Pia Pajala, Sari Nordqvist, Turku Philharmonic Orchestra, Leif Segerstam - Sibelius: Pelleas and Melisande Suite, Musik zu einer Szene & 3 Pièces pour orchestre (2015) [Hi-Res]

• Title: Sibelius: Pelleas and Melisande Suite, Musik zu einer Szene & 3 Pièces pour orchestre
  
• Year Of Release: 2020
  
• Label: Sibelius: Pelleas and Melisande Suite, Musik zu einer Szene & 3 Pièces pour orchestre
  
• Genre: Classical
  
• Quality: flac 24bits - 96.0kHz +Booklet
  
• Total Time: 00:57:47
  
• Total Size: 1003 mb
  
• WebSite: Album Preview
  

Tracklist

01. Pelleas and Melisande Suite, Op. 46, JS 147: I. At the Castle Gate
02. Pelleas and Melisande Suite, Op. 46, JS 147: II. Melisande
03. Pelleas and Melisande Suite, Op. 46, JS 147: IIa. At the seashore
04. Pelleas and Melisande Suite, Op. 46, JS 147: III. Spring in the Park
05. Pelleas and Melisande Suite, Op. 46, JS 147: VI. Melisande at the Spinning Wheel
06. Pelleas and Melisande Suite, Op. 46, JS 147: IV. The Three Blind Sisters
07. Pelleas and Melisande Suite, Op. 46, JS 147: V. Pastorale
08. Pelleas and Melisande Suite, Op. 46, JS 147: VII. Entr'acte
09. Pelleas and Melisande Suite, Op. 46, JS 147: VIIa. —
10. Pelleas and Melisande Suite, Op. 46, JS 147: VIII. The Death of Melisande
11. Musik zu einer Szene, Op. 45 No. 2
12. 3 Pièces pour orchestre, Op.96: No. 1, Valse lyrique
13. 3 Pièces pour orchestre, Op.96: No. 2, Autrefois, scène pastorale
14. 3 Pièces pour orchestre, Op.96: No. 3, Valse chevaleresque
15. Morceau Romantique sur un motif de Monsieur Jakob de Julin, JS 135a


No sooner had Sibelius moved to the town of Järvenpää in 1904 than he was commissioned by the Swedish Theatre to write incidental music for Maeterlinck’s Pelléas et Mélisande. At the time it was his most ambitious undertaking in the genre of incidental music and his setting included ten scenes, only one of which was cut when he adapted the piece as a concert suite. Dating from the same year, Musik zu einer Szene was originally intended to accompany a tableau and is full of striking contrasts. The two waltzes of 1921 are transcriptions of piano pieces, and reveal the potent influence of Tchaikovsky.

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