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James Ehnes - Selections: The Best of James Ehnes (2011)

James Ehnes - Selections: The Best of James Ehnes (2011)

BAND/ARTIST: James Ehnes

  • Title: Selections: The Best of James Ehnes
  • Year Of Release: 2011
  • Label: Analekta
  • Genre: Classical
  • Quality: FLAC (tracks) / MP3 320 Kbps
  • Total Time: 01:10:33
  • Total Size: 376 Mb / 183 Mb
  • WebSite:
Tracklist:

1. Partita III in E major, BWV 1006 / I. Preludio / Johann Sebastian Bach 04:05
2. Romantic Pieces, Op.75, for Violin and Piano / I. Allegro moderato / Antonín Dvořák 03:04
3. Sonata in G Major for violin and Harpsichord No.6 Appendix (BWV 1019a) / I. Cantabile, ma un poco Adagio / Johann Sebastian Bach 06:47
4. Liebesleid / Fritz Kreisler 03:26
5. Tambourin chinois / Fritz Kreisler 03:40
6. Liebesfreud / Fritz Kreisler 03:14
7. Sonatina in G major for Violin and Piano, Op.100 B183 / II. Larghetto - Poco piu mosso - Meno mosso, Tempo I / Antonín Dvořák 04:26
8. Partita II in D minor, BWV 1004 / V. Ciaccona / Johann Sebastian Bach 16:44
9. Havanaise / Camille Saint-Saëns 10:13
10. Introduction et Rondo Capriccioso / Camille Saint-Saëns 09:15
11. Méditation / Jules Massenet 05:39

Performers:
James Ehnes (violin)
Eduard Laurel (piano)
Luc Beauséjour (harpsichord)
Orchestre symphonique de Québec
Yoav Talmi, conductor

Selections: The Best of James Ehnes has such a modest title and appearance that it might slip by unnoticed, but don't let it, because there is compelling music on this greatest-hits CD that warrants serious attention. Drawn from six of the seven albums Ehnes recorded for Analekta since 2000, this sampler reveals his extraordinary skills in excerpts from the sonatas and partitas of J.S. Bach, recital favorites by Antonin Dvorák, Camille Saint-Saëns, and Jules Massenet, and popular encores by Fritz Kreisler, all central pieces in the violinist's repertoire. Ehnes' vibrant tone, smooth bowing, and crisp articulation heighten his expression and lend his phrases a distinctiveness that shows scrupulous attention to each note. Yet this album wasn't intended as a showcase only for his technique because the program offers little in the way of flashy virtuosity, but above all emphasizes Ehnes musicality. Only Kreisler's Tambourin Chinois can be said to merely be a showstopper, and it is surrounded by mostly character pieces and substantial movements that demonstrate more intellectual or lyrical sides of his playing. Listeners who already know Ehnes' exceptional gifts may recommend this disc to friends, and newcomers to his artistry should definitely try out some of the tracks to make his acquaintance.





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