Musicall Humors, Julien Leonard, Eugénie Warnier - Infernum in Paradise (Consort Music & Songs) (2012) [Hi-Res]
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BAND/ARTIST: Musicall Humors, Julien Leonard, Eugénie Warnier
- Title: Infernum in Paradise (Consort Music & Songs)
- Year Of Release: 2012
- Label: Muso
- Genre: Classical, Sacred
- Quality: flac lossless / flac 24bits - 88.2kHz
- Total Time: 01:11:57
- Total Size: 386 mb / 1.23 gb
- WebSite: Album Preview
Tracklist
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01. Infernum
02. When Daphnee from Fair Phoebus Did Fly
03. Farewell the Bliss
04. Bona Speranza: Pavan
05. The Teares of the Muses
06. Sweet Was the Song the Virgin Sung
07. De la court
08. Come Again
09. Sir Henry Umpton'’s Funerall
10. If My Complaints Could Passion Move
11. Captain Digorie Piper His Galliard
12. The Earle of Essex his Galliard
13. This Merry Pleasant Spring
14. When May Is in His Prime
15. Mister George Whitehead His Almand
16. The Fairy Round
17. Pavan
18. Now, O Now, I Needs Must Part
19. Lullaby
20. The Night Watch
21. The Image of Melancholy
22. In Paradise
'Beer and the viola da gamba both arrived in England in the space of a year, in the reign of King Henry VII', wrote Henry Peacham and yet it was not until the following reign, that of Henry VIII, that the latter instrument gained its noble status. The high point, however, occurred in the long reign of Elizabeth I (1558-1603). The consort song had its origin partly in the theatre, partly in madrigals inspired by the Italians, then very much in vogue. Fashionable English composers write songs, airs and dance pieces that would embody this uniquely English phenomenon; among them John Dowland and Anthony Holborne, who feature prominently on this disc, both leading figures in Elizabethan music. With his ensemble Musicall Humors, Julien Léonard has managed to create a viol consort of astonishing homogeneity, offset by the delicate presence at times of a lute, at times of a cittern, a harpsichord, the virginals or organ. The sonorities are round, warm, velvety, and for her first solo disc, the voice of Eugénie Warnier lies with unforced delicacy upon this instrumental duvet.
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01. Infernum
02. When Daphnee from Fair Phoebus Did Fly
03. Farewell the Bliss
04. Bona Speranza: Pavan
05. The Teares of the Muses
06. Sweet Was the Song the Virgin Sung
07. De la court
08. Come Again
09. Sir Henry Umpton'’s Funerall
10. If My Complaints Could Passion Move
11. Captain Digorie Piper His Galliard
12. The Earle of Essex his Galliard
13. This Merry Pleasant Spring
14. When May Is in His Prime
15. Mister George Whitehead His Almand
16. The Fairy Round
17. Pavan
18. Now, O Now, I Needs Must Part
19. Lullaby
20. The Night Watch
21. The Image of Melancholy
22. In Paradise
'Beer and the viola da gamba both arrived in England in the space of a year, in the reign of King Henry VII', wrote Henry Peacham and yet it was not until the following reign, that of Henry VIII, that the latter instrument gained its noble status. The high point, however, occurred in the long reign of Elizabeth I (1558-1603). The consort song had its origin partly in the theatre, partly in madrigals inspired by the Italians, then very much in vogue. Fashionable English composers write songs, airs and dance pieces that would embody this uniquely English phenomenon; among them John Dowland and Anthony Holborne, who feature prominently on this disc, both leading figures in Elizabethan music. With his ensemble Musicall Humors, Julien Léonard has managed to create a viol consort of astonishing homogeneity, offset by the delicate presence at times of a lute, at times of a cittern, a harpsichord, the virginals or organ. The sonorities are round, warm, velvety, and for her first solo disc, the voice of Eugénie Warnier lies with unforced delicacy upon this instrumental duvet.
Classical | FLAC / APE | HD & Vinyl
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