40. The Alchymist, HWV 43: I. Overture
41. The Alchymist, HWV 43: II. Air
42. The Alchymist, HWV 43: II. Minuet
43. The Alchymist, HWV 43: IV. Sarabande
44. The Alchymist, HWV 43: V. Bourrée
45. The Alchymist, HWV 43: Vi. Air
46. The Alchymist, HWV 43: VII. Minuet
47. The Alchymist, Hwv 43: VIII. Air
48. The Alchymist, HWV 43: X. Gigue
49. Apollo e Dafne, HWV 122: Recitative. La terra e liberata
50. Apollo e Dafne (La terra è liberata), HWV 122: Aria. Pende il ben dell'universo
51. Apollo e Dafne (La terra è liberata), HWV 122: Recitative. Ch'il superbetto Amore
52. Apollo e Dafne (La terra è liberata), HWV 122: Aria. Spezza l'arco e getta l'armi
53. Apollo e Dafne (La terra è liberata), HWV 122: Aria. Felicissima quest'alma
54. Apollo e Dafne (La terra è liberata), HWV 122: Recitative. Che voce
55. Apollo e Dafne (La terra è liberata), HWV 122: Aria. Ardi, adori, e preghi in vano
56. Apollo e Dafne (La terra è liberata), HWV 122: Recitative Che crudel
57. Apollo e Dafne (La terra è liberata), HWV 122: Duet. Una guerra ho dentro il seno
58. Apollo e Dafne (La terra è liberata), HWV 122: Recitative. Placati al fin, o cara
59. Apollo e Dafne (La terra è liberata), HWV 122: Aria. Come rosa in su la spina
60. Apollo e Dafne (La terra è liberata), HWV 122: Recitative. Ah, ch' un Dio non dovrebbe
61. Apollo e Dafne (La terra è liberata), HWV 122: Aria. Come in Ciel benigna stella
62. Apollo e Dafne (La terra è liberata), HWV 122: Recitative. Odi la mia ragion
63. Apollo e Dafne (La terra è liberata), HWV 122: Duet. Deh, lascia addolcire
64. Apollo e Dafne (La terra è liberata), HWV 122: Recitative. Sempre t'adorero
65. Apollo e Dafne (La terra è liberata), HWV 122: Aria-Recitative. Mie piante correte
66. Apollo e Dafne (La terra è liberata), HWV 122: Aria. Cara pianta
67. Aci, Galatea e Polifemo, HWV 72: Duetto. Sorge il dì (Aci, Galatea)
68. Aci, Galatea e Polifemo, HWV 72: Recitativo. Vanti, o cara, il ruscello (Aci, Galatea)
69. Aci, Galatea e Polifemo, HWV 72: Aria. Sforzano a piangere con più dolor (Galatea)
70. Aci, Galatea e Polifemo, HWV 72: Recitativo. E qual nuova sventura (Aci, Galatea)
71. Aci, Galatea e Polifemo, HWV 72: Aria. Che non può la gelosia (Aci)
72. Aci, Galatea e Polifemo, HWV 72: Accompagnato. Ma qual orrido suono (Galatea, Aci)
73. Aci, Galatea e Polifemo, HWV 72: Recitativo. Ahi, che dall'ombre eterne (Galatea, Aci)
74. Aci, Galatea e Polifemo, HWV 72: Aria. Sibilar l'angui d'Aletto (Polifemo)
75. Aci, Galatea e Polifemo, HWV 72: Recitativo. Deh lascia, o Polifemo (Galatea, Polifemo)
76. Aci, Galatea e Polifemo, HWV 72: Aria. Benché tuoni e l'etra avvampi (Galatea)
77. Aci, Galatea e Polifemo, HWV 72: Recitativo. Cadrai depressa e vinta (Polifemo, Galatea)
78. Aci, Galatea e Polifemo, HWV 72: Aria. Non sempre, no, crudele (Polifemo)
79. Aci, Galatea e Polifemo, HWV 72: Recitativo. Folle, quanto mi rido (Galatea, Polifemo, Aci)
80. Aci, Galatea e Polifemo, HWV 72: Aria. Dell'aquila l'artigli (Aci)
81. Aci, Galatea e Polifemo, HWV 72: Recitativo. Meglio spiega i tuoi sensi (Polifemo, Aci)
82. Aci, Galatea e Polifemo, HWV 72: Aria. Precipitoso nel mar che freme (Polifemo)
83. Aci, Galatea e Polifemo, HWV 72: Recitativo. Sì, t'intendo, inumano (Galatea)
84. Aci, Galatea e Polifemo, HWV 72: Aria. S'agita in mezzo all'onde (Galatea)
85. Aci, Galatea e Polifemo, HWV 72: Recitativo. So che le cinosure (Polifemo, Aci)
86. Aci, Galatea e Polifemo, HWV 72: Terzetto. Proverà lo sdegno mio (Polifemo, Galatea, Aci)
87. Aci, Galatea e Polifemo, HWV 72: Recitativo. Ingrata, se mi nieghi (Polifemo, Galatea, Aci)
88. Aci, Galatea e Polifemo, HWV 72: Aria. Fra l'ombre e gl'orrori (Polifemo)
89. Aci, Galatea e Polifemo, HWV 72: Recitativo. Ma che? non andrà inulta (Polifemo, Aci)
90. Aci, Galatea e Polifemo, HWV 72: Aria. Qui l'augel da pianta in pianta (Aci)
91. Aci, Galatea e Polifemo, HWV 72: Recitativo. Giunsi al fin, mio tesoro (Galatea, Aci)
92. Aci, Galatea e Polifemo, HWV 72: Aria. Se m'ami, o caro (Galatea)
93. Aci, Galatea e Polifemo, HWV 72: Recitativo. Qui sull'alto del monte (Polifemo, Aci, Galatea)
94. Aci, Galatea e Polifemo, HWV 72: Terzetto. Dolce amico amplesso (Aci, Galatea, Polifemo)
95. Aci, Galatea e Polifemo, HWV 72: Recitativo. Or poiché sordi sono (Polifemo, Aci)
96. Aci, Galatea e Polifemo, HWV 72: Aria. Verso già l'alma col sangue (Aci)
