Izhar Elias - Adelaide: Beethoven and the Guitar (2013) [Hi-Res]

• Title: Adelaide: Beethoven and the Guitar
  
• Year Of Release: 2013
  
• Label: Brilliant Classics
  
• Genre: Classical Guitar
  
• Quality: flac 16bits - 48.0kHz / flac 24bits - 44.1kHz
  
• Total Time: 01:18:43
  
• Total Size: 350 / 728 mb
  
• WebSite: Album Preview
  

Tracklist

01. Adelaide, Op. 46 for Viola and Guitar (Arr. N. Coste)
02. String quartet, Op. 59 No. 3 'Razumovsky': Andante con moto quasi allegretto for Guitar Duo (Arr. V. Schuster)
03. Potpourri on Favorite Themes by Beethoven for Violin and Guitar (Arr. A Diabelli)
04. Piano Sonata No. 12, Op. 26: Marche Funèbre for Guitar Solo (Arr. S. Volker)
05. Piano Sonata No. 12, Op. 26: Andante varié and Rondeau for Guitar Duo (Arr. F. Carulli)
06. String quartet, Op. 18 No. 5: Tema con variazioni. Andante cantabile for Guitar Duo (Arr. V. Schuster)
07. Serenade, Op. 8 for Guitar, Violin, Viola: Marcia. Allegro non molto-Adagio (Arr. W. Matiegka, Izhar Elias)
08. Serenade, Op. 8 for Guitar, Violin, Viola: Menuetto. Allegro-Trio (Arr. W. Matiegka, Izhar Elias)
09. Serenade, Op. 8 for Guitar, Violin, Viola: Adagio-Allegro scherzo (Arr. W. Matiegka, Izhar Elias)
10. Serenade, Op. 8 for Guitar, Violin, Viola: Allegretto a la pollacca (Arr. W. Matiegka, Izhar Elias)
11. Serenade, Op. 8 for Guitar, Violin, Viola: Andante quasi allegretto con variazioni-Allegro (Arr. W. Matiegka, Izhar Elias)
12. Serenade, Op. 8 for Guitar, Violin, Viola: Marcia. Allegro non molto (Arr. W. Matiegka, Izhar Elias)
13. Excerpt of Andante Favori, WoO 57 for Guitar Solo (Arr. F. Carulli)


This imaginative recital of chamber music by Beethoven takes its inspiration from the Romantic poem of the album title which describes the kind of unattainable love to which Beethoven was throughout his adult life susceptible, and from which he appears himself to have drawn creative energy. His own setting of Adelaide (the text of which appears in the booklet in both Matthisson's original and in English translation) was arranged by the 19th century guitarist composer Nicholas Coste; it introduces not only the playful Op.8 Serenade, perhaps the most obvious contender among Beethoven's music for a transcription of the piano part to the piano, but movements from two of his string quartets and even the funeral march from his Piano Sonata Op.26, transcribed for guitar solo or duo and played here on instruments of the period by a young and dynamic ensemble of European musicians, led by Izhar Elias. Izhar already released acclaimed recordings on Brilliant Classics, including guitar music in memory of Debussy (9246), spectacular transcriptions of Rossini arias (93902) and a sparkling survey of 17th century music from the Spanish territories (94352). Elias himself plays a selection of guitars on this recording, by Guadagnini and Stauffer père et fils, including a rare terz model, which is smaller than the regular model and tuned a minor third higher to produce a more brilliant and penetrating sound in company with other instruments.

The guitar is not the first instrument one associates with the towering figure of Beethoven, but he did know and appreciate the instrument, and even wrote some chamber music pieces for it.

This original and appealing programme presents works of Beethoven in chamber music arrangements with guitar, written by contemporaries, a practice that was quite common in the period, playing its role in the popularisation of the music.

Izhar Elias, guitar
Fernando Cordas, guitar
Zefira Valova, violin
Ivan Iliev, viola

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