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Zeno Bianchini - Mozart by Arrangement, Vol. 3: Transcriptions for Organ (2020)

Zeno Bianchini - Mozart by Arrangement, Vol. 3: Transcriptions for Organ (2020)

BAND/ARTIST: Zeno Bianchini

  • Title: Mozart by Arrangement, Vol. 3: Transcriptions for Organ
  • Year Of Release: 2020
  • Label: Toccata Classics
  • Genre: Classical
  • Quality: FLAC (tracks+booklet)
  • Total Time: 67:44 min
  • Total Size: 271 MB
  • WebSite:
Tracklist:

01. Divertimento No. 9 in B-Flat Major, K. 240 (Arr. for 2 Organs): I. Allegro
02. Divertimento No. 9 in B-Flat Major, K. 240 (Arr. for 2 Organs): II. Andante grazioso
03. Divertimento No. 9 in B-Flat Major, K. 240 (Arr. for 2 Organs): III. Menuetto
04. Divertimento No. 9 in B-Flat Major, K. 240 (Arr. for 2 Organs): IV. Allegro
05. Adagio in C Major, K. 356 (Arr. for Organ)
06. Serenade No. 13 in G Major, K. 525 :Eine kleine Nachtmusik: (Arr. Z. Bianchini for Organ): III. Romanze
07. Molto allegro in G Major, K. 72a (Arr. & Completed by Z. Bianchini for Organ)
08. Fugue in G Minor, K. 401 (Completed by M. Stadler)
09. Contrapuntal Study, K. Anh. 78 (Arr. & Completed by S. Sechter for 2 Organs)
10. Die Zauberflöte, K. 620 (Excerpts Arr. C.G. Neefe for 2 Organs): Der Vogelfänger bin ich ja
11. Die Zauberflöte, K. 620 (Excerpts Arr. C.G. Neefe for 2 Organs): Das klinget so herrlich
12. Die Zauberflöte, K. 620 (Excerpts Arr. C.G. Neefe for 2 Organs): Ein Mädchen oder Weibchen
13. Clarinet Concerto in A Major, K. 622: II. Adagio (Arr. Z. Bianchini for Organ)
14. Ave verum corpus de Mozart, S. 674d
15. 24 Fugues, Op. 53 (Excerpts Arr. for 2 Organs): No. 17, Theme from Mozart's :Don Juan:
16. 24 Fugues, Op. 53 (Excerpts Arr. for 2 Organs): No. 16, Theme from Mozart's :Requiem:
17. Requiem in D Minor, K. 626: IIIf. Lachrimosa (Excerpts Arr. R. Vilbac for Organ)
18. Requiem in D Minor, K. 626: II. Kyrie (Excerpts Arr. M. Clementi for 2 Organs)


Until the advent of recordings, the way you got to know the music of the masters was to play them yourself. The expansion of domestic music-making at the beginning of the nineteenth century generated a huge market for arrangements, most of them for piano solo or duet. Mozart was an especial favourite, and this programme extends the basic premise by adapting some of those arrangements for organ, as well as presenting some contemporary arrangements and completions, recorded on an organ from Mozart’s own day.


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