Liliana Bernardi - Vilsmayr & Biber: Violin Works (2020)
BAND/ARTIST: Liliana Bernardi
- Title: Vilsmayr & Biber: Violin Works
- Year Of Release: 2020
- Label: Stradivarius
- Genre: mp3 320 kbps / flac lossless +Booklet
- Quality: Classical
- Total Time: 00:55:29
- Total Size: 163 / 278 mb
- WebSite: Album Preview
Tracklist
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01. Violin Partita No. 1 in A Major: I. Prelude
02. Violin Partita No. 1 in A Major: II. Aria
03. Violin Partita No. 1 in A Major: III. Saraband
04. Violin Partita No. 1 in A Major: IV. Gavott-Variatio
05. Violin Partita No. 1 in A Major: V. Menuett I
06. Violin Partita No. 1 in A Major: VI. Aria
07. Violin Partita No. 1 in A Major: VII. Menuett II
08. Violin Partita No. 1 in A Major: VIII. Aria
09. Violin Partita No. 1 in A Major: IX. Menuett III
10. Violin Partita No. 1 in A Major: X. Gigue
11. Violin Partita No. