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Graindelavoix & Björn Schmelzer - Tenebrae (2020) [Hi-Res]

Graindelavoix & Björn Schmelzer - Tenebrae (2020) [Hi-Res]
  • Title: Tenebrae
  • Year Of Release: 2020
  • Label: Glossa
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
  • Total Time: 03:13:54
  • Total Size: 851 MB / 3.35 GB
  • WebSite:
Tracklist:

01. Aleph. Quomodo sedet sola civitas (3:34)
02. Tenebrae responsoria for Maundy Thursday: No. 1, In monte Oliveti (5:02)
03. Zain. Recordata est Hierusalem (3:46)
04. Tenebrae responsoria for Maundy Thursday: No. 2, Tristis est anima mea (5:09)
05. Lamed. O vos omnes, qui transitis per viam (2:41)
06. Tenebrae responsoria for Maundy Thursday: No. 3, Ecce vidimus eum (8:09)
07. Exaudi, Deus, orationem meam (2:39)
08. Tenebrae responsoria for Maundy Thursday: No. 4, Amicus meus (3:40)
09. Tenebrae responsoria for Maundy Thursday: No. 5, Iudas mercator pessimus (2:13)
10. Tenebrae responsoria for Maundy Thursday: No. 6, Unus ex discipulis meis (6:16)
11. Tenebrae responsoria for Maundy Thursday: No. 7, Eram quasi agnus (5:56)
12. Tenebrae responsoria for Maundy Thursday: No. 8, Una hora (3:31)
13. Tenebrae responsoria for Maundy Thursday: No. 9, Seniores populi (5:53)
14. Christus factus est (2:38)
15. Tenebrae responsoria: Miserere mei Deus (10:13)
16. Heth. Cogitavit Dominus dissipare (3:20)
17. Tenebrae responsoria for Holy Friday: No. 1, Omnes amici mei (5:02)
18. Lamed. Matribus suis dixerunt (3:09)
19. Tenebrae responsoria for Holy Friday: No. 2, Velum templi scissum est (4:41)
20. Aleph. Ego vir videns paupertatem (4:43)
21. Tenebrae responsoria for Holy Friday: No. 3, Vinea mea electa (5:37)
22. Tenebrae responsoria for Holy Friday: No. 4, Tamquam ad latronem (3:44)
23. Tenebrae responsoria for Holy Friday: No. 5, Tenebrae factae sunt (5:54)
24. Tenebrae responsoria for Holy Friday: No. 6, Animam meam dilectam tradidi (8:32)
25. Tenebrae responsoria for Holy Friday: No. 7, Tradiderunt me in manus impiorum (3:17)
26. Tenebrae responsoria for Holy Friday: No. 8, Iesum tradidit impius (4:57)
27. Tenebrae responsoria for Holy Friday: No. 9, Caligaverunt oculi mei (10:01)
28. Heth. Misericordiae Domini (2:52)
29. Tenebrae responsoria for Holy Saturday: No. 1, Sicut ovis ad occisionem (3:32)
30. Aleph. Quomodo obscuratum est aurum (2:23)
31. Tenebrae responsoria for Holy Saturday: No. 2, Hierusalem, iuge et exue te (4:21)
32. Incipit oratio Hieremiae Prophetae (3:41)
33. Tenebrae responsoria for Holy Saturday: No. 3, Plange quasi virgo (7:09)
34. Tenebrae responsoria for Holy Saturday: No. 4, Recessit Pastor noster (4:03)
35. Tenebrae responsoria for Holy Saturday: No. 5, O vos omnes (4:39)
36. Tenebrae responsoria for Holy Saturday: No. 6, Ecce quomodo moritur justus (5:52)
37. Tenebrae responsoria for Holy Saturday: No. 7, Astiterunt reges terrae (2:40)
38. Tenebrae responsoria for Holy Saturday: No. 8, Aestimatus sum (3:45)
39. Tenebrae responsoria for Holy Saturday: No. 9, Sepulto Domino (6:26)
40. Mulieres sedentes (1) (0:49)
41. Tenebrae responsoria: Benedictus Dominus Deus Israel (6:54)
42. Mulieres sedentes (2) (0:51)

There is something deeply troubling and inscrutable in Carlo Gesualdo’s music, something that any listener, even the most inexpert one, will unfailingly experience.

This most particularly holds for Tenebrae Responsoria (1611), his definitive statement, his monument, his testament. It is as if this work, firmly embedded in the framework of liturgy for the Holy Week and reaching back to the practices of the Gregorian chant, would constantly extend over its boundaries and transgress its time and setting, immediately addressing modernity, disturbing all the rules in a severe tension, reaching into something that borders on chaos and madness, within the very order and religious devotion it fully espouses.

Graindelavoix, the groundbreaking ensemble based in Antwerp and directed by Bjorn Schmelzer, are the ideal performers for this disquieting repertoire which originally was sung at Gesualdo’s castle and with probably only one listener in the audience: Gesualdo himself... In a tour de force lasting over three hours, recorded over ten days in summer 2019, the singers fully display all the features which, after 16 albums(all on Glossa) and hundreds of concerts, have made their sound a truly trademark one. In the words of Schmelzer, “this is our most important recording to date”.

A fascinating essay especially commissioned to Lithuanian philosopher and cultural theorist Mladen Dolar puts the music of Gesualdo into perspective, avoiding the clich s that are so often found in texts about the composer.


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  • User offline
  • olga1001
  •  wrote in 20:41
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Their Machaut is shocking, then they advanced in 17th century.
What do you think about their 17th century albums ?
And this sound field isn't artificial ?
Here 1 week later Holy Week this year !
Thanks
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  • platico
  •  wrote in 01:59
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gracias....
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  • gibheid
  •  wrote in 07:59
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Thanks sddd.
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  • gemofroe
  •  wrote in 13:10
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thanks a lot