Leonard Slatkin & Orchestre National de Lyon - Ravel: L’Heure espagnole & Don Quichotte à Dulcinée (2016)
BAND/ARTIST: Leonard Slatkin, Orchestre National de Lyon
- Title: Ravel: L’Heure espagnole & Don Quichotte à Dulcinée
- Year Of Release: 2016
- Label: Naxos
- Genre: Classical
- Quality: FLAC (image +.cue, log, booklet)
- Total Time: 55:39 min
- Total Size: 224 MB
- WebSite: Album Preview
Tracklist:
L'heure espagnole, M. 52
Introduction
Scene 1: Senor Torquemada, horloger de Tolede? (Ramiro, Torquemada)
Scene 2: Totor! (Concepcion, Torquemada, Ramiro)
Scene 3: Il reste, voila bien ma chance! (Concepcion, Ramiro, Gonzalve)
Scene 4: Il etait temps, voici Gonzalve! (Concepcion, Gonzalve)
Scene 5: C'est fait, l'horloge est a sa place (Ramiro, Concepcion, Gonzalve)
Scene 6: Maintenant pas de temps a perdre! (Concepcion, Gonzalve)
Scene 7: Salut a la belle horlogere! (Inigo, Concepcion)
Scene 8: Voila!… Et maintenant a l'autre!… (Ramiro, Concepcion, Inigo)
Scene 9: Evidemment, elle me congedie (Inigo)
Scene 10: Voila ce que j'appelle une femme charmante (Ramiro)
Scene 11: Monsieur, ah! Monsieur! (Concepcion, Ramiro)
Scene 12: Enfin, il part! (Inigo, Concepcion)
Scene 13: Voila l'objet! Que faut-il que j'en fasse? (Ramiro, Concepcion, Inigo)
Scene 14: Ah! vous, n'est-ce pas, preste! (Concepcion, Gonzalve)
Scene 15: En depit de cette inhumaine (Gonzalve)
Scene 16: Voila ce que j'appelle une femme charmante (Ramiro, Concepcion)
Scene 17: Oh! la pitoyable aventure! (Concepcion, Gonzalve)
Scene 18: Voila!… Et maintenant, Senora, je suis pret (Ramiro, Concepcion)
Scene 19: Mon oeil anxieux interroge (Inigo, Gonzalve)
Scene 20: Il n'est, pour l'horloger, de joie egale (Torquemada, Inigo, Gonzalve)
Scene 21: Pardieu, demenageur, vous venez a propos! (Inigo, Torquemada, Ramiro, Concepcion, Gonzalve)
Don Quichotte a Dulcinee, M. 84
No. 1. Chanson romanesque
No. 2. Chanson epique
No. 3. Chanson a boire
L'heure espagnole, M. 52
Introduction
Scene 1: Senor Torquemada, horloger de Tolede? (Ramiro, Torquemada)
Scene 2: Totor! (Concepcion, Torquemada, Ramiro)
Scene 3: Il reste, voila bien ma chance! (Concepcion, Ramiro, Gonzalve)
Scene 4: Il etait temps, voici Gonzalve! (Concepcion, Gonzalve)
Scene 5: C'est fait, l'horloge est a sa place (Ramiro, Concepcion, Gonzalve)
Scene 6: Maintenant pas de temps a perdre! (Concepcion, Gonzalve)
Scene 7: Salut a la belle horlogere! (Inigo, Concepcion)
Scene 8: Voila!… Et maintenant a l'autre!… (Ramiro, Concepcion, Inigo)
Scene 9: Evidemment, elle me congedie (Inigo)
Scene 10: Voila ce que j'appelle une femme charmante (Ramiro)
Scene 11: Monsieur, ah! Monsieur! (Concepcion, Ramiro)
Scene 12: Enfin, il part! (Inigo, Concepcion)
Scene 13: Voila l'objet! Que faut-il que j'en fasse? (Ramiro, Concepcion, Inigo)
Scene 14: Ah! vous, n'est-ce pas, preste! (Concepcion, Gonzalve)
Scene 15: En depit de cette inhumaine (Gonzalve)
Scene 16: Voila ce que j'appelle une femme charmante (Ramiro, Concepcion)
Scene 17: Oh! la pitoyable aventure! (Concepcion, Gonzalve)
Scene 18: Voila!… Et maintenant, Senora, je suis pret (Ramiro, Concepcion)
Scene 19: Mon oeil anxieux interroge (Inigo, Gonzalve)
Scene 20: Il n'est, pour l'horloger, de joie egale (Torquemada, Inigo, Gonzalve)
Scene 21: Pardieu, demenageur, vous venez a propos! (Inigo, Torquemada, Ramiro, Concepcion, Gonzalve)
Don Quichotte a Dulcinee, M. 84
No. 1. Chanson romanesque
No. 2. Chanson epique
No. 3. Chanson a boire
Leonard Slatkin is an exceptionally versatile conductor, but it is perhaps in French repertoire of the 19th and 20th centuries that he feels most comfortable. The singers in Ravel's exquisitely formed little comic opera L'Heure espagnole, complete with cheating lovers hidden inside grandfather's clocks carried up and down stairs, are all entirely appropriate and admirably clear, but it is really Slatkin who's the star here, right from the "Introduction" that's so artfully linked to what follows. Ravel here cultivates a kind of updated accompanied recitative, well matched to his stated goal of reviving the old tradition of Italian opera buffa. The dialogue seems straightforward, but it is subtly and considerably heightened by the music in ways that may be clear to the listener only in retrospect. Sample the sly "Salut a la belle Horlogere!" (track eight) for a taste of how Slatkin holds the entire scene, orchestra and singing of mezzo-soprano Isabelle Druet, in the palm of his hand, and of the light sexiness in the opera embodied in the afternoon-delight-seeking Concepcion. A bonus is the set of three Don Quichotte a Dulcinee songs, the last work Ravel completed. Highly recommended and absolutely delightful. -- James Manheim
Year 2016 | Classical | FLAC / APE | CD-Rip
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