Inna Dukach & Tatyana Kebuladze - Tcherepnin: My Flowering Staff (2020) [Hi-Res]
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BAND/ARTIST: Inna Dukach, Tatyana Kebuladze
- Title: Tcherepnin: My Flowering Staff
- Year Of Release: 2020
- Label: Toccata Classics
- Genre: Classical
- Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
- Total Time: 00:57:54
- Total Size: 243 / 482 mb
- WebSite: Album Preview
Tracklist
01. My Flowering Staff Epigraph, Op. 17 No. 1
02. My Flowering Staff No. 1, O God of Days, Do Not Release Your Violins, Op. 15 No. 3
03. My Flowering Staff No. 2, If Only I Could Hear, Op. 15 No. 4
04. My Flowering Staff No. 3, I Contemplated You, O Andromeda
05. My Flowering Staff No. 4, How Damned Is My Beloved Life, Op. 15 No. 2
06. My Flowering Staff No. 5, The Millstones Have Cooled, Op. 15 No. 5
07. My Flowering Staff No. 6, I Love the Feminine Water
08. My Flowering Staff No. 7, Forgive Me the Enticing Mist
09. My Flowering Staff No. 8, Farewell, Night!, Op. 15 No. 6
10. My Flowering Staff No. 9, The Struggle to Voice Words, Op. 15 No. 1
11. My Flowering Staff No. 10, In Agitation, as I Touch the Morning Lyre, Op. 16 No. 2
12. My Flowering Staff No. 11, I Am Dreaming of the Country, Op. 16 No. 5
13. My Flowering Staff No. 12, In the Wild Forest, Op. 17 No. 2
14. My Flowering Staff No. 13, My Soul Is Happy to Hear
15. My Flowering Staff No. 14, Some of the Songs in My Soul
16. My Flowering Staff No. 15, Perhaps Life Is Broken in Half, Op. 17 No. 3
17. My Flowering Staff No. 16, In the Evening Quiet Hour
18. My Flowering Staff No. 17, I Know Only One Thing About God, Op. 17 No. 5
19. My Flowering Staff No. 18, Lost Souls!, Op. 17 No. 9
20. My Flowering Staff No. 19, My Endless Grief, Op. 16 No. 8
21. My Flowering Staff No. 20, The Happy Laughter, Op. 17 No. 8
22. My Flowering Staff No. 21, With Tormented Spirit, Op. 16 No. 4
23. My Flowering Staff No. 22a, Piano Solo
24. My Flowering Staff No. 22b, O Angry Idle Voice
25. My Flowering Staff No. 23, Improbable Sunsets
26. My Flowering Staff No. 24, I Do Not Know How to Be Cruel
27. My Flowering Staff No. 25, The Arrogant Silence of Evening Rivers, Op. 17 No. 7
28. My Flowering Staff No. 26, If You Want, Take From the Universe, Op. 16 No. 6
29. My Flowering Staff No. 27, I Beg, I Sing, I Adjure, Op. 17 No. 6
30. My Flowering Staff No. 28, For More Than Ten Centuries
31. My Flowering Staff No. 29, The Flags Were Waved, Op. 17 No. 4
32. My Flowering Staff No. 30, To Sit Endlessly and Weave, Op. 16 No. 3
33. My Flowering Staff No. 31, The Solemn Dance
34. My Flowering Staff No. 32, Again, I Have a Desire, Op. 16 No. 7
35. My Flowering Staff No. 33, Melancholia of the Winter Day
36. My Flowering Staff No. 34, My Covenant With the Almighty, Op. 16 No. 1
37. My Flowering Staff Epilogue, Op. 17 No. 10
This recording hides a remarkable detective story. In 1925–26 the French publisher Heugel brought out three volumes of 24 songs by the young Russian composer Alexander Tcherepnin (1899–1977), all setting poems by the ‘Acmeist’ Russian poet, Sergei Gorodetsky (1884–1967) – Tcherepnin’s Opp. 15, 16 and 17. Not until 2014, when Tatyana Kebuladze, the pianist on this recording, examined the composer’s manuscript in the archives of the Sacher Foundation in Basel was it realised that those three recueils were the tips of a much larger iceberg: a cycle of 35 settings of the 37 poems in Gorodetsky’s collection My Flowering Staff, plus an anonymous epilogue – one of the most extensive song-cycles in musical history. The songs themselves are audibly in the tradition of Tchaikovsky and other such Romantic Russian composers, but with a degree of psychological insight conveyed through the harmonic piquancy typical of the new century.
Russian-American soprano Inna Dukach made her Metropolitan Opera debut in 2018 in the title role of Madama Butterfly, and in 2010 she made her debut with the Royal Opera House Covent Garden as Musetta in La bohème. Born in Moscow, she was raised in New York, earning an undergraduate degree in Psychology from Smith College in Massachusetts, and her Masters in Vocal Performance at Mannes College of Music in New York. After winning the 2005 Liederkranz Competition, she joined the roster of New York City Opera and sang Mimi in La bohème there for two consecutive seasons in 2006 and 2007. This album marks her recording debut.
