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Chœur de Chambre de Namur, Millenium, Leonardo García Alarcón - Scarlatti: Passio secundum Johannem (2017) [CD Rip]

Chœur de Chambre de Namur, Millenium, Leonardo García Alarcón - Scarlatti: Passio secundum Johannem (2017) [CD Rip]
  • Title: Scarlatti: Passio secundum Johannem
  • Year Of Release: 2017
  • Label: Ricercar
  • Genre: Classical
  • Quality: FLAC (tracks+.cue, booklet)
  • Total Time: 58:58
  • Total Size: 283 MB
  • WebSite:
Tracklist:

Alessandro Scarlatti (1660-1725)

1 Responsori per la Settimana Santa: Plange quasi virgo 02:49
2 Passio domini nostri Jesu Christi secundum Joannem: Passio domini nostri Jesu Christi (Testo) 02:16
3 Responsori per la Settimana Santa: Plange quasi virgo 01:39
4 Passio domini nostri Jesu Christi secundum Joannem: In illo tempore egressus est (Testo, Christus, Turba) 06:03
5 Responsori per la Settimana Santa: Ecce vidimus eum 04:19
6 Passio domini nostri Jesu Christi secundum Joannem: Sequebatur autem Jesum Simon Petrus (Testo, Ancilla, Petrus, Judaeus, Christus, Turba) 05:37
7 Responsori per la Settimana Santa: Omnes amici mei01:57
8 Passio domini nostri Jesu Christi secundum Joannem: Adducunt ergo Jesum a Caipha (Testo, Pilatus, Turba, Christus) 15:28
9 Responsori per la Settimana Santa: Vinea mea electa 02:10
10 Passio domini nostri Jesu Christi secundum Joannem: Hunc ergo titulum multi Judaeorum (Testo, Turba, Pilatus, Christus) 07:55
11 Responsori per la Settimana Santa: O vos omnes 02:22
12 Passio domini nostri Jesu Christi secundum Joannem: Judaei ergo, quoniam parasceve erat (Testo) 04:16
13 Responsori per la Settimana Santa: Aestimatus sum 02:14

Personnel:
Giuseppina Bridelli, mezzo-soprano
Choeur De Chambre De Namur & Millenium
Leonardo García Alarcón, conductor

Alessandro Scarlatti’s St John Passion was the first Passion setting written in seventeenth-century Italy. Scarlatti treats the role of the Evangelist (composed in the mezzo-soprano register) in highly unusual fashion, giving his narrative numerous emotional passages.

The Voice of Christ (bass) is invariably haloed by a string accompaniment.

The version presented by Leonardo García Alarcón inserts meditations assigned to the chorus; these are taken from Scarlatti’s Responsories for Holy Week, polyphonic settings that reveal a little-known genre practised by this composer.



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  • platico
  •  wrote in 19:05
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gracias...
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  • t-ador
  •  wrote in 21:07
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Thank you!
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  • BonyBo
  •  wrote in 09:51
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THANK YOU VERY MUCH !!!