Ana Topalovic & Nikola Djoric - Arcord: Inspired by Songs & Dances (2016) [Hi-Res]
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BAND/ARTIST: Ana Topalovic, Nikola Djoric
- Title: Arcord: Inspired by Songs & Dances
- Year Of Release: 2016
- Label: Orlando Records
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:02:14
- Total Size: 301 mb / 1 gb
- WebSite: Album Preview
Tracklist
01. 7 Variations on "Bei Männern welche Liebe fühlen'", WoO 46 (Arr. for Cello & Accordion): Theme
02. 7 Variations on "Bei Männern welche Liebe fühlen'", WoO 46 (Arr. for Cello & Accordion): Var. 1
03. 7 Variations on "Bei Männern welche Liebe fühlen'", WoO 46 (Arr. for Cello & Accordion): Var. 2
04. 7 Variations on "Bei Männern welche Liebe fühlen'", WoO 46 (Arr. for Cello & Accordion): Var. 3
05. 7 Variations on "Bei Männern welche Liebe fühlen'", WoO 46 (Arr. for Cello & Accordion): Var. 4
06. 7 Variations on "Bei Männern welche Liebe fühlen'", WoO 46 (Arr. for Cello & Accordion): Var. 5
07. 7 Variations on "Bei Männern welche Liebe fühlen'", WoO 46 (Arr. for Cello & Accordion): Var. 6
08. 7 Variations on "Bei Männern welche Liebe fühlen'", WoO 46 (Arr. for Cello & Accordion): Var. 7
09. Dido & Aeneas, Z. 626: When I Am Laid in Earth (Arr. for Cello & Accordion)
10. French Suite No. 5 in G Major, BWV 816: IV. Gavotte (Arr. for Accordion)
11. Cello Suite No. 3 in C Major, BWV 1009: IV. Sarabande
12. Cello Suite No. 3 in C Major, BWV 1009: V. Bourrée I & II
13. Eugene Onegin, Op. 24: Lensky's Aria (Arr. for Cello & Accordion)
14. Zigeunermelodien, Op. 55, B. 104: No. 4, Als die alte Mutter (Arr. for Cello & Accordion)
15. Román népi táncok, Sz. 56 (Arr. for Cello & Accordion): I. Jocul cu bâtă
16. Román népi táncok, Sz. 56 (Arr. for Cello & Accordion): II. Brâul
17. Román népi táncok, Sz. 56 (Arr. for Cello & Accordion): III. Pê loc
18. Román népi táncok, Sz. 56 (Arr. for Cello & Accordion): IV. Buciumeana
19. Román népi táncok, Sz. 56 (Arr. for Cello & Accordion): V. Poarga Românească
20. Román népi táncok, Sz. 56 (Arr. for Cello & Accordion): VI. Mărunțel
21. Bachianas brasileiras No. 5: I. Ária. Cantilena (Arr. for Cello & Accordion)
22. Le grand tango (Arr. for Cello & Accordion)
23. Wutmarsch, DWV 51 (Arr. for Cello & Accordion)
Inspired by songs and dances is full of the musical sophistication and playfulness which comes from two instrumentalists keen to experiment. Their opposing instruments lend a new tonal quality and emotional range to well-known pieces. The cello, whose sound most resembles the human voice, brings a new dimension to the interpretation of the arias. While Nikola Djoric brings hefty pieces such as Beethoven’s 7 Variations to life, his concert accordion playing the piano’s role. The dances and songs on the album are not just inspiration for the two artists. Instead they are given a sound revival by Ana Topalovic and Nikola Djoric – refreshing and self-assured.
Ana Topalovic, cello
Nikola Djoric, accordeon
01. 7 Variations on "Bei Männern welche Liebe fühlen'", WoO 46 (Arr. for Cello & Accordion): Theme
02. 7 Variations on "Bei Männern welche Liebe fühlen'", WoO 46 (Arr. for Cello & Accordion): Var. 1
03. 7 Variations on "Bei Männern welche Liebe fühlen'", WoO 46 (Arr. for Cello & Accordion): Var. 2
04. 7 Variations on "Bei Männern welche Liebe fühlen'", WoO 46 (Arr. for Cello & Accordion): Var. 3
05. 7 Variations on "Bei Männern welche Liebe fühlen'", WoO 46 (Arr. for Cello & Accordion): Var. 4
06. 7 Variations on "Bei Männern welche Liebe fühlen'", WoO 46 (Arr. for Cello & Accordion): Var. 5
07. 7 Variations on "Bei Männern welche Liebe fühlen'", WoO 46 (Arr. for Cello & Accordion): Var. 6
08. 7 Variations on "Bei Männern welche Liebe fühlen'", WoO 46 (Arr. for Cello & Accordion): Var. 7
09. Dido & Aeneas, Z. 626: When I Am Laid in Earth (Arr. for Cello & Accordion)
10. French Suite No. 5 in G Major, BWV 816: IV. Gavotte (Arr. for Accordion)
11. Cello Suite No. 3 in C Major, BWV 1009: IV. Sarabande
12. Cello Suite No. 3 in C Major, BWV 1009: V. Bourrée I & II
13. Eugene Onegin, Op. 24: Lensky's Aria (Arr. for Cello & Accordion)
14. Zigeunermelodien, Op. 55, B. 104: No. 4, Als die alte Mutter (Arr. for Cello & Accordion)
15. Román népi táncok, Sz. 56 (Arr. for Cello & Accordion): I. Jocul cu bâtă
16. Román népi táncok, Sz. 56 (Arr. for Cello & Accordion): II. Brâul
17. Román népi táncok, Sz. 56 (Arr. for Cello & Accordion): III. Pê loc
18. Román népi táncok, Sz. 56 (Arr. for Cello & Accordion): IV. Buciumeana
19. Román népi táncok, Sz. 56 (Arr. for Cello & Accordion): V. Poarga Românească
20. Román népi táncok, Sz. 56 (Arr. for Cello & Accordion): VI. Mărunțel
21. Bachianas brasileiras No. 5: I. Ária. Cantilena (Arr. for Cello & Accordion)
22. Le grand tango (Arr. for Cello & Accordion)
23. Wutmarsch, DWV 51 (Arr. for Cello & Accordion)
Inspired by songs and dances is full of the musical sophistication and playfulness which comes from two instrumentalists keen to experiment. Their opposing instruments lend a new tonal quality and emotional range to well-known pieces. The cello, whose sound most resembles the human voice, brings a new dimension to the interpretation of the arias. While Nikola Djoric brings hefty pieces such as Beethoven’s 7 Variations to life, his concert accordion playing the piano’s role. The dances and songs on the album are not just inspiration for the two artists. Instead they are given a sound revival by Ana Topalovic and Nikola Djoric – refreshing and self-assured.
Ana Topalovic, cello
Nikola Djoric, accordeon
Year 2016 | Classical | FLAC / APE | HD & Vinyl
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