A native of Kyiv, the pianist Tatyana Kebuladze studied with Tamia Kozlova, and graduated from the Glière State Music College in her home town, the alma mater of Vladimir Horowitz. Arriving in America in 1998, she continued her studies, earning a Master of Music degree at Rutgers University in New Jersey, where she now serves on the piano faculty.
01. My Flowering Staff Epigraph, Op. 17 No. 1
02. My Flowering Staff No. 1, O God of Days, Do Not Release Your Violins, Op. 15 No. 3
03. My Flowering Staff No. 2, If Only I Could Hear, Op. 15 No. 4
04. My Flowering Staff No. 3, I Contemplated You, O Andromeda
05. My Flowering Staff No. 4, How Damned Is My Beloved Life, Op. 15 No. 2
06. My Flowering Staff No. 5, The Millstones Have Cooled, Op. 15 No. 5
07. My Flowering Staff No. 6, I Love the Feminine Water
08. My Flowering Staff No. 7, Forgive Me the Enticing Mist
09. My Flowering Staff No. 8, Farewell, Night!, Op. 15 No. 6
10. My Flowering Staff No. 9, The Struggle to Voice Words, Op. 15 No. 1
11. My Flowering Staff No. 10, In Agitation, as I Touch the Morning Lyre, Op. 16 No. 2
12. My Flowering Staff No. 11, I Am Dreaming of the Country, Op. 16 No. 5
13. My Flowering Staff No. 12, In the Wild Forest, Op. 17 No. 2
14. My Flowering Staff No. 13, My Soul Is Happy to Hear
15. My Flowering Staff No. 14, Some of the Songs in My Soul
16. My Flowering Staff No. 15, Perhaps Life Is Broken in Half, Op. 17 No. 3
17. My Flowering Staff No. 16, In the Evening Quiet Hour
18. My Flowering Staff No. 17, I Know Only One Thing About God, Op. 17 No. 5
19. My Flowering Staff No. 18, Lost Souls!, Op. 17 No. 9
20. My Flowering Staff No. 19, My Endless Grief, Op. 16 No. 8
21. My Flowering Staff No. 20, The Happy Laughter, Op. 17 No. 8
22. My Flowering Staff No. 21, With Tormented Spirit, Op. 16 No. 4
23. My Flowering Staff No. 22a, Piano Solo
24. My Flowering Staff No. 22b, O Angry Idle Voice
25. My Flowering Staff No. 23, Improbable Sunsets
26. My Flowering Staff No. 24, I Do Not Know How to Be Cruel
27. My Flowering Staff No. 25, The Arrogant Silence of Evening Rivers, Op. 17 No. 7
28. My Flowering Staff No. 26, If You Want, Take From the Universe, Op. 16 No. 6
29. My Flowering Staff No. 27, I Beg, I Sing, I Adjure, Op. 17 No. 6
30. My Flowering Staff No. 28, For More Than Ten Centuries
31. My Flowering Staff No. 29, The Flags Were Waved, Op. 17 No. 4
32. My Flowering Staff No. 30, To Sit Endlessly and Weave, Op. 16 No. 3
33. My Flowering Staff No. 31, The Solemn Dance
34. My Flowering Staff No. 32, Again, I Have a Desire, Op. 16 No. 7
35. My Flowering Staff No. 33, Melancholia of the Winter Day
36. My Flowering Staff No. 34, My Covenant With the Almighty, Op. 16 No. 1
37. My Flowering Staff Epilogue, Op. 17 No. 10
This recording hides a remarkable detective story. In 1925–26 the French publisher Heugel brought out three volumes of 24 songs by the young Russian composer Alexander Tcherepnin (1899–1977), all setting poems by the ‘Acmeist’ Russian poet, Sergei Gorodetsky (1884–1967) – Tcherepnin’s Opp. 15, 16 and 17. Not until 2014, when Tatyana Kebuladze, the pianist on this recording, examined the composer’s manuscript in the archives of the Sacher Foundation in Basel was it realised that those three recueils were the tips of a much larger iceberg: a cycle of 35 settings of the 37 poems in Gorodetsky’s collection My Flowering Staff, plus an anonymous epilogue – one of the most extensive song-cycles in musical history. The songs themselves are audibly in the tradition of Tchaikovsky and other such Romantic Russian composers, but with a degree of psychological insight conveyed through the harmonic piquancy typical of the new century.
Russian-American soprano Inna Dukach made her Metropolitan Opera debut in 2018 in the title role of Madama Butterfly, and in 2010 she made her debut with the Royal Opera House Covent Garden as Musetta in La bohème. Born in Moscow, she was raised in New York, earning an undergraduate degree in Psychology from Smith College in Massachusetts, and her Masters in Vocal Performance at Mannes College of Music in New York. After winning the 2005 Liederkranz Competition, she joined the roster of New York City Opera and sang Mimi in La bohème there for two consecutive seasons in 2006 and 2007. This album marks her recording debut.
A native of Kyiv, the pianist Tatyana Kebuladze studied with Tamia Kozlova, and graduated from the Glière State Music College in her home town, the alma mater of Vladimir Horowitz. Arriving in America in 1998, she continued her studies, earning a Master of Music degree at Rutgers University in New Jersey, where she now serves on the piano faculty.
Year 2020 | Classical | FLAC / APE | HD & Vinyl
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