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Matthew Wilkie, Neal Peres Da Costa, Kees Boersma - The Galant Bassoon (2009) [Hi-Res]

Matthew Wilkie, Neal Peres Da Costa, Kees Boersma - The Galant Bassoon (2009) [Hi-Res]
  • Title: The Galant Bassoon
  • Year Of Release: 2009
  • Label: Melba Recordings
  • Genre: Classical
  • Quality: FLAC (tracks) [96kHz/24bit]
  • Total Time: 1:12:35
  • Total Size: 1.38 GB
  • WebSite:
Tracklist:

Sonata In E Minor TWV41.e5
1 I. Cantabile
2 II. Allegro
3 III. Recitativo-Arioso
4 IV. Vivace

Sonata In E Minor BWV1030
5 I. Andante
6 II. Largo E Dolce
7 III. Presto

Sonata In A Minor TWV41:a6
8 I. Largo
9 II. Allegro
10 III. Soave
11 IV. Allegro

Sonata In A Minor BWV1034
12 I. Adagio Ma Non Tanto
13 II. Allegro
14 III. Andante
15 IV. Allegro

Sonata In F Minor TWV41:f1
16 I. Triste
17 II. Allegro
18 III. Andante
19 IV. Vivace

Sonata In D Minor Wq.132
20 I. Poco Adagio
21 II. Allegro
22 III. Allegro

Performers:

Matthew Wilkie (Bassoon)
Neal Peres Da Costa (Harpsichord)
Kees Boersma (Double Bass)

The bassoon comes out of the closet! The Galant Bassoon is a remarkable journey with three musicians of international acclaim as they rescue this reserved member of the woodwind section and place it, deservedly, in the spotlight. Virtuoso bassoonist from the Sydney Symphony Orchestra, Matthew Wilkie, showcases the colour and brilliance of his instrument in a sparkling and sophisticated collaboration with harpsichordist Neal Peres Da Costa and double bassist Kees Boersma.

A generous selection of six chamber pieces by JS Bach, Telemann and CPE Bach – with their melodic exuberance, dance-like rhythms, consoling adagios and virtuosic flights of display – provide the perfect vehicle for the imagination and flair of these players.

For 20 years, Matthew Wilkie has been Principal Bassoon of the Chamber Orchestra of Europe, frequently performing as soloist with them. Neal Peres Da Costa is recognised as an expert in early music performance while Kees Boersma is Principal Bass of the Sydney Symphony Orchestra.

The Galant Bassoon references the galant style, a change from much of the complexity and ornamentation of the Baroque to a simpler, more classical approach epitomised by Telemann, C.P.E. Bach and others in their compositions and by much of the music in this recital.


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