97. Aci, Galatea e Polifemo, HWV 72: Recitativo. Misera, e dove sono? (Galatea)
98. Aci, Galatea e Polifemo, HWV 72: Aria. Impara, ingrata, impara (Polifemo)
99. Aci, Galatea e Polifemo, HWV 72: Recitativo. Ah, tiranno inumano! (Galatea, Polifemo)
100. Aci, Galatea e Polifemo, HWV 72: Aria. Del mar fra l'onde (Galatea)
101. Aci, Galatea e Polifemo, HWV 72: Recitativo. Ferma, ma già nel mare (Polifemo)
102. Aci, Galatea e Polifemo, HWV 72: Accompagnato. Vissi fedel, mia vita (Polifemo)
103. Aci, Galatea e Polifemo, HWV 72: Recitativo. Ed io, che tanto ascolto (Polifemo)
104. Aci, Galatea e Polifemo, HWV 72: Terzetto. Chi ben ama ha per oggetti (Aci, Galatea, Polifemo)
Handel Edition, Vol. 7 [05:27:57]
01. Zadok the Priest, HWV 258
02. My Heart is Inditing, HWV 261: I. My Heart is Inditing
03. My Heart is Inditing, HWV 261: II. King's Daughters Were Among Thy Honourable Women
04. My Heart is Inditing, HWV 261: III. Upon Thy Right Hand
05. My Heart is Inditing, HWV 261: IV. Kings Shall Be Thy Nursing Fathers
06. Let Thy Hand Be Strengthened, HWV 259: I. Let Thy Hand Be Strengthened
07. Let Thy Hand Be Strengthened, HWV 259: II. Let Justice and Judgement
08. Let Thy Hand Be Strengthened, HWV 259: III. Allelujah!
09. The King Shall Rejoice, HWV 260: I. The King Shall Rejoice
10. The King Shall Rejoice, HWV 260: III. Exceedingly Glad Shall He Be
11. The King Shall Rejoice, HWV 260: IV. Glory and Great Worship Hast Thou Laid Upon Him
12. Organ Concerto in B- Flat Major, HWV 306: I. Andante
13. Organ Concerto in B- Flat Major, HWV 306: II. Andante
14. Organ Concerto in B- Flat Major, HWV 306: III. Adagio
15. Organ Concerto in B- Flat Major, HWV 306: IV. Largo e Piano
16. Organ Concerto in B- Flat Major, HWV 306: V. Fuga ex B
17. Organ Concerto in B- Flat Major, HWV 306: Vi. Larghetto
18. Organ Concerto in B- Flat Major, HWV 306: VII. Bourrée
19. Dettingen Te Deum in D Major, HWV 283: I. Chorus. Herr Gott! Dir sei Lob!
20. Dettingen Te Deum in D Major, HWV 283: II. Chorus. Alle Welt verehret Dich
21. Dettingen Te Deum in D Major, HWV 283: III. Chorus. Dir singt der Engel reiner Chor
22. Dettingen Te Deum in D Major, HWV 283: IV. Chorus. Vor dir Cherubim und Seraphim
23. Dettingen Te Deum in D Major, HWV 283: V. Chorus. Der hochgelobte Gott der Apostel
24. Dettingen Te Deum in D Major, HWV 283: Vi. Bass Solo and Chorus. Du bist der Ehrenk'nig, o Christ
25. Dettingen Te Deum in D Major, HWV 283: VII. Aria (Bass). Als du auf dich Genommen
26. Dettingen Te Deum In D Major, Hwv 283: VIII. Chorus. Als Du Siegreich Zerbrachst Den Stachel Des Todes
27. Dettingen Te Deum in D Major, HWV 283: IX. Chorus (Trio). Du sitzest zu der Rechten des Herrn
28. Dettingen Te Deum in D Major, HWV 283: X. Chorus. Nimm uns auf in deiner Heil'gen Zahl
29. Dettingen Te Deum in D Major, HWV 283: XI. Chorus. Tag für Tag sei Dank und Lob Dir
30. Dettingen Te Deum in D Major, HWV 283: XII. Arioso (Bass). Bewahr, o Herr, du treuer Gott
31. Dettingen Te Deum In D Major, Hwv 283: XIII. Chorus. O Herr, Auf Dich Steht Mein Hoffen
32. Ode für den Geburtstag der Königin Anna, HWV 74: I. O ew'ger Quell von Licht und Glut (Tenor)
33. Ode für den Geburtstag der Königin Anna, HWV 74: II. Am Tag, der uns den Frieden bringt (Tenor, Chorus)
34. Ode für den Geburtstag der Königin Anna, HWV 74: III. Ihr holden Sänger in der Luft (Soprano, Chorus)
35. Ode für den Geburtstag der Königin Anna, HWV 74: IV. Seid, Hirt und Herde, ohne Furcht (Alto, Chorus)
36. Ode für den Geburtstag der Königin Anna, HWV 74: V. Der Woge Lauf ist froh erregt (Soprano, Bass, Chorus)
37. Ode für den Geburtstag der Königin Anna, HWV 74: Vi. Gesundheit, komm auch du herbei (Soprano, Alto)
38. Ode für den Geburtstag der Königin Anna, HWV 74: VII. Am Tag, der uns den Frieden bringt (Soprano, Alto, Chorus)
39. Ode Für Den Geburtstag Der Königin Anna, Hwv 74: VIII. O Missgunst, Hier Verbirg Dein Haupt (Bass, Chorus)
40. Ode für den Geburtstag der Königin Anna, HWV 74: IX. Vereinter Völker Stimm' erschalt (Tenor, Chorus)
41. Utrecht Te Deum in D Major, HWV 278: I. Wir preisen dich (Chorus). Dir singen Engelscharen laut [Soloist, Chorus]. Zu Cherubim [Soloist, Chorus]
42. Utrecht Te Deum in D Major, HWV 278: II. Der hocherhabene Chor der Apostel (Soloist, Chorus). Du bist der Herr [Chorus]
43. Utrecht Te Deum in D Major, HWV 278: III. Als du nahmest auf dich (Soloist, Chorus). Du sitzest zur Rechten des Herrn [Chorus]
