Ralf Weikert - Eugen d'Albert: Die Toten Augen (2000)
BAND/ARTIST: Ralf Weikert
- Title: Eugen d'Albert: Die Toten Augen
- Year Of Release: 2000
- Label: CPO
- Genre: Classical
- Quality: FLAC (image+.cue,log,scans)
- Total Time: 01:47:37
- Total Size: 604 Mb
- WebSite: Album Preview
Tracklist:
CD 1:
01. Vorspiel - Einleitung [0:07:13.17]
02. - Wir schnitten die Halme [0:04:12.47]
03. - Die Sonne sinkt, heimwärts zieht meine Herde [0:02:32.10]
04. - Da, sieh nur die prächtige Schar! [0:04:57.35]
05. - Mein Mantel! Mein Stab! [0:03:21.58]
06. Handlung und Nachspiel - Heut ist der Tag [0:06:01.63]
07. - Die Sonne ging auf [0:03:34.69]
08. - Psyche wandelt durch Säulenhallen [0:04:41.43]
09. - Gruss, dir, Arcesius! [0:02:09.58]
10. - Komm, komm, Geliebter [0:05:49.49]
11. - Herrin [0:01:49.30]
12. - Herrin, da kommt Ktesiphar, der Wunderarzt [0:02:56.55]
13. - Er kann nicht helfen [0:01:51.32]
14. - Hier kommt er vorbei! [0:01:38.15]
15. - Für alle kam der Herr [0:07:05.21]
16. - Jetzt sind sie ganz nahe! [0:03:52.73]
CD 2:
01. - Ein Spiegel (Myrtocle) [0:04:07.37]
02. - Der Spiegel, Herrin (Arsinoe) [0:05:15.29]
03. - Nun bist du heim bei deinem Glück (Galba) [0:07:14.30]
04. - Geliebter ! (Myrtocle) [0:06:07.36]
05. - Mörder.. Tier... (Myrtocle) [0:01:34.09]
06. - Was tat ich nur?! (Myrtocle) [0:01:54.18]
07. - Erbarmt euch, grosse Götter! [0:04:58.46]
08. - O wär ich noch das unwissende blinde Kind! [0:06:34.31]
09. - Myrtocle .. Myrtocle (Arcesius) [0:01:36.08]
10. - Nein! O warum quälst du mich (Myrtocle) - Nachspiel [0:04:38.48]
Performers:
Dagmar Schellenberger - soprano
Hartmut Welker - baritone
Norbert Orth - tenor
Margaret Chalker - soprano
Philharmonischer Chor Dresden
Dresdner Philharmonie
Ralf Weikert - conductor
CD 1:
01. Vorspiel - Einleitung [0:07:13.17]
02. - Wir schnitten die Halme [0:04:12.47]
03. - Die Sonne sinkt, heimwärts zieht meine Herde [0:02:32.10]
04. - Da, sieh nur die prächtige Schar! [0:04:57.35]
05. - Mein Mantel! Mein Stab! [0:03:21.58]
06. Handlung und Nachspiel - Heut ist der Tag [0:06:01.63]
07. - Die Sonne ging auf [0:03:34.69]
08. - Psyche wandelt durch Säulenhallen [0:04:41.43]
09. - Gruss, dir, Arcesius! [0:02:09.58]
10. - Komm, komm, Geliebter [0:05:49.49]
11. - Herrin [0:01:49.30]
12. - Herrin, da kommt Ktesiphar, der Wunderarzt [0:02:56.55]
13. - Er kann nicht helfen [0:01:51.32]
14. - Hier kommt er vorbei! [0:01:38.15]
15. - Für alle kam der Herr [0:07:05.21]
16. - Jetzt sind sie ganz nahe! [0:03:52.73]
CD 2:
01. - Ein Spiegel (Myrtocle) [0:04:07.37]
02. - Der Spiegel, Herrin (Arsinoe) [0:05:15.29]
03. - Nun bist du heim bei deinem Glück (Galba) [0:07:14.30]
04. - Geliebter ! (Myrtocle) [0:06:07.36]
05. - Mörder.. Tier... (Myrtocle) [0:01:34.09]
06. - Was tat ich nur?! (Myrtocle) [0:01:54.18]
07. - Erbarmt euch, grosse Götter! [0:04:58.46]
08. - O wär ich noch das unwissende blinde Kind! [0:06:34.31]
09. - Myrtocle .. Myrtocle (Arcesius) [0:01:36.08]
10. - Nein! O warum quälst du mich (Myrtocle) - Nachspiel [0:04:38.48]
Performers:
Dagmar Schellenberger - soprano
Hartmut Welker - baritone
Norbert Orth - tenor
Margaret Chalker - soprano
Philharmonischer Chor Dresden
Dresdner Philharmonie
Ralf Weikert - conductor
If you like Wagner and Strauss, chances are you'll like Die Toten Augen, Eugen d'Albert's most mystical, lushly orchestrated score. Its one act is set in Jerusalem on Palm Sunday. A shepherd discovers that one of his lambs is missing and he goes to look for it. Nearby, beautiful, blind Myrtocle lives happily with her husband Arcesius who is Roman envoy to the senate in Jerusalem; he is ugly and malformed and does not want his wife's blindness cured. She is told that Jesus will be passing by later that day and that he has performed miracles. Arcesius and the young Roman Captain Galba, who is secretly in love with Myrtocle, leave for the senate. Jesus passes by and Myrtocle is indeed cured. When Arcesius and Galba return, she runs toward Galba, mistaking him for Arcesius and they embrace, Galba professing his love. Arcesius kills Galba in a jealous rage. Myrtocle stares into the sun until she goes blind again. The shepherd crosses the courtyard with the lamb in his arms.
There is an interesting recording of this work on Myto from 1951 in cruddy sound, but Marianne Schech's Myrtocle is immensely moving and beautifully sung. Here Dagmar Schellenberger is a bit sharper-edged, but she has no trouble with the high tessitura and offers us a vivid picture of this complicated character. Hartmut Welker is a gruff but effective Arcesius, but Norbert Orth's Galba is only fair--to be honest, the role is the least well conceived of the three and even Wolfgang Windgassen on Myto has trouble bringing the character to life. The others in this large cast are very good and Lothar Odinius as the tenor Shepherd is simply beautiful. Ralf Weikert leads the Dresden forces vividly and CPO's engineers have given us a stunning recording that allows us to hear all of d'Albert's details. This is not a great work but it's oddly fascinating. Recommended. -- Robert Levine
There is an interesting recording of this work on Myto from 1951 in cruddy sound, but Marianne Schech's Myrtocle is immensely moving and beautifully sung. Here Dagmar Schellenberger is a bit sharper-edged, but she has no trouble with the high tessitura and offers us a vivid picture of this complicated character. Hartmut Welker is a gruff but effective Arcesius, but Norbert Orth's Galba is only fair--to be honest, the role is the least well conceived of the three and even Wolfgang Windgassen on Myto has trouble bringing the character to life. The others in this large cast are very good and Lothar Odinius as the tenor Shepherd is simply beautiful. Ralf Weikert leads the Dresden forces vividly and CPO's engineers have given us a stunning recording that allows us to hear all of d'Albert's details. This is not a great work but it's oddly fascinating. Recommended. -- Robert Levine
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