Felicity Lott, Jennifer Smith, Geraldine McGreevy - Gabriel Fauré: The Complete Songs 1 (2005)
BAND/ARTIST: Felicity Lott, Jennifer Smith, Geraldine McGreevy
- Title: Gabriel Fauré: The Complete Songs 1
- Year Of Release: 2005
- Label: Hyperion
- Genre: Classical, songs
- Quality: FLAC (image+.cue,log,scans)
- Total Time: 68:47
- Total Size: 258 MB
- WebSite: Album Preview
Tracklist:
[1] Les matelots, Op 2 No 2 Christopher Maltman
[2] Seule! Op 3 No 1 Jennifer Smith
[3] Chanson du pêcheur, Op 4 No 1 Christopher Maltman
[4] Barcarolle, Op 7 No 3 John Mark Ainsley
[5] Tarentelle, Op 10 No 2 Geraldine McGreevy & Stella Doufexis
[6] Au bord de l'eau, Op 8 No 1 Felicity Lott
[7] Les berceaux, Op 23 No 1 Christopher Maltman
[8] Au cimetière, Op 51 No 2 John Mark Ainsley
[9] Larmes, Op 51 No 1 Christopher Maltman
[10]-[14] Cinq mélodies « de Venise », Op 58 Felicity Lott
[15] Pleurs d'or, Op 72 Jennifer Smith & John Mark Ainsley
[16] Accompagnement, Op 85 No 3 Stephen Varcoe
[17] La fleur qui va sur l'eau, Op 85 No 2 Christopher Maltman
[18]-[21] Mirages, Op 113 Stephen Varcoe
[22] C'est la paix, Op 114 Jennifer Smith
[23]-[26] L'horizon chimérique, Op 118 Christopher Maltman
[1] Les matelots, Op 2 No 2 Christopher Maltman
[2] Seule! Op 3 No 1 Jennifer Smith
[3] Chanson du pêcheur, Op 4 No 1 Christopher Maltman
[4] Barcarolle, Op 7 No 3 John Mark Ainsley
[5] Tarentelle, Op 10 No 2 Geraldine McGreevy & Stella Doufexis
[6] Au bord de l'eau, Op 8 No 1 Felicity Lott
[7] Les berceaux, Op 23 No 1 Christopher Maltman
[8] Au cimetière, Op 51 No 2 John Mark Ainsley
[9] Larmes, Op 51 No 1 Christopher Maltman
[10]-[14] Cinq mélodies « de Venise », Op 58 Felicity Lott
[15] Pleurs d'or, Op 72 Jennifer Smith & John Mark Ainsley
[16] Accompagnement, Op 85 No 3 Stephen Varcoe
[17] La fleur qui va sur l'eau, Op 85 No 2 Christopher Maltman
[18]-[21] Mirages, Op 113 Stephen Varcoe
[22] C'est la paix, Op 114 Jennifer Smith
[23]-[26] L'horizon chimérique, Op 118 Christopher Maltman
Johnson's accompaniments are expertly done, whether the demands are for subtle shadings or skillful fingerwork. But this set is indispensable for Johnson's extensive notes tracing Fauré's development as a song writer--including a detailed time-line--and for his concise analysis of each song, its background, meaning, poetry, and musical points of interest. The sound is adequate, flawed by occasional intrusive sibilants but with generally good balances between voice and piano.
--Dan Davis, ClassicsToday
--Dan Davis, ClassicsToday
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