Patricia Petibon, Susan Manoff - L'amour, la mort, la mer (2020) CD-Rip
BAND/ARTIST: Patricia Petibon, Susan Manoff
- Title: L'amour, la mort, la mer
- Year Of Release: 2020
- Label: Sony Classical
- Genre: Classical, Vocal
- Quality: FLAC (image+.cue,log,scans)
- Total Time: 01:10:15
- Total Size: 399 Mb
- WebSite: Album Preview
Tracklist:
Jean Cras (1879 - 1932):
1. Trois chansons bretonnes - La rencontre 03:27
Nicolas Bacri (b. 1961):
2. All Through Eternity - Three Love Songs, Op. 96: Adagio estatico) 02:03
3. Melodias de Melancolia - A la mar, Op. 119/1: Moderato Ipnotico 03:29
Heitor Villa-Lobos (1887 - 1959):
4. Canção do Marinheiro 03:34
Gabriel Fauré (1845 - 1924):
5. Au bord de l'eau 01:46
John Lennon (1940 - 1980) & Yoko Ono (b. 1933):
6. Oh My Love 03:12
Samuel Barber (1910 - 1981):
7. The Speckled Book, 12th Century - The Crucifixion, Op. 29 No. 5 02:49
Erik Satie (1866 - 1925):
8. Avant-dernières pensées - Idylle 01:31
Francis Poulenc (1899 - 1963):
9. Sanglots - Banalités, FP 107 04:37
Yann Tiersen (b. 1970):
10. Lok Gweltaz 02:58
Ariel Ramírez (1921 - 2010):
11. Alfonsina y el Mar 06:14
Gabriel Fauré:
12. Clair de lune, Op. 46 No. 2 02:58
Joaquín Rodrigo (1901 - 1999):
13. Cancion del Grumete Adela 02:23
Enrique Granados (1867 - 1916):
14. La Maja Dolorosa (Dolorosa) 03:11
Thierry Escaich (b. 1965):
15. Le chant des lendemains03:19
Yann Tiersen:
16. Yuzin 03:11
Francisco Mignone (1897 - 1986):
17. Dona Janaina 02:52
Erik Satie:
18. Avant-dernières pensées - Méditation 01:00
Reynaldo Hahn (1874 - 1947):
19. Etudes latines - Néère 03:10
Traditional:
20. Woman of Ireland 02:57
Robert Baksa (b. 1938):
21. Heart! We Will Forget Him 03:58
Traditional:
22. Danny Boy 05:36
Performers:
Patricia Petibon (soprano)
Susan Manoff (piano)
David Venetucci (accordéon en 01, 03-04, 06, 10-11, 13, 15, 21)
Ronan Lebars (cornemuse irlandaise en 07, 20, 22)
Philippe Marchand, alias Yula S (percussions en 01, 06, 17-18, 21)
Olivier Py (chant en 15)
Jean Cras (1879 - 1932):
1. Trois chansons bretonnes - La rencontre 03:27
Nicolas Bacri (b. 1961):
2. All Through Eternity - Three Love Songs, Op. 96: Adagio estatico) 02:03
3. Melodias de Melancolia - A la mar, Op. 119/1: Moderato Ipnotico 03:29
Heitor Villa-Lobos (1887 - 1959):
4. Canção do Marinheiro 03:34
Gabriel Fauré (1845 - 1924):
5. Au bord de l'eau 01:46
John Lennon (1940 - 1980) & Yoko Ono (b. 1933):
6. Oh My Love 03:12
Samuel Barber (1910 - 1981):
7. The Speckled Book, 12th Century - The Crucifixion, Op. 29 No. 5 02:49
Erik Satie (1866 - 1925):
8. Avant-dernières pensées - Idylle 01:31
Francis Poulenc (1899 - 1963):
9. Sanglots - Banalités, FP 107 04:37
Yann Tiersen (b. 1970):
10. Lok Gweltaz 02:58
Ariel Ramírez (1921 - 2010):
11. Alfonsina y el Mar 06:14
Gabriel Fauré:
12. Clair de lune, Op. 46 No. 2 02:58
Joaquín Rodrigo (1901 - 1999):
13. Cancion del Grumete Adela 02:23
Enrique Granados (1867 - 1916):
14. La Maja Dolorosa (Dolorosa) 03:11
Thierry Escaich (b. 1965):
15. Le chant des lendemains03:19
Yann Tiersen:
16. Yuzin 03:11
Francisco Mignone (1897 - 1986):
17. Dona Janaina 02:52
Erik Satie:
18. Avant-dernières pensées - Méditation 01:00
Reynaldo Hahn (1874 - 1947):
19. Etudes latines - Néère 03:10
Traditional:
20. Woman of Ireland 02:57
Robert Baksa (b. 1938):
21. Heart! We Will Forget Him 03:58
Traditional:
22. Danny Boy 05:36
Performers:
Patricia Petibon (soprano)
Susan Manoff (piano)
David Venetucci (accordéon en 01, 03-04, 06, 10-11, 13, 15, 21)
Ronan Lebars (cornemuse irlandaise en 07, 20, 22)
Philippe Marchand, alias Yula S (percussions en 01, 06, 17-18, 21)
Olivier Py (chant en 15)