44. Utrecht Te Deum in D Major, HWV 278: IV. Und wir glauben, daß du kommst (Soloist, Chorus)
45. Utrecht Te Deum in D Major, HWV 278: V. Tag für Tag (Chorus)
46. Utrecht Te Deum in D Major, HWV 278: Vi. Verleih' uns Herr (Soloist, Chorus)
47. Utrecht Te Deum in D Major, HWV 278: VII. O Herr, auf dich (Chorus)
48. Ode for St. Cecilia'S Day, HWV 76: I. Overture
49. Ode for St. Cecilia'S Day, HWV 76: II. Accompagnato (Tenor). From Harmony
50. Ode for St. Cecilia'S Day, HWV 76: III. Chorus. From Harmony, from Heavenly Harmony
51. Ode for St. Cecilia'S Day, HWV 76: IV. Air (Soprano). What Passion Cannot Music Raise and Quell!
52. Ode for St. Cecilia'S Day, HWV 76: V. Air (Tenor and Chorus). The Trumpet's Loud Clangour
53. Ode for St. Cecilia'S Day, HWV 76: Vi. March
54. Ode for St. Cecilia'S Day, HWV 76: VII. Air (Soprano). The Soft Complaining Flute
55. Ode For St. Cecilia's Day, Hwv 76: VIII. Air (Tenor). Sharp Violins Proclaim Their Jealous Pangs
56. Ode for St. Cecilia'S Day, HWV 76: IX. Air (Soprano). But oh! What Art Can Teach
57. Ode for St. Cecilia'S Day, HWV 76: X. Air (Soprano). Orpheus Could Lead the Savage Race
58. Ode for St. Cecilia'S Day, HWV 76: XI. Accompagnato (Soprano). But bright Cecilia Raised the Wonder Higher
59. Ode for St. Cecilia'S Day, HWV 76: XII. Chorus with Soprano Solo. As from Pow'r of Sacred Lays
60. Messiah, HWV 56, Pt. 1: Sinfonia (Ouverture)
61. Messiah, HWV 56, Pt. 1: Recitative (Tenor) Comfort Ye My People
62. Messiah, HWV 56, Pt. 1: Air (Tenor) Ev'ry Valley Shall Be Exalted
63. Messiah, HWV 56, Pt. 1: Chorus. And the Glory of the Lord Shall Be Revealed
64. Messiah, HWV 56, Pt. 1: Recitative (Bass) Thus Said the Lord of Hosts
65. Messiah, HWV 56, Pt. 1: Air (Alto) But Who May Abide
66. Messiah, HWV 56, Pt. 1: Chorus. And He Shall Purify
67. Messiah, HWV 56, Pt. 1: Recitative (Alto) Behold, a Virgin Shall Conceive
68. Messiah, HWV 56, Pt. 1: Air (Alto & Chorus) O Thou That Tellest
69. Messiah, HWV 56, Pt. 1: Recitative (Bass) For Behold, Darkness Shall Cover the Earth
70. Messiah, HWV 56, Pt. 1: Air (Bass) The People That Walked in Darkness
71. Messiah, HWV 56, Pt. 1: Chorus. For Unto Us a Child is Born
72. Messiah, HWV 56, Pt. 1: Pifa (Pastoral Symphony)
73. Messiah, HWV 56, Pt. 1: Recitative (Soprano) There Were Shepherds
74. Messiah, HWV 56, Pt. 1: Recitative (Soprano) And the Angel Said Unto Them
75. Messiah, HWV 56, Pt. 1: Recitative (Soprano) And Suddenly There Was with the Angel
76. Messiah, HWV 56, Pt. 1: Chorus. Glory to God in the Highest
77. Messiah, HWV 56, Pt. 1: Air (Soprano) Rejoice Greatly, O Daughter of Zion
78. Messiah, HWV 56, Pt. 1: Recitative (Alto) Then Shall the Eyes of the Blind
79. Messiah, HWV 56, Pt. 1: Duet (Alto & Soprano) He Shall Feed His Flock
80. Messiah, HWV 56, Pt. 1: Chorus. His Yoke is Easy
81. Messiah, HWV 56, Pt. 2: Chorus. Behold, the Lamb of God
82. Messiah, HWV 56, Pt. 2: Air (Tenor) He Was Despised and Rejected of Men
83. Messiah, HWV 56, Pt. 2: Chorus. Surely He Hath Borne Our Griefs
84. Messiah, HWV 56, Pt. 2: Chorus. And with His Stripes We Are Healed
85. Messiah, HWV 56, Pt. 2: Chorus. All We Like Sheep Have Gone Astray
86. Messiah, HWV 56, Pt. 2: Recitative (Tenor) All They That See Him
87. Messiah, HWV 56, Pt. 2: Chorus. He Trusted in God
88. Messiah, HWV 56, Pt. 2: Recitative (Tenor) Thy Rebuke Hath Broken His Heart
89. Messiah, HWV 56, Pt. 2: Air (Tenor) Behold, and See If There Be Any Sorrow
90. Messiah, HWV 56, Pt. 2: Recitative (Tenor) He Was Cut off Out of the Land
91. Messiah, HWV 56, Pt. 2: Air (Soprano) But Thou Didst Not Leave
92. Messiah, HWV 56, Pt. 2: Chorus. Lift Up Your Heads
93. Messiah, HWV 56, Pt. 2: Recitative (Tenor) Unto Which of the Angels
94. Messiah, HWV 56, Pt. 2: Chorus. Let All the Angels of God Worship Him
95. Messiah, HWV 56, Pt. 2: Air (Alto) Thou Art Gone up on High
96. Messiah, HWV 56, Pt. 2: Chorus. The Lord Gave the Word
97. Messiah, HWV 56, Pt. 2: Air (Soprano) How Beautiful Are the Feet
98. Messiah, HWV 56, Pt. 2: Chorus. Their Sound is Gone Out
99. Messiah, HWV 56, Pt. 2: Air (Bass) Why Do the Nations?
100. Messiah, HWV 56, Pt. 2: Chorus. Let Us Break Their Bonds Asunder
101. Messiah, HWV 56, Pt. 2: Recitative (Tenor) He That Dwelleth in Heaven
102. Messiah, HWV 56, Pt. 2: Air (Tenor) Thou Shalt Break Them
103. Messiah, HWV 56, Pt. 2: Chorus. Hallelujah!
104. Messiah, HWV 56, Pt. 3: Air (Soprano) I Know That My Redeemer Liveth
105. Messiah, HWV 56, Pt. 3: Chorus. Since by Man Came Death
106. Messiah, HWV 56, Pt. 3: Recitative (Bass) Behold, I Tell You a Mystery
107. Messiah, HWV 56, Pt. 3: Air (Bass) The Trumpet Shall Sound
108. Messiah, HWV 56, Pt. 3: Recitative (Alto) Then Shall Be Brought to Pass
109. Messiah, HWV 56, Pt. 3: Duet (Alto & Tenor) O Death, Where is Thy Sting?
110. Messiah, HWV 56, Pt. 3: Chorus. But Thanks Be to God
111. Messiah, HWV 56, Pt. 3: Air (Soprano) If God Be for Us
112. Messiah, HWV 56, Pt. 3: Chorus. Worthy is the Lamb... Amen
Handel Edition, Vol. 8 [04:01:27]
01. La resurrezione, HWV 47, Pt. 1: Sonata
02. La resurrezione, HWV 47, Pt. 1: Aria. Disserratevi, oh porte d'Averno! (Angelo)
