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Roderick Williams & Iain Burnside - Schubert: Schwanengesang, D. 957 - Beethoven: An die ferne Geliebte, Op. 98 (2020) [Hi-Res]

Roderick Williams & Iain Burnside - Schubert: Schwanengesang, D. 957 - Beethoven: An die ferne Geliebte, Op. 98 (2020) [Hi-Res]
  • Title: Schubert: Schwanengesang, D. 957 - Beethoven: An die ferne Geliebte, Op. 98
  • Year Of Release: 2020
  • Label: Chandos
  • Genre: Classical
  • Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
  • Total Time: 01:05:13
  • Total Size: 224 / 1024 mb
  • WebSite:
Roderick Williams & Iain Burnside - Schubert: Schwanengesang, D. 957 - Beethoven: An die ferne Geliebte, Op. 98 (2020) [Hi-Res]


Tracklist

01. An die ferne Geliebte, Op. 98 No. 1, Auf dem Hugel sitz’ ich, spahend
02. An die ferne Geliebte, Op. 98 No. 2, Wo die Berge so blau
03. An die ferne Geliebte, Op. 98 No. 3, Leichte Segler in den Hohen
04. An die ferne Geliebte, Op. 98 No. 4, Diese Wolken in den Hohen
05. An die ferne Geliebte, Op. 98 No. 5, Es kehret der Maien, es bluhet die Au
06. An die ferne Geliebte, Op. 98 No. 6, Nimm sie hin denn, diese Lieder
07. Schwanengesang, D. 957 No. 1, Liebesbotschaft
08. Schwanengesang, D. 957 No. 2, Kriegers Ahnung
09. Schwanengesang, D. 957 No. 3, Fruhlingssehnsucht
10. Schwanengesang, D. 957 No. 4, Standchen
11. Schwanengesang, D. 957 No. 5, Aufenthalt
12. Schwanengesang, D. 957 No. 6, In der Ferne
13. Schwanengesang, D. 957 No. 7, Abschied
14. Schwanengesang, D. 957 No. 8, Der Atlas
15. Schwanengesang, D. 957 No. 9, Ihr Bild
16. Schwanengesang, D. 957 No. 10, Das Fischermadchen
17. Schwanengesang, D. 957 No. 11, Die Stadt
18. Schwanengesang, D. 957 No. 12, Am Meer
19. Schwanengesang, D. 957 No. 13, Der Doppelganger
20. Schwanengesang, D. 957 No. 14, Die Taubenpost


Although only twelve years separate the composition of Beethoven’s An die ferne Geliebte and Schubert’s Schwanengesang, the ethos and sound world of the two works are markedly different. Pairing them on the concert platform seemed an obvious choice on one hand, but I was reminded not to try to perform Beethoven in the way I perform Schubert. For one thing, the former still has the ring of the late classical, while the latter explores the darkness of the early romantic. For this reason, we decided to record the two works in slightly different soundscapes. In An die ferne Geliebte, the inventiveness of Beethoven is best expressed in the piano writing, while the vocal part is deliberately simple, strophic (the music is repeated for each stanza), and folk-like. ...the sixth song states that these songs are offered ‘ohne Kunstgepräng’. And so we have set the voice slightly more distantly in the balance, giving the piano due prominence; the effect is almost as if I were singing over Iain’s shoulder. Schwanengesang is recorded more traditionally: in these most extraordinary and progressive songs the vocal line is supported by the piano, in equal partnership.


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  • User offline
  • olga1001
  •  wrote in 13:30
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    • 0
Roderick needs to look for other pianist :(
Thanks
  • User offline
  • platico
  •  wrote in 22:06
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    • 0
gracias....