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Andrea Lucchesini - Schubert: Late Piano Works, Vol. 2 (Piano Sonata No. 21, D. 960 & 3 Piano Pieces, D. 946) (2020) [Hi-Res]

Andrea Lucchesini - Schubert: Late Piano Works, Vol. 2 (Piano Sonata No. 21, D. 960 & 3 Piano Pieces, D. 946) (2020) [Hi-Res]

BAND/ARTIST: Andrea Lucchesini

  • Title: Schubert: Late Piano Works, Vol. 2 (Piano Sonata No. 21, D. 960 & 3 Piano Pieces, D. 946)
  • Year Of Release: 2020
  • Label: audite Musikproduktion
  • Genre: Classical
  • Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
  • Total Time: 01:18:48
  • Total Size: 259 mb / 1.28 gb
  • WebSite:
Tracklist
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01. Piano Sonata No. 21 in B-Flat Major, D. 960 I. Molto moderato
02. Piano Sonata No. 21 in B-Flat Major, D. 960 II. Andante sostenuto
03. Piano Sonata No. 21 in B-Flat Major, D. 960 III. Scherzo. Allegro vivace con delicatezza - Trio
04. Piano Sonata No. 21 in B-Flat Major, D. 960 IV. Allegro, ma non troppo
05. 3 Piano Pieces, D. 946 I. Allegro assai
06. 3 Piano Pieces, D. 946 II. Allegretto
07. 3 Piano Pieces, D. 946 III. Allegro


Following the first instalment of his three-part Schubert series, the Florentine pianist Andrea Lucchesini now approaches the sanctum of Schubert's keyboard music: the Piano Sonata in B-flat major D. 960, composed a few weeks before the composer's untimely death in November 1828.

Over the last two decades, the 54-year-old pianist, who studied with Maria Tipo for many years, has increasingly devoted himself to chamber music and has also recorded the complete Beethoven sonatas. Both experiences influence his recording of Schubert's late work for the piano. Here, too, Lucchesini reveals a cosmos of colours and he revisits the tempi, emphasising contrasts and dramatic curves. Chamber music has inspired him to develop a "conversational" style - often there is a sense of dialogue, announcement or even lively communication.

Amongst the last three piano sonatas, the Sonata in B-flat major adopts a lyrical tone. But above all, Schubert takes time to develop his musical themes - Robert Schumann was astounded by what he called the "heavenly lengths" (and he intended to emphasise the "heavenly" aspect). But there are also abysses that were probably as inexplicable for contemporary listeners as they are for us today: sudden stops, trills in the lowest registers, the funeral music of the second movement - and then again a carefree scherzo and a serene finale.
On this album the monumental Sonata in B-flat major is combined with the three piano pieces D. 946.




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  •  wrote in 19:03
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gracias....