03. La resurrezione, HWV 47, Pt. 1: Accompagnato. Qual insolita luce (Lucifero)
04. La resurrezione, HWV 47, Pt. 1: Aria. Caddi, è ver (Lucifero)
05. La resurrezione, HWV 47, Pt. 1: Accompagnato. Mà, che veggio (Lucifero)
06. La resurrezione, HWV 47, Pt. 1: Recitativo. Chi sei? Chi è questo Re (Lucifero/angelo)
07. La resurrezione, HWV 47, Pt. 1: Aria. D'amor fù consiglio (Angelo)
08. La resurrezione, HWV 47, Pt. 1: Recitativo. E ben, questo tuo Nume (Lucifero/angelo)
09. La resurrezione, HWV 47, Pt. 1: Aria. O voi dell'Erebo (Lucifero)
10. La resurrezione, HWV 47, Pt. 1: Accompagnato. Notte, notte funesta (Maddalena)
11. La resurrezione, HWV 47, Pt. 1: Aria. Ferma l'ali (Maddalena)
12. La resurrezione, HWV 47, Pt. 1: Recitativo. Concedi, o Maddalena (Cleofe/maddalena)
13. La resurrezione, HWV 47, Pt. 1: Aria. Piangete, sì, piangete (Cleofe)
14. La resurrezione, HWV 47, Pt. 1: Recitativo. Ahi dolce mio signore (Cleofe/maddalena)
15. La resurrezione, HWV 47, Pt. 1: Duetto. Dolci chiodi, amate spine (Maddalena/cleofe)
16. La resurrezione, HWV 47, Pt. 1: Recitativo. O Cleofe, o Maddalena (San Giovanni/Maddalena)
17. La resurrezione, HWV 47, Pt. 1: Aria. Quando è parto dell'affetto (San Giovanni)
18. La resurrezione, HWV 47, Pt. 1: Recitativo. Mà dinne, e sarà vero (Cleofe/san Giovanni/Maddalena)
19. La resurrezione, HWV 47, Pt. 1: Aria. Naufragando và per l'onde (Cleofe)
20. La resurrezione, HWV 47, Pt. 1: Recitativo. Itene pure, o fide amiche donne (San Giovanni/Maddalena)
21. La resurrezione, HWV 47, Pt. 1: Aria. Così la tortorella (San Giovanni)
22. La resurrezione, HWV 47, Pt. 1: Recitativo. Se Maria dunque spera (Maddalena)
23. La resurrezione, HWV 47, Pt. 1: Aria. Hò un non sò che nel cor (Maddalena)
24. La resurrezione, HWV 47, Pt. 1: Recitativo. Uscite pur, uscite (Angelo)
25. La resurrezione, HWV 47, Pt. 1: Chorus. Il Nume vincitor
26. La resurrezione, HWV 47, Pt. 2: Sinfonia
27. La resurrezione, HWV 47, Pt. 2: Recitativo. di quai nuovi portenti (San Giovanni)
28. La resurrezione, HWV 47, Pt. 2: Aria. Ecco il sol (San Giovanni)
29. La resurrezione, HWV 47, Pt. 2: Recitativo. Mà dove Maria dimora (San Giovanni)
30. La resurrezione, HWV 47, Pt. 2: Aria. Risorga il mondo (Angelo)
31. La resurrezione, HWV 47, Pt. 2: Accompagnato. di rabbia indarno freme (Angelo)
32. La resurrezione, HWV 47, Pt. 2: Recitativo: Misero! hò pure udito? (Lucifero/angelo)
33. La resurrezione, HWV 47, Pt. 2: Aria. Per celare il nuovo scorno (Lucifero)
34. La resurrezione, HWV 47, Pt. 2: Recitativo. Oh come cieco (Angelo)
35. La resurrezione, HWV 47, Pt. 2: Duetto. Impedirlo saprò (Lucifero/angelo)
36. La resurrezione, HWV 47, Pt. 2: Recitativo. Amica, troppo tardo fù il nostro piè (Maddalena/cleofe)
37. La resurrezione, HWV 47, Pt. 2: Aria. Per me già di morire (Maddalena)
38. La resurrezione, HWV 47, Pt. 2: Recitativo. Ahi, abborrito nome (Lucifero)
39. La resurrezione, HWV 47, Pt. 2: Aria. Vedo il ciel (Cleofe)
40. La resurrezione, HWV 47, Pt. 2: Recitativo. Cleofe, siam giunte al luogo (Maddalena/cleofe/angelo)
41. La resurrezione, HWV 47, Pt. 2: Aria. Se per colpa di donna infelice (Angelo)
42. La resurrezione, HWV 47, Pt. 2: Recitativo. Mio giesù, mio signore (Maddalena)
43. La resurrezione, HWV 47, Pt. 2: Aria. Del cielo dolente (Maddalena)
44. La resurrezione, HWV 47, Pt. 2: Recitativo. Sì, sì, cerchiamo pure (Cleofe)
45. La resurrezione, HWV 47, Pt. 2: Aria. Augelletti, ruscelletti (Cleofe)
46. La resurrezione, HWV 47, Pt. 2: Recitativo. Dove si frettolosi (San Giovanni/Cleofe)
47. La resurrezione, HWV 47, Pt. 2: Aria. Caro figlio (San Giovanni)
48. La resurrezione, HWV 47, Pt. 2: Recitativo. Cleofe, Giovanni, udite (Maddalena/san Giovanni/Cleofe)
49. La resurrezione, HWV 47, Pt. 2: Aria. Se impassibile, immortale (Maddalena)
50. La resurrezione, HWV 47, Pt. 2: Recitativo. Sì, sì, col redentore (San Giovanni)
51. La resurrezione, HWV 47, Pt. 2: Chorus. Diasi lode in cielo
52. Jephtha, HWV 70: Overture
53. Jephtha, HWV 70: Menuet
54. Jephtha, HWV 70, Pt. 1: Accompagnato. It Must Be So (Zebul)
55. Jephtha, HWV 70, Pt. 1: Air. Pour Forth No More Unheeded Prayr's (Zebul)
56. Jephtha, HWV 70, Pt. 1: Chorus. No More to Ammon's God and King
57. Jephtha, HWV 70, Pt. 1: Recitative. But Jephtha Comes (Zebul/Jephtha)
58. Jephtha, HWV 70, Pt. 1: Air. Virtue My Soul Shall Still Embrace (Jephtha)
59. Jephtha, HWV 70, Pt. 1: Recitative. 'Twill be a painful separation (Storgè)
60. Jephtha, HWV 70, Pt. 1: Air. In Gentle Murmurs Will Mourn (Storgè)
61. Jephtha, HWV 70, Pt. 1: Recitative. Happy This Embassy, My Charming Iphis (Hamor )
62. Jephtha, HWV 70, Pt. 1: Air. Dull Delay, in Piercing Anguish (Hamor)
63. Jephtha, HWV 70, Pt. 1: Recitative. Ill Suits the Voice of Love (Iphis)
64. Jephtha, HWV 70, Pt. 1: Air. Take the Heart You Foundly Gave (Iphis)
65. Jephtha, HWV 70, Pt. 1: Recitative. I Go. My Soul (Hamor)
66. Jephtha, HWV 70, Pt. 1: Duet. These Labours Past, How Happy We (Jephtha)
67. Jephtha, HWV 70, Pt. 1: Recitative. What Mean These Doubtful Fancies (Jephtha)
68. Jephtha, HWV 70, Pt. 1: Accompagnato. If, Lord, Sustain'd by Thy Almighty Pow'r (Jephtha). Recitative. 'Tis Said. Attend, Ye Chiefs[Jephtha]
