Nina Stemme, Katarina Andreasson, Svenska Kammarorkestern, Thomas Dausgaard - Wagner: Wesendonck-Lieder - Siegfried-Idyll (2013) [Hi-Res]
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BAND/ARTIST: Nina Stemme, Katarina Andreasson, Svenska Kammarorkestern, Thomas Dausgaard
- Title: Wagner: Wesendonck-Lieder - Siegfried-Idyll
- Year Of Release: 2013
- Label: BIS
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:08:03
- Total Size: 282 / 786 mb
- WebSite: Album Preview
Tracklist
01. Der fliegende Holländer (the Flying Dutchman): Overture [1841 version]
02. 5 Gedichte für eine Frauenstimme, "Wesendonck Lieder": No. 1, Der Engel (the Angel) [arr. F. Mottl for voice and orchestra]
03. 5 Gedichte für eine Frauenstimme, "Wesendonck Lieder": No. 2, Stehe still (Stand Still) [arr. F. Mottl for voice and orchestra]
04. 5 Gedichte für eine Frauenstimme, "Wesendonck Lieder": No. 3, Im Treibhaus (In the Hothouse) [arr. F. Mottl for voice and orchestra]
05. 5 Gedichte für eine Frauenstimme, "Wesendonck Lieder": No. 4, Schmerzen (Pain) [arr. F. Mottl for voice and orchestra]
06. 5 Gedichte für eine Frauenstimme, "Wesendonck Lieder": No. 5, Traume [Dreams] [version for voice and orchestra]
07. Der fliegende Holländer, WWV 63: Der fliegende Holländer (the Flying Dutchman): Overture [Final Version]
08. Siegfried Idyll
09. 5 Gedichte für eine Frauenstimme, "Wesendonck Lieder", No. 5. Traume (Dreams) [version for solo violin and chamber orchestra]
10. Die Meistersinger von Nürnberg, WWV 96, Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Prelude
In June 2013 the Swedish Chamber Orchestra under the expert direction of Thomas Dausgaard are joined by one of today's foremost Wagner singers. Named 'Singer of the Year' by Opernwelt magazine in 2012, Nina Stemme has been the Isolde of choice at Glyndebourne, Bayreuth and Covent Garden.
For this new release Nina performs the five Wesendonck-Lieder, of which two in particular, Im Treibhaus and Träume, were referred to by Wagner as 'studies' for Tristan and Isolde. Wagner himself prepared a version for violin and orchestra of Träume, and the ensemble includes this setting featuring principal violinist, Katarina Andreasson, as soloist.
The Wesendonck-Lieder are framed by two versions of the overture to Der fliegende Holländer, the rarely heard 1841 original version and the composer's final creation from 1860, with its new ending inspired by Tristan, composed three years earlier.
01. Der fliegende Holländer (the Flying Dutchman): Overture [1841 version]
02. 5 Gedichte für eine Frauenstimme, "Wesendonck Lieder": No. 1, Der Engel (the Angel) [arr. F. Mottl for voice and orchestra]
03. 5 Gedichte für eine Frauenstimme, "Wesendonck Lieder": No. 2, Stehe still (Stand Still) [arr. F. Mottl for voice and orchestra]
04. 5 Gedichte für eine Frauenstimme, "Wesendonck Lieder": No. 3, Im Treibhaus (In the Hothouse) [arr. F. Mottl for voice and orchestra]
05. 5 Gedichte für eine Frauenstimme, "Wesendonck Lieder": No. 4, Schmerzen (Pain) [arr. F. Mottl for voice and orchestra]
06. 5 Gedichte für eine Frauenstimme, "Wesendonck Lieder": No. 5, Traume [Dreams] [version for voice and orchestra]
07. Der fliegende Holländer, WWV 63: Der fliegende Holländer (the Flying Dutchman): Overture [Final Version]
08. Siegfried Idyll
09. 5 Gedichte für eine Frauenstimme, "Wesendonck Lieder", No. 5. Traume (Dreams) [version for solo violin and chamber orchestra]
10. Die Meistersinger von Nürnberg, WWV 96, Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Prelude
In June 2013 the Swedish Chamber Orchestra under the expert direction of Thomas Dausgaard are joined by one of today's foremost Wagner singers. Named 'Singer of the Year' by Opernwelt magazine in 2012, Nina Stemme has been the Isolde of choice at Glyndebourne, Bayreuth and Covent Garden.
For this new release Nina performs the five Wesendonck-Lieder, of which two in particular, Im Treibhaus and Träume, were referred to by Wagner as 'studies' for Tristan and Isolde. Wagner himself prepared a version for violin and orchestra of Träume, and the ensemble includes this setting featuring principal violinist, Katarina Andreasson, as soloist.
The Wesendonck-Lieder are framed by two versions of the overture to Der fliegende Holländer, the rarely heard 1841 original version and the composer's final creation from 1860, with its new ending inspired by Tristan, composed three years earlier.
Classical | FLAC / APE | HD & Vinyl
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