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Concerto de Bassus & Franz Hauk - Mayr: Mass in E-Flat Major (Arr. F. Hauk & M. Hößl) (2020) [Hi-Res]

Concerto de Bassus & Franz Hauk - Mayr: Mass in E-Flat Major (Arr. F. Hauk & M. Hößl) (2020) [Hi-Res]
  • Title: Mayr: Mass in E-Flat Major (Arr. F. Hauk & M. Hößl)
  • Year Of Release: 2020
  • Label: Naxos
  • Genre: Classical
  • Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
  • Total Time: 01:26:44
  • Total Size: 433 / 1.5 gb
  • WebSite:
Tracklist
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01. Mass in E-Flat Major (Arr. F. Hauk & M. Hößl): Ia. Kyrie. Kyrie eleison
02. Mass in E-Flat Major (Arr. F. Hauk & M. Hößl): Ib. Kyrie. Christe eleison
03. Mass in E-Flat Major (Arr. F. Hauk & M. Hößl): Ic. Kyrie. Kyrie eleison
04. Mass in E-Flat Major (Arr. F. Hauk & M. Hößl): IIa. Gloria
05. Mass in E-Flat Major (Arr. F. Hauk & M. Hößl): IIb. Gloria. Et in terra
06. Mass in E-Flat Major (Arr. F. Hauk & M. Hößl): IIc. Gloria. Gratias agimus
07. Mass in E-Flat Major (Arr. F. Hauk & M. Hößl): IId. Gloria. Domine Deus
08. Mass in E-Flat Major (Arr. F. Hauk & M. Hößl): IIe. Gloria. Qui tollis
09. Mass in E-Flat Major (Arr. F. Hauk & M. Hößl): IIf. Gloria. Qui sedes
10. Mass in E-Flat Major (Arr. F. Hauk & M. Hößl): IIg. Gloria. Cum sancto
11. Mass in E-Flat Major (Arr. F. Hauk & M. Hößl): IIIa. Credo
12. Mass in E-Flat Major (Arr. F. Hauk & M. Hößl): IIIb. Credo. Et incarnatus
13. Mass in E-Flat Major (Arr. F. Hauk & M. Hößl): IIIc. Credo. Et resurrexit
14. Mass in E-Flat Major (Arr. F. Hauk & M. Hößl): IIId. Credo. Et vitam venturi
15. Mass in E-Flat Major (Arr. F. Hauk & M. Hößl): IV. Sanctus
16. Mass in E-Flat Major (Arr. F. Hauk & M. Hößl): V. Benedictus
17. Mass in E-Flat Major (Arr. F. Hauk & M. Hößl): VI. Agnus Dei


Mayr’s great Mass in E flat major is a late work, largely composed in 1843. It conforms to the prevailing Italian messa concertata tradition with its clear divisions into distinct vocal numbers, as opposed to the symphonic Mass which held sway north of the Alps. In this reconstruction and musical revival, Mayr’s imposing, tonally consonant and expressive setting can be heard in all its grandeur and eloquence. With its striking vocal solos and choruses, and characteristically songlike instrumental roles, Mayr contributed a late pinnacle in the long history of this form of the Mass.




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