69. Jephtha, HWV 70, Pt. 1: Chorus. O God, Behold Our Sore Distress
70. Jephtha, HWV 70, Pt. 1: Recitative. Some Dire Event Hangs o'er Our Heads (Storgè)
71. Jephtha, HWV 70, Pt. 1: Air. Scenes of Horror, Scenes of Woe (Storgè)
72. Jephtha, HWV 70, Pt. 1: Recitative. Say, My Dear Mother (Iphis/Storgè)
73. Jephtha, HWV 70, Pt. 1: Air. The Smiling Dawn of Happy Days (Iphis)
74. Jephtha, HWV 70, Pt. 1: Recitative. Such, Jephtha, Was the Haughty King's Reply (Zebul/Jephtha)
75. Jephtha, HWV 70, Pt. 1: Chorus. When His Loud Voice in Thunder Spoke
76. Jephtha, HWV 70, Pt. 2: Recitative. Glad Tidings of Great Joy (Hamor)
77. Jephtha, HWV 70, Pt. 2: Chorus. Cherub and Seraphim, Unbodied Forms
78. Jephtha, HWV 70, Pt. 2: Air. Up the Dreadful Steep Ascending (Hamor)
79. Jephtha, HWV 70, Pt. 2: Recitative. 'Tis Well. Haste, Haste, Ye Maidens (Iphis)
80. Jephtha, HWV 70, Pt. 2: Air. Tune the Soft Melodious Lute (Iphis)
81. Jephtha, HWV 70, Pt. 2: Recitative. Heav'n Smiles Once More (Jephtha)
82. Jephtha, HWV 70, Pt. 2: Air. His Mighty Arm (Jephtha)
83. Jephtha, HWV 70, Pt. 2: Chorus. In Glory High
84. Jephtha, HWV 70, Pt. 2: Symphony
85. Jephtha, HWV 70, Pt. 2: Recitative. Hail, Glorious Conqueror! (Iphis)
86. Jephtha, HWV 70, Pt. 2: Air. Welcome, as the Cheerful Light (Iphis). Chorus. Welcome Thou, Whose Deeds Conspire
87. Jephtha, HWV 70, Pt. 2: Recitative. Horror! Confusion! (Jephtha)
88. Jephtha, HWV 70, Pt. 2: Air. Open Thy Marble Jaws, O Tomb (Jephtha)
89. Jephtha, HWV 70, Pt. 2: Recitative. Why is my Brother Thus Afflicted? (Zebul/Jephtha)
90. Jephtha, HWV 70, Pt. 2: Accompagnato and Arioso. First Perish Thou. Let Other Creatures (Storgè)
91. Jephtha, HWV 70, Pt. 2: Recitative. If Such Thy Cruel Purpose (Hamor)
92. Jephtha, HWV 70, Pt. 2: Air. On Me Let Blind Mistaken Zeal (Hamor)
93. Jephtha, HWV 70, Pt. 2: Quartet. O Spare Your Daughter! (Storgè/Hamor/Jephtha/Zebul)
94. Jephtha, HWV 70, Pt. 2: Recitative. Such News Flies Swift (Iphis)
95. Jephtha, HWV 70, Pt. 2: Accompagnato. For Joys So Vast (Iphis)
96. Jephtha, HWV 70, Pt. 2: Air. Happy They! (Iphis)
97. Jephtha, HWV 70, Pt. 2: Accompagnato. Deeper and Deeper Still (Jephtha)
98. Jephtha, HWV 70, Pt. 2: Chorus. How Dark, O Lord, Are Thy Decrees!
Handel Edition, Vol. 9 [02:30:03]
