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Evgeny Kissin - Haydn, Schubert: Piano Sonatas (1995)

Evgeny Kissin - Haydn, Schubert: Piano Sonatas (1995)

BAND/ARTIST: Evgeny Kissin

  • Title: Haydn, Schubert: Piano Sonatas
  • Year Of Release: 1995
  • Label: Sony Classical
  • Genre: Classical
  • Quality: FLAC (image+.cue,log,scans)
  • Total Time: 01:02:14
  • Total Size: 206 Mb
  • WebSite:
Tracklist:

Joseph Haydn (1732-1809):
01. Keyboard Sonata in A major, H. 16/30 [0:13:17.70]
02. Keyboard Sonata in E flat major, H. 16/52: Allegro (moderato) [0:07:37.10]
03. Keyboard Sonata in E flat major, H. 16/52: Adagio [0:06:58.42]
04. Keyboard Sonata in E flat major, H. 16/52: Finale. Presto [0:05:11.15]
Franz Schubert (1797-1828):
05. Piano Sonata No. 14 in A minor ("Grande Sonate"), D. 784 (Op. posth. 143): Allegro giusto [0:13:32.50]
06. Piano Sonata No. 14 in A minor ("Grande Sonate"), D. 784 (Op. posth. 143): Andante [0:04:12.03]
07. Piano Sonata No. 14 in A minor ("Grande Sonate"), D. 784 (Op. posth. 143): Allegro vivace [0:05:20.62]
08. Marches Militaires (3) for piano, 4 hands, D. 733 (Op. 51): No 1 No 1~arranged by Carl Tausig [0:06:02.33]

Performers:
Evgeny Kissin – piano

Kissin still looks very much the boy in the cover photo of this 1994 recital, one of the earliest follow-ups to his rapturously received Chopin recitals, also on RCA. He is jsut as phenomenal here. His commanding technique is reined in for the two Haydn sonatas, yet he presses just enough on the classical line to make it sound more vibrant and enticing.

Richter made a great specialty of the Schubert A minor Sonata D. 784, yet Kissin steps up with his own less haunted, more heroic interpretation--it works extremely well. Both pianists rescue Schubert from his cliched role as a lyrical innocent, revealing his underlying Beethovenian aspirations.

But really the most fun here is Tausig's barnstorming arrangment of the familiar Schubert March Militaire, a baby piece that gets transformed into Godzilla--it's a grotesque change but an irresistible adventure. Kissin tosses off the murderous passagework and cross-ahnd prestidigitation as if they were child's play. Meanwhile, the listener sits agape and thrilled to death.


Evgeny Kissin - Haydn, Schubert: Piano Sonatas (1995)





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