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London Symphony Orchestra, Monteverdi Choir & Sir John Eliot Gardiner - Mendelssohn: Symphony No. 2 "Lobgesang" (2017) [Hi-Res]

London Symphony Orchestra, Monteverdi Choir & Sir John Eliot Gardiner - Mendelssohn: Symphony No. 2 "Lobgesang" (2017) [Hi-Res]
  • Title: Mendelssohn: Symphony No. 2 "Lobgesang" (2017)
  • Year Of Release: 2017
  • Label: LSO Live
  • Genre: Classical
  • Quality: 24bit-96kHz FLAC
  • Total Time: 01:03:57
  • Total Size: 1.36 GB
  • WebSite:
Tracklist:

01. Symphony No. 2, Op. 52 "Lobgesang": No. 1, Sinfonia-Maestoso con moto
02. Symphony No. 2, Op. 52 "Lobgesang": No. 1, Sinfonia-Allegretto un poco agitato
03. Symphony No. 2, Op. 52 "Lobgesang": No. 1, Sinfonia-Adagio religioso
04. Symphony No. 2, Op. 52 "Lobgesang": No. 2, Allegro moderato maestoso "Alles, was Odem hat, lobe den Herrn"
05. Symphony No. 2, Op. 52 "Lobgesang": No. 2, Molto più moderato ma con fuoco "Lobe den Herrn, meine Seele"
06. Symphony No. 2, Op. 52 "Lobgesang": No. 3, Recitativo "Saget es, die ihr erlöst seid durch den Herrn"
07. Symphony No. 2, Op. 52 "Lobgesang": No. 3, Allegro moderato "Er zählet unsre Tränen"
08. Symphony No. 2, Op. 52 "Lobgesang": No. 4, Chor. A tempo moderato "Sagt es, die ihr erlöst seid"
09. Symphony No. 2, Op. 52 "Lobgesang": No. 5, Andante "Ich harrete des Herrn"
10. Symphony No. 2, Op. 52 "Lobgesang": No. 6, Allegro un poco agitato "Stricke des Todes hatten uns umfangen"
11. Symphony No. 2, Op. 52 "Lobgesang": No. 7, Allegro maestoso e molto vivace "Die Nacht ist vergangen"
12. Symphony No. 2, Op. 52 "Lobgesang": No. 8, Choral. Andante con moto "Nun danket alle Gott"
13. Symphony No. 2, Op. 52 "Lobgesang": No. 8, Un poco più animato "Lob, Ehr und Preis sei Gott"
14. Symphony No. 2, Op. 52 "Lobgesang": No. 9, Andante sostenuto assai "Drum sing' ich mit meinem Liede ewig dein Lob"
15. Symphony No. 2, Op. 52 "Lobgesang": No. 10, Schlusschor. Allegro non troppo "Ihr Völker! bringet her dem Herrn"

Bringing his acclaimed Mendelssohn cycle to a rousing conclusion, John Eliot Gardiner presents the composer’s symphony-cantata, Lobgesang. Mendelssohn wrote that the piece ‘lies very near my heart’, and with its stately grandeur and religiosity, plus its sheer magnitude – double the length of any of his other symphonies – it stands amongst his most impressive works. Posthumously categorised by editors as the composer’s second symphony, it is also known as a ‘song of praise’ and three talented soloists join the LSO and the world-class Monteverdi Choir for this recording.

While Gardiner is well-versed in the German’s output, this release documents his first performance of the work. In an interview for The Arts Desk, he said: It’s a piece I’ve been looking at for years, and I’ve never conducted it. I was a bit sceptical at first, thinking that it was the torso of a symphony with a cantata bolted on. But it isn’t. It’s a delight. It has a lot of the inventiveness and sheer melodic flow of the young Mendelssohn and it’s perfectly calibrated and constructed.’

This is the perfect end to an exploration of a composer whose music known the world over, but also has so much more to offer. Summing up his feelings at the end of the project, Gardiner said: ‘My admiration for Mendelssohn has gone up enormously, as a result of really digging deep into these symphonies...it’s so rewarding with this group of players, they’re willing to go to the last enth degree, in terms of detail of phrasing and articulation, and that’s a joy.’

Lucy Crowe, soprano
Michael Spyres, tenor
Jurgita Adamonytė, mezzosoprano
London Symphony Orchestra
John Eliot Gardiner, conductor


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  • owen1438
  •  wrote in 06:05
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Thank you very much!