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Jay Farrar - Stone, Steel & Bright Lights (2004)

Jay Farrar - Stone, Steel & Bright Lights (2004)

BAND/ARTIST: Jay Farrar

  • Title: Stone, Steel & Bright Lights
  • Year Of Release: 2004
  • Label: Transmit Sound
  • Genre: Folk Rock, Country Rock, Alt Country
  • Quality: Mp3 320 / Flac (tracks, .cue, log)
  • Total Time: 01:13:55
  • Total Size: 181/535 Mb (cover)
  • WebSite:
Jay Farrar - Stone, Steel & Bright Lights (2004)


Tracklist:

01. Doesn't Have to Be This Way
02. Greenwich Time
03. 6 String Belief
04. Feel Free
05. Make It Alright
06. No Rolling Back
07. Damn Shame
08. All of Your Might
09. Cahokian
10. Heart on the Ground
11. California
12. Fool King's Crown
13. Vitamins
14. Voodoo Candle
15. Damaged Son
16. Feed Kill Chain
17. Clear Day Thunder
18. Lucifer Sam
19. Like a Hurricane

Line-up::
Bass – Evan Berodt
Drums, Percussion – Dave Bryson
Guitar – Joe Winkle
Guitar, Steel Guitar [Lap], Maracas – Brandon Butler
Keyboards – Derrick DeBorja
Vocals, Guitar, Harmonica – Jay Farrar

Recorded throughout September and October of 2003, as Farrar criss-crossed the country with the DC-based 5-piece, Canyon, as his backing band, Stone Steel & Bright Lights offers a diverse collection of Farrars solo career. The album features 2 new originals ("Doesnt Have to Be This Way" and "6 String Belief"), 15 songs from Farrars 3 solo releases, as well as 2 well-chosen covers (Syd Barretts "Lucifer Sam" and Neil Youngs "Like A Hurricane). As a bonus, the album package also features an 11-song DVD with performance footage from Slims in San Francisco. The new originals, "Doesn't Have to Be This Way" and "6 String Belief", prove to be especially timely eventhough they were written and recorded in 2003. According to Farrar, "'Doesn't Have to Be This Way' reflects the headlines in the newspapers during that period," and frames its surging protest against a "new world of shame" with a chiming piano and mournful lap steel. "6 String Belief" touches on an issue that seems equally close to the songwriter's heart - the strength of rock and roll to renew and redeem itself in moments when it becomes jaded, corrupted and bankrupt. The song, says Farrar, "deals with the idea of rebellion against the status quo in a music industry context. When corporate blitzes and payola reach a saturation point at the mainstream level, it spawns a reaction of good music - a grassroots, do-it-yourself level." He calls the song "two-thirds idealism and one third reality."




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  • User offline
  • whiskers
  •  wrote in 19:34
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Many Thanks
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  • mufty77
  •  wrote in 23:56
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Many thanks for lossless.