01. Jephtha, HWV 70, Pt. 3: Arioso. Hide Thou Thy Hated Beams (Jephtha)
02. Jephtha, HWV 70, Pt. 3: Accompagnato. A Father, off Ring Up (Jephtha)
03. Jephtha, HWV 70, Pt. 3: Air. Waft Her, Angels (Jephtha)
04. Jephtha, HWV 70, Pt. 3: Accompagnato. Ye Sacred Priests (Iphis)
05. Jephtha, HWV 70, Pt. 3: Air. Farewell, Ye Limpid Springs (Iphis)
06. Jephtha, HWV 70, Pt. 3: Chorus. Doubtful Fear and Reverend Awe (Priests)
07. Jephtha, HWV 70, Pt. 3: Symphony
08. Jephtha, HWV 70, Pt. 3: Recitative. Rise, Jephtha (Angel)
09. Jephtha, HWV 70, Pt. 3: Air. Happy, Iphis, Shalt Thou Live (Angel)
10. Jephtha, HWV 70, Pt. 3: Arioso. For Ever Blessed Be (Jephtha)
11. Jephtha, HWV 70, Pt. 3: Chorus. Theme Sublime
12. Jephtha, HWV 70, Pt. 3: Recitative. Let Me Congratulate (Zebul)
13. Jephtha, HWV 70, Pt. 3: Air. Laud Her, all Ye Virgin Train (Zebul)
14. Jephtha, HWV 70, Pt. 3: Recitative. O Let Me Fold Thee (Storgè)
15. Jephtha, HWV 70, Pt. 3: Air. Sweet as Sight to the Blind (Storgè)
16. Jephtha, HWV 70, Pt. 3: Recitative. With Transport, Iphis (Hamor)
17. Jephtha, HWV 70, Pt. 3: Recitative. My Faithful Hamor (Iphis)
18. Jephtha, HWV 70, Pt. 3: Quintet. All That Is in Hamor Mine (Iphis/Hamor/Storgè/Jephtha/Zebul)
19. Jephtha, HWV 70, Pt. 3: Chorus. Ye House of Gilead
20. Israel in Egypt, HWV 54, Pt. 1: Symphony. Largo Assai
21. Israel in Egypt, HWV 54, Pt. 1: Chorus. The Sons of Israel Do Mourn
22. Israel in Egypt, HWV 54, Pt. 1: How Is the Mighty Fall'n
23. Israel in Egypt, HWV 54, Pt. 1: Chorus. He Put on Righteousness
24. Israel in Egypt, HWV 54, Pt. 1: Chorus (Soli). When the Ear Heard Him
25. Israel in Egypt, HWV 54, Pt. 1: Chorus. How Is the Mighty fall'n (2)
26. Israel in Egypt, HWV 54, Pt. 1: Chorus. The Righteous Shall Be Had In Everlasting Remembrance
27. Israel in Egypt, HWV 54, Pt. 1: Chorus. Their Bodies Are Buried In Peace
28. Israel in Egypt, HWV 54, Pt. 1: Chorus. The People Will Tell of Their Wisdom
29. Israel in Egypt, HWV 54, Pt. 1: Chorus (Soli). They Shall Receive a Glorious Kingdom
30. Israel in Egypt, HWV 54, Pt. 1: Chorus. The Merciful Goodness of the Lord
31. Israel in Egypt, HWV 54, Pt. 2: Solo and Chorus. And the Children of Israel Sigh'd
32. Israel in Egypt, HWV 54, Pt. 2: Chorus. They Loathed To Drink of the River
33. Israel in Egypt, HWV 54, Pt. 2: Air. Their Land Brought Forth Frogs
34. Israel in Egypt, HWV 54, Pt. 2: Chorus. He Spake the Word
35. Israel in Egypt, HWV 54, Pt. 2: Chorus. He Gave Them Hailstones for Rain
36. Israel in Egypt, HWV 54, Pt. 2: Chorus. He Sent a Thick Darkness
37. Israel in Egypt, HWV 54, Pt. 2: Chorus. He Smote All the Firstborn of Egypt
38. Israel in Egypt, HWV 54, Pt. 2: Chorus. But as for His People
39. Israel in Egypt, HWV 54, Pt. 2: Chorus. He Rebuked the Red Sea
40. Israel in Egypt, HWV 54, Pt. 2: Chorus. And Israel Saw That Great Work
41. Israel in Egypt, HWV 54, Pt. 3: Chorus. Moses and the Children of Israel
42. Israel in Egypt, HWV 54, Pt. 3: Duet. The Lord Is My Strength and My Song
43. Israel in Egypt, HWV 54, Pt. 3: Chorus. He Is My God
44. Israel in Egypt, HWV 54, Pt. 3: Duet. The Lord Is a Man of War
45. Israel in Egypt, HWV 54, Pt. 3: Chorus. The Depths Have Cover'd Them
46. Israel in Egypt, HWV 54, Pt. 3: Chorus. Thy Right Hand, O Lord
47. Israel in Egypt, HWV 54, Pt. 3: Chorus. And with the Blast of Thy Nostrils
48. Israel in Egypt, HWV 54, Pt. 3: Air. The Enemy Said
49. Israel in Egypt, HWV 54, Pt. 3: Air. Thou Didst Blow with the Wind
50. Israel in Egypt, HWV 54, Pt. 3: Chorus. Who Is Like Unto Thee, O Lord, Among the Gods?
51. Israel in Egypt, HWV 54, Pt. 3: Duet. Thou in Thy Mercy
52. Israel in Egypt, HWV 54, Pt. 3: Chorus. The People Shall Hear
53. Israel in Egypt, HWV 54, Pt. 3: Air. Thou Shalt Bring Them In
54. Israel in Egypt, HWV 54, Pt. 3: Chorus. The Lord Shall Reign Forever and Ever
55. Israel in Egypt, HWV 54, Pt. 3: Solo and Chorus. Sing Ye to the Lord
The first thing that came into my mind when opening up this box was, who would/should buy it, and why? Browsing the contents list gave the impression of a somewhat unpromising mixed bag. The selection of music, if not exactly random, favours some genres but omits operas entirely; a Handel ‘Edition’ without operas. The age of the recordings varies widely; some are recent, some old, and one or two are really old. Performing styles vary from period instrument and style through acceptable renditions on modern instruments to one or two examples in the weighty tradition of the nineteenth century.
