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Belcea Quartet - Beethoven: The Complete String Quartets Vol. 2 (2013) [Hi-Res]

Belcea Quartet - Beethoven: The Complete String Quartets Vol. 2 (2013) [Hi-Res]

BAND/ARTIST: Belcea Quartet

  • Title: Beethoven: The Complete String Quartets Vol. 2
  • Year Of Release: 2013
  • Label: Zig-Zag Territoires
  • Genre: Classical
  • Quality: flac lossless / flac 24bits - 88.2kHz +Booklet
  • Total Time: 04:47:46
  • Total Size: 1.27 / 5.05 gb
  • WebSite:
Belcea Quartet - Beethoven: The Complete String Quartets Vol. 2 (2013) [Hi-Res]


Tracklist

CD1
01. String Quartet No. 3 in D Major, Op. 18 No. 3: I. Allegro
02. String Quartet No. 3 in D Major, Op. 18 No. 3: II. Andante con moto
03. String Quartet No. 3 in D Major, Op. 18 No. 3: III. Allegro
04. String Quartet No. 3 in D Major, Op. 18 No. 3: IV. Presto
05. String Quartet No. 5 in A Major, Op. 18 No. 5: I. Allegro
06. String Quartet No. 5 in A Major, Op. 18 No. 5: II. Menuetto-Trio
07. String Quartet No. 5 in A Major, Op. 18 No. 5: III. Andante cantabile
08. String Quartet No. 5 in A Major, Op. 18 No. 5: IV. Allegro
09. Grosse Fuge for String Quartet in B-Flat Major, Op. 133

CD2
01. String Quartet No. 7 in F Major, Op. 59 No. 1 "Razumovsky": I. Allegro
02. String Quartet No. 7 in F Major, Op. 59 No. 1 "Razumovsky": II. Allegro vivace e sempre scherzando
03. String Quartet No. 7 in F Major, Op. 59 No. 1 "Razumovsky": III. Adagio molto e mesto
04. String Quartet No. 7 in F Major, Op. 59 No. 1 "Razumovsky": IV. Thème russe. Allegro
05. String Quartet No. 8 in E Minor, Op. 59 No. 2 "Razumovsky": I. Allegro
06. String Quartet No. 8 in E Minor, Op. 59 No. 2 "Razumovsky": II. Molto adagio
07. String Quartet No. 8 in E Minor, Op. 59 No. 2 "Razumovsky": III. Allegretto
08. String Quartet No. 8 in E Minor, Op. 59 No. 2 "Razumovsky": IV. Finale. Presto

CD3
01. String Quartet No. 10 in E-Flat Major, Op. 74 "Harp": I. Poco adagio-Allegro
02. String Quartet No. 10 in E-Flat Major, Op. 74 "Harp": II. Adagio ma non troppo
03. String Quartet No. 10 in E-Flat Major, Op. 74 "Harp": III. Presto
04. String Quartet No. 10 in E-Flat Major, Op. 74 "Harp": IV. Allegretto con variazioni
05. String Quartet No. 13 in B-Flat Major, Op. 130: I. Adagio ma non troppo-Allegro
06. String Quartet No. 13 in B-Flat Major, Op. 130: II. Presto
07. String Quartet No. 13 in B-Flat Major, Op. 130: III. Andante con moto, ma non troppo
08. String Quartet No. 13 in B-Flat Major, Op. 130: IV. Alla danza tedesca, allegro assai
09. String Quartet No. 13 in B-Flat Major, Op. 130: V. Cavatina, adagio molto espressivo
10. String Quartet No. 13 in B-Flat Major, Op. 130: VI. Finale. Allegro

CD4
01. String Quartet No. 15 in A Minor, Op. 132: I. Allegro sostenuto-Allegro
02. String Quartet No. 15 in A Minor, Op. 132: II. Allegro ma non tanto
03. String Quartet No. 15 in A Minor, Op. 132: III. Molto adagio
04. String Quartet No. 15 in A Minor, Op. 132: IV. Alla marcia, assai vivace
05. String Quartet No. 16 in F Major, Op. 135: I. Allegretto
06. String Quartet No. 16 in F Major, Op. 135: II. Vivace
07. String Quartet No. 16 in F Major, Op. 135: III. Lento assai, cantante e tranquillo
08. String Quartet No. 16 in F Major, Op. 135: IV. Grave, ma non troppo tratto-Allegro


After the first volume released in October 2012, this second volume completes the cycle of Beethoven Quartets given simultaneously by the Belcea Quartet in concert and on disc. Recorded live, like its predecessor, in the superb concert hall conceived by Britten at Aldeburgh, this volume couples quartets from different periods, including the last two (opp.132 and 135) and the Grosse Fuge (op.133). Here is how the Belcea Quartet describes this great cycle: ‘These sixteen quartets written some two hundred years form one of the most complete and powerful musical statements ever made. The completeness lies in their unprecedented intensity and in the astonishing development that can be traced between the early and the late works – a thirty-year-long revolution which altered forever the way we experience music. There is no end to exploration of Beethoven’s riches and yet what is most compelling is that his music speaks so directly to us as human beings. What seems to be the predominant impulse driving this music is man’s yearning for freedom, the unquenchable desire to expand his limits and to learn the truth about himself in this process.’



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