With her new programme "L'amour, la mort, la mer" Patricia Petibon flies freely from one register to another, from one language to another, and from one style to its exact opposite. However, she does base her repertoire around her own personal journey. This is what grants her seemingly eclectic style the consistency of an unparalleled performance. It is less a recital than a story that unfolds from one composer to the next—a secret story of grief, travel, and solitude. In this way, she echoes the idea underpinning Saint- John Perse’s poem, Amers: “The tragedians came down from the quarries. They raised their arms in honour of the sea.” In this poem, the tragedians travel to the seashore in search of inspiration and the renewal of their art. Their request is far from nostalgic; they come with a hope of salt on their lips and the taste for a revitalised present. Art and singing must sometimes contend with the horizontal cosmos of the ocean horizon to reach greater heights.
By pairing the little known Jean Cras with John Lennon, the classic Fauré with the modern Escaich, the Spanish Granados with the Breton Tiersen, Patricia Petibon assembles a far-reaching compass to achieve a one-of-a-kind sound. By listening to her move from one song to the next, it becomes clear that Patricia Petibon’s music is all her own. The complicity of the composers and musicians featured on the record only adds to this feeling of artistic integrity and endless striving.
Her duo with the deeply moving Susan Manoff shows what can be created through friendship centred on music and music based in friendship.
Love, death, singing, and the sea require deep humility, honest admission, and the confession of both our distress and hopes. Every year, Patricia Petibon redefines the scope of the human voice with the power of her sincerity. She can do no more than simply give voice to the thing within her that sings a louder song and resonates with the discord of modern times. Her abundant voice conveys a type of acceptance that reverses the polarities of pain. For a Breton, nothing is bigger than the sea, “which washes the wounds and the stains of humanity”, as Homer once wrote. However, music can direct this same vastness inwards. Music hollows out the sky and internalises the ocean. All you have to do is close your eyes.
By pairing the little known Jean Cras with John Lennon, the classic Fauré with the modern Escaich, the Spanish Granados with the Breton Tiersen, Patricia Petibon assembles a far-reaching compass to achieve a one-of-a-kind sound. By listening to her move from one song to the next, it becomes clear that Patricia Petibon’s music is all her own. The complicity of the composers and musicians featured on the record only adds to this feeling of artistic integrity and endless striving.
Her duo with the deeply moving Susan Manoff shows what can be created through friendship centred on music and music based in friendship.
Love, death, singing, and the sea require deep humility, honest admission, and the confession of both our distress and hopes. Every year, Patricia Petibon redefines the scope of the human voice with the power of her sincerity. She can do no more than simply give voice to the thing within her that sings a louder song and resonates with the discord of modern times. Her abundant voice conveys a type of acceptance that reverses the polarities of pain. For a Breton, nothing is bigger than the sea, “which washes the wounds and the stains of humanity”, as Homer once wrote. However, music can direct this same vastness inwards. Music hollows out the sky and internalises the ocean. All you have to do is close your eyes.
Year 2020 | Classical | FLAC / APE | CD-Rip
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