Hamburger Ratsmusik, Ina Siedlaczek - Fortuna scherzosa (2014) [Hi-Res]

• Title: Fortuna scherzosa
  
• Year Of Release: 2014
  
• Label: audite Musikproduktion
  
• Genre: Classical
  
• Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
  
• Total Time: 01:01:35
  
• Total Size: 308 / 600 mb
  
• WebSite: Album Preview
  

Tracklist

01. Des Glückes Spiele, betrügen viele
02. Ihr hellen Sterne des Glücks: I. Arie. Ihr hellen Serne des Glücks
03. Ihr hellen Sterne des Glücks: II. Rezitativ. Ach Himmel!
04. Ihr hellen Sterne des Glücks: III. Arie. Falsches Glücke
05. Ihr hellen Sterne des Glücks: IV. Rezitativ. Jedoch, mein Hertz erdulde
06. Ihr hellen Sterne des Glücks: V. Arie. Geduld muss noch in unserer Pein das allerbeste Pflaster sein
07. Ihr hellen Sterne des Glücks: VI. Arie. Hoffnung, du lieblicher Ursprung
08. Ihr hellen Sterne des Glücks: VII. Rezitativ. Ach, zwar wie oft geschichts, daß die Geduld betrüget
09. Ihr hellen Sterne des Glücks: VIII. Arie. Ich bin ein Gaukelspiel der Sterne
10. Ihr hellen Sterne des Glücks: IX. Arie. Du verzweifeltes Glücke
11. Ihr hellen Sterne des Glücks: X. Rezitativ. Allein soll ich denn ganz verzagen
12. Ihr hellen Sterne des Glücks: XI. Arie. Falsches Glücke, dir zum Trutze will ich noch in Hoffnung seyn
13. Geduld kann überwinden, will sich das Unglück finden
14. Fortuna scherzosa: I. Aria. Fortuna scherzosa si burla di me
15. Fortuna scherzosa: II. Recitativo. Misero si certo
16. Fortuna scherzosa: III. Aria. Sò ch'il fidarsi della fortuna
17. Fortuna scherzosa: IV. Recitativo. Dunque e pazzo
18. Fortuna scherzosa: V. Aria. L'inganare il frodare
19. Amor heißt mich freudig lachen: I. Arie. Amor heißt mich freudig lachen
20. Amor heißt mich freudig lachen: II. Rezitativ. So suchte Heloise ihre Klagen dem Himmel darzutragen
21. Amor heißt mich freudig lachen: III. Arie. Molto adagio. Höret doch, ihr harten Sterne
22. Amor heißt mich freudig lachen: IV. Rezitativ. Nach dem schlug sie das Fenster wieder zu
23. Amor heißt mich freudig lachen: V. Arie. Presto. Hoffe nur bekümmtertes Herz
24. An die Einsamkeit
25. Hoffnung: I. Arie. Hoffe nur, geplagtes Herze!
26. Hoffnung: II. Rezitativ. Die Hoffnung stützt mich noch
27. Hoffnung: III. Arie. Mein Glücke nimmt sich Zeit, Drum laß ich mir's gefallen
28. Mein Sehnen ist gestillt, und mein Wunsch nun erfüllt


Fortuna scherzosa, after Telemann’s eponymous cantata, provides the textual framework for the works recorded here: the subject matter is hope, yearning for fortune, fulfilment and non-fulfilment, happiness and suffering. With her pure, straight and flexible voice, Ina Siedlaczek expresses these diverse emotions with great authenticity. Her music-making is historically informed, free and relaxed. Her interpretations are natural and, in the most positive sense, simple. Philipp Heinrich Erlebach's oeuvre comprised hundreds of works in nearly all genres current at the time. During a fire, however, the great majority of his music was lost: only around 70 of Erlebach’s works are known today. The occasion of the tercentenary of his death on 17 April 2014 will hopefully make them more famous once again. Johann Ulich was released from complete oblivion only recently when some of his manuscripts were rediscovered. Ulich had been Kapellmeister at the court of Zerbst between 1708 and 1742, and would therefore have been an accomplished musical director and a versatile composer. It is thought that the majority of his oeuvre was lost when the princes’ palace of Anhalt-Zerbst was destroyed during the Second World War.

Georg Philipp Telemann, however, won fame during his lifetime and remains one of the most famous composers of the Baroque era. However his cantata 'Fortuna scherzosa' did not come to light until 1999 when the historic music archive of the Berlin Sing-Akademie was rediscovered in Kiev (Ukraine), which included 16 works by Telemann that had, until then, been unknown.

At the age of around 23, Johann Philipp Krieger already was Kapellmeister to a margrave; he enjoyed 45 years of employment as a widely-known and famous Kapellmeister at the art-loving court at Saxe-Weißenfels, leaving behind a legacy of around 2500 compositions. Nonetheless, he is largely forgotten today as only a fraction of his compositions has survived. As a soloist, Ina Siedlaczek is in great demand both as an oratorio singer and as a consort singer. Alongside the classical oratorio repertoire, one of her particular interests is historically informed interpretation of vocal music of the era before Johann Sebastian Bach.

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