Mariann Marczi - Splinters: 20th Century Hungarian Works for Piano (Ligeti, Kurtág, Bartók, Kodály, Lajtha, Jeney, Csapó) (2013) [Hi-Res]

• Title: Splinters: 20th Century Hungarian Works for Piano (Ligeti, Kurtág, Bartók, Kodály, Lajtha, Jeney, Csapó)
  
• Year Of Release: 2020
  
• Label: Odradek Records
  
• Genre: Classical
  
• Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
  
• Total Time: 01:08:37
  
• Total Size: 204 / 920 mb
  
• WebSite: Album Preview
  

Tracklist

01. Splinters, Op. 6/d: I. Molto agitato
02. Splinters, Op. 6/d: II. Sostenuto
03. Splinters, Op. 6/d: III. Vivo-Prestissimo-Vivo
04. Splinters, Op. 6/d: IV. in memoriam Ştefan Romaşcanu. Mesto Pesante, strascinando
05. Fém (Études, Book II)
06. Méditation sur un motif de Claude Debussy
07. Seven Pieces for Piano: I. Lento
08. Seven Pieces for Piano: II. Complainte Székely. Rubato, parlando
09. Seven Pieces for Piano: III. „— il pleut dans mon cœur comme il pleut sur la ville —” (Verlaine). Allegretto malinconico
10. Seven Pieces for Piano: IV. Épitaphe. Rubato.
11. Seven Pieces for Piano: V. Tranquillo
12. Seven Pieces for Piano: VI. Chanson populaire Székely. Poco rubato
13. Seven Pieces for Piano: VII. Rubato
14. (... de l’automne et du champ...) from Contes Op. 2. No. 10
15. Trois Burlesques pour piano, Op. 8/c: I. (querelle). Presto
16. Trois Burlesques pour piano, Op. 8/c: II. (un peu gris...). Allegretto
17. Trois Burlesques pour piano, Op. 8/c: III. Molto vivo, capriccioso
18. Ricercare
19. Arthur Rimbaud in the Desert
20. The Ultimate Goal


Pianist Mariann Marczi performs a very personal program of 20th century works from her native Hungary, featuring works that form two pillars at either ends of the last century, grouped between 1907 and 1918 and from 1976 to 1989. Like pylons, these two blocks of compositional styles and techniques are linked by a hidden and complex network of bridges arpeggios that at times imitate the sounds of the harp, dulcimer or far-away bells, a strong French influence, be it biographical, musical and frequent references to francophone poetry, and a common tendency towards the transcendental. Mariann has worked together with all of the living composers on her disc, and authoritatively carries out their intentions, while bringing to light the subtle nuances across the interesting and varied landscape of last century’s Hungarian music.

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