Orchestre de la Suisse Romande, Kazuki Yamada - Kazuki Yamada conducts Roussel, Debussy & Poulenc (2016) [Hi-Res]

• Title: Kazuki Yamada conducts Roussel, Debussy & Poulenc
  
• Year Of Release: 2016
  
• Label: PentaTone
  
• Genre: Classical
  
• Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
  
• Total Time: 01:15:53
  
• Total Size: 336 mb / 1.27 gb
  
• WebSite: Album Preview
  

Tracklist
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01. Bacchus et Ariane Suite Op. 43 No. 1
02. Bacchus et Ariane Suite, Op. 43 No. 2: I. Introduction. Andante
03. Bacchus et Ariane Suite, Op. 43 No. 2: II. Réveil d'Ariane. Moderato
04. Bacchus et Ariane Suite, Op. 43 No. 2: III. Bacchus reprend avec Ariane. Poco più allegro
05. Bacchus et Ariane Suite, Op. 43 No. 2: IV. Bacchus danse seul. Allegro
6B. acchus et Ariane Suite, Op. 43 No. 2: V. Le baiser. Andante
7B. acchus et Ariane Suite, Op. 43 No. 2: VI. Le thiase défile. Allegro deciso
8B. acchus et Ariane Suite, Op. 43 No. 2: VII. Danse d'Ariane. Andante
9B. acchus et Ariane Suite, Op. 43 No. 2: VIII. Danse d'Ariadne et de Bacchus. Moderato e pesante
10. Bacchus et Ariane Suite, Op. 43 No. 2: IX. Bacchanale. Allegro brilliante
11. Bacchus et Ariane Suite, Op. 43 No. 2: X. Le couronnement d'Ariane
12. 6 Épigraphes antiques, L. 131 (Arr. E. Ansermet for Orchestra): No. 1. Pour invoquer Pan, dieu du vent d'été
13. 6 Épigraphes antiques, L. 131 (Arr. E. Ansermet for Orchestra): No. 2. Pour un tombeau sans nom
14. 6 Épigraphes antiques, L. 131 (Arr. E. Ansermet for Orchestra): No. 3. Pour que la nuit soit propice
15. 6 Épigraphes antiques, L. 131 (Arr. E. Ansermet for Orchestra): No. 4. Pour la danseuse aux crotales
16. 6 Épigraphes antiques, L. 131 (Arr. E. Ansermet for Orchestra): No. 5. Pour l'egyptienne
17. 6 Épigraphes antiques, L. 131 (Arr. E. Ansermet for Orchestra): No. 6. Pour remercier la pluie au matin
18. Les biches, FP 36: I. Rondeau
19. Les biches, FP 36: II. Adagietto
20. Les biches, FP 36: III. Rag-Mazurka
21. Les biches, FP 36: IV. Andantino
22. Les biches, FP 36: V. Final

Vibrant, striking colours, sensuous harmonies and coruscating wit abound in this irresistible collection played by the Orchestre de la Suisse Romande (OSR) under the baton of the young rising star Kazuki Yamada. Hailed by Gramophone magazine as a “gifted, budding maestro” with “interpretative nous, strength of personality and scrupulous attention to detail”, this is Yamada’s fourth outing for PENTATONE following his three critically acclaimed releases of dance music.

The three works featured are firmly rooted in the past, whether in the sources for inspiration or the sometimes neo-classical style. But the musical language is unmistakeably from the 20th century and, above all, quintessentially French.

Featuring incisive rhythms, expressive melodies and daring harmonies realised with a sumptuous orchestral palette, Albert Roussel’s exotic suites for the ballet Ariane et Bacchus are popular showpieces with orchestras and audiences alike, especially the famous Bacchanale an uninhibited romp which closes the work. Debussy’s nod to classical Greece in his beguiling Six épigraphes antiques, sometimes described as a conspectus of his compositional technique, is heard here in luxuriant detail in a rarely performed orchestration by Ernest Ansermet, the founder of the OSR. And Poulenc has never been in more high spirits than in Les Biches, a heady, infectious concoction which bristles with sophistication, charm and irrepressible Gallic wit.

“The BBC SO have found a star in the making,” wrote The Telegraph of Kazuki Yamada “let’s hope we hear more of him.” Winner of the prestigious 51st International Besançon Competition for Young Conductors in 2009, Yamada’s rise on the international stage has been rapid. With his busy schedule, he is one of today’s most sought after conductors and in September 2016, he takes over as principal conductor and artistic director of the Orchestre Philharmonique de Monte-Carlo.

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Year 2016 | Classical | FLAC / APE | HD & Vinyl

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