One can look at it as a sample of Handel’s prodigious output; a big box of music by one of the greats at a price of little more than a pound a disc. So, possibly a bargain? That said, the low price wouldn’t guarantee that if the performances were poor or happen not to suit the taste of the buyer. A decision may well come down to where the balance lies after looking at positives and negatives of individual discs. To try to come to a view, I considered it from my own standpoint of taste and knowledge but I don’t expect any one person to share my performance-by-performance opinions. Having said that, my comments may cast enough light to enable readers to make up their own minds.
My guess is that, even with such a well-known composer, most listeners will get, a nice surprise or two. For a start, it was good to get to know at least a few of Handel’s little-recorded corpus of around a hundred cantatas, many composed during his stay in Italy from 1706 to 1710, via a selection performed by the Italian period instrument band Contrasto Armonico with soloist Canadian soprano Stefanie True. This is a fine ensemble which yields nothing to others better known — in the UK at least — and True’s vocal agility, accurate intonation and stylish ornamentation are spot-on in this repertoire. Her characterization of the various roles is a reminder that for Handel these cantatas substituted to some extent for opera when the genre was the subject of a papal ban in Rome. Adding to this impression is the most substantial of the cantatas in the set, the pastoral romance Aminta e Filide for two sopranos, where True is joined by Klaartje van Veldhoven; a most enjoyable work with a variety of instrumental textures. Another gem, the extended cantata Apollo e Dafne, documents the origins of the laurel wreaths of heroes in a lovely performance from Musica ad Rhenum.
From the same period, and with the same forces, comes the delightful masque or serenata Aci, Galatea e Polifemo (not to be confused with the later – and English – Acis and Galatea) written for an aristocratic wedding during Handel’s brief stay in Naples in 1708. The trio of Stefanie True, richly-voiced mezzo Luciana Mancini and bass Mitchell Sandler share the solo roles and balance each other well. This is a long way from opera as such – no chorus, no staging – but the vocal acting and varied instrumental textures help to compensate.
Not all the discs in this ‘cantata’ section of the set satisfy; a selection of the Italian Duets, with different performers, is excessively mannered and sometimes out of tune, and a recording from 1980 of the Nine German Arias from Arleen Auger with modern instruments shows its age. The beauty of Auger’s voice didn’t compensate for the lack of period style.
Another area with a good chance of a felicitous discovery is the keyboard music; while the eight ‘Great Suites’ are fairly well-known, they form only about a quarter of the harpsichord music presented here. ‘Fairly’ because, although they contain some of the best of Handel’s music in this genre, the suites have been relatively little recorded, especially in comparison with Bach’s suites. Recently, there has been more interest, as much from pianists as harpsichordists.
Like Bach, Handel was adept at synthesizing the national styles into an idiom of his own. A suite may start with a French overture or a prelude owing much to the Gallic prélude non mesuré, but the allemande that follows might just as easily reflect his Italian experience. There is no established pattern; one is just as likely to find Italian-style sonata movements, fugues and themes-and-variations. Michael Borgstede’s account first appeared on the Brilliant label in 2008 and is very competitive with those of Richard Egarr and Paul Nicholson. Borgstede also plays the suites (including the Chaconne in G HWV435) published in 1733 but written much earlier; less substantial than the ‘Great Suites’, there is still much fine music to be discovered here.
That’s not all; Roberto Loreggian, who has previously recorded Frescobaldi for Brilliant, is assigned four CDs of suites, partitas, preludes, chaconnes, fugues and other miscellaneous pieces - ‘Impertinence’, anyone? - providing a most enjoyable browse for the inquisitive. Finally in the keyboard bran-tub is a disc of romantic-era transcriptions for organ of mostly oratorio numbers. Purists can look away now, for distinctly un-baroque versions of Zadok the Priest and the famous Largo are played on a fine modern instrument built in 2010; hugely enjoyable.
Staying with agreeable surprises, I had not reckoned myself a fan of oratorio (in general, not just Handel’s) but was much taken with the performance of Jephtha which comes across not only as a depiction of a biblical episode but as a very moving human drama. A generally fine team of soloists includes John Mark Ainsley and Michael George and the period orchestra Akademie für Alte Musik Berlin under Marcus Creed accompanies stylishly. John Mark Ainsley is also the excellent tenor soloist in the Messiah in a competitive if not ideal performance. The only other oratorio recorded on period instruments, La Resurrezione, comes from the Contrasto Armonico forces as above. As a MusicWeb International colleague pointed out, this is an adequate performance but some deficiencies disqualify it as a top recommendation. However, as a first listen to this early Oratorio — one of only two from Handel’s period in Italy — it’s a reasonable starting point if the work interests. The same applies in different degrees to other oratorio performances in this set.
Unfortunately, at least as far as my taste is concerned, all the other oratorios in the set are performed on modern instruments and are fairly elderly. However, the accounts of Judas Maccabeus (1972), Solomon (1974) and Theodora (1968) with the English Chamber Orchestra were considered stylish in their time and, even today, the crisply articulated orchestral playing is more than bearable. While the voices of soloists Heather Harper, Heather Watts, Robert Tear et al might be considered heavy and vibrato-laden by today’s standards, they were the Handelians of their day and their singing is wonderful in its own way. All the ECO performances are listenable at least once but I must say their memory is obliterated as soon as I hear the lighter voices of today’s singers alongside period instruments in lively tempi, enhancing the drama far more effectively.
Saul is heavily cut but, if you persevere beyond the out-of-tune rendition of “How excellent thy name, oh Lord”, you do get the wondrous, characterful voices of Helen Watts, Thomas Hemsley and Jennifer Vyvyan, though I would rather have heard them in Vaughan Williams, Schubert or Britten. Saul is much better served by Paul McCreesh and the Gabrieli Players. These old oratorio recordings are further disadvantaged by an opacity of sound that reduces clarity in the choral numbers.
In general, I would say that each of the oratorios may be listened to at least once, if only to provide a baseline for further exploration of historically informed, more recent accounts. Paradoxically, one I might return to is the 1963 recording of Samson from the Utah Symphony Orchestra and Chorus which is a kind of analogue of Stokowski’s Bach transcriptions, a Technicolor rendition of spotlit vocals and glossy orchestral sound. It's weirdly enjoyable in its own way and a tribute to the resilience of Handel’s music that it can withstand such treatment. Perhaps not the only one to have to live with, though.
While I made interesting discoveries among the cantatas, keyboard music and oratorios (in one, at least), they didn’t turn up in all genres. The orchestral/instrumental section has a preponderance of modern instrument accounts, for the most part acceptable. For example, the Concerti Grossi Opp. 3 and 6, as played by the Neues Bachisches Collegium Musicum Leipzig in a recording dating from 1983, are decent but unexceptional with a hint of period style about them — this band is much better in its current incarnation. The Stuttgart Chamber Orchestra’s work on the Organ Concertos is punchy and the organ has some tasty flute and reed sounds. Again, Anthony Camden and Julia Girdwood are tasteful soloists in the Oboe Concertos. Even so, after years of conditioning from the baroque oboe in these works, I soon tired of the sound of the modern instrument.
One that I really don’t ever want to hear again is a thickly recorded and turgid performance of the Music for the Royal Fireworks dating from 1974 conducted by Helmut Koch. This has little interest other than as a monument to outmoded approaches that have rightly been consigned to history. There are now so many “modern” — period style renditions — by the likes of the English Concert, Les Concerts des Nations and Zefiro, all of which can be safely recommended, though it’s a pity that Concerto Köln has not recorded it. On the very same CD, that band gives crisp and sprightly performances of two Sinfonias in B flat written forty years apart. The disparity with the Fireworks performance could hardly be greater. Concerto Köln also gives the only other period performance in this section; their Water Music is a highlight of the set.
In contrast, the chamber music is all on period instruments, almost all of which are given in uniformly good performances by L’Ecole d’Orfée with Stephen Preston, John Holloway and David Reichenberg soloists on flute, violin and oboe respectively. No problems for return visits here but, to my mind, the recorder sonatas stand out in this section. Erik Bosgraaf is a dynamic and assertive player with a creative line in ornamentation, and matched in these attributes by Francesco Corti at the harpsichord.
Finally, a small selection of vocal works. The Odes Alexander’s Feast and Ode for the Birthday of Queen Anne are in truly antique versions over fifty years old and of mere curiosity interest now. I would apply the same reasoning that I did to the oratorios, that you might consider these performances worth having as ‘starter’ versions before moving on to what would now be considered (rightly, I would say) more Handelian accounts. On the other hand, if you are enamoured of the counter-tenor style of the Dellers, you might see them as indispensable.
The Dettingen Te Deum was written to celebrate the English victory over the French at Dettingen during the War of the Austrian Succession. Perhaps Handel was particularly motivated by the fact that George II personally led his troops into battle to write this brilliant work; perhaps not the most subtle of his achievements but nevertheless an impressive listen in the right hands. Unfortunately, Helmut Koch’s hands (see Fireworks above) are not; the sound is clogged, the chorus too large and there is only one soloist, instead of the specified three. As if this weren’t enough, this patriotically martial work is performed in German, an inappropriate language in the circumstances. The English Concert under Trevor Pinnock solves all these problems in their fine recording. The language problem recurs in the Utrechter Te Deum and Friedensode, aka Ode for the Birthday of Queen Anne, though this German version is musically far better than the English one mentioned above. It has a good team of soloists.
So, a mixed bag indeed. There is plenty here to more than make up for the absence of opera but the value of this set depends to a large extent on your familiarity with the repertoire and your performance-related sympathies. For me, the discoveries made it worthwhile and I expect to be dipping into this set for a long time to come. The overall value of the set is such that, even with those discs you’ll only hear once, you can think you are getting something for nothing.
Year 2018 | Classical | Discography | FLAC / APE
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