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Roger McGuinn - Roger McGuinn (Reissue) (1973/2013)

Roger McGuinn - Roger McGuinn (Reissue) (1973/2013)

BAND/ARTIST: Roger McGuinn

  • Title: Roger McGuinn
  • Year Of Release: 1973/2013
  • Label: Music On CD
  • Genre: Country Rock, Folk Rock, Pop Rock
  • Quality: Mp3 320 / Flac (tracks, .cue, log)
  • Total Time: 35:24
  • Total Size: 91/215 Mb
  • WebSite:
Tracklist:

1. I'm So Restless (3:05)
2. My New Woman (3:10)
3. Lost My Drivin' Wheel (3:27)
4. Draggin' (3:36)
5. Time Cube (3:15)
6. Bag Full of Money (3:19)
7. Hannoi Hannah (2:50)
8. Stone (2:59)
9. Heave Away (3:03)
10. M'Linda (2:42)
11. The Water Is Wide (3:06)

Line-up::
Roger McGuinn - Vocals, Guitar, Banjo, Moog Synthesizer, Harmonica
Buddy Emmons - Pedal Steel Guitar
Chris Hillman - Bass
Bob Dylan - Harmonica
Jerry Cole - Guitar
Bruce Johnston - Piano, Voices
Jim Gordon - Drums
Hal Blaine - Tambourine
Michael Clarke - Drums
Chris Ethridge - Bass
John Guerin - Drums
Spooner Oldham - Organ, Piano
David Vaught - Bass
Spanky McFarlane - Vocals
Charles Lloyd - Saxophone
Leland Sklar - Bass
David Crosby - Guitar, Harmony Vocals
Graham Nash - Guitar, Harmony Vocals

Roger McGuinn’s first album is all over the map: blues, jazz, country, folk, rock, and one song performed on the banjo and Moog synthesizer (“Time Cube,” in case you’re curious). The guest list is an impressive one that includes all of the original Byrds, Bob Dylan and Bruce Johnston. And yet, somehow, Roger McGuinn was roundly ignored by fans and FM radio stations alike. It’s too bad, since the album deserves an audience (at least Brian Eno seems to have picked up a copy, to judge by the cover of Taking Tiger Mountain By Strategy). The Byrds’ albums were often eclectic affairs, and McGuinn returns to the same haunts on his own: Dylan-inspired folk rock (“I’m So Restless”), airy/jazzy David Crosby songs (“My New Woman”), songs about planes (“Draggin’) and authentic folk songs (“Heave Away”). McGuinn also steals a page from the Byrds-inspired Eagles (“Lost My Drivin’ Wheel”) and prefigures the island feel of “Don’t You Write Her Off” on “M’Linda.” Where the main Byrdman fails on his first album is in creating a clear persona. He takes pains not to try the same trick twice, and the album’s scattershot approach is its undoing. It’s an interesting record, often engaging, but I couldn’t tell you where the man’s loyalties lie after hearing this album: folk, jazz, pop, rock. This can be filed under “too smart for its own good” if you care, with a caveat that it’s too smart to ignore.





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  • mufty77
  •  wrote in 23:54
    • Like
    • 0
Many thanks for lossless.
  • harry krishna
  •  wrote in 00:27
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    • 0
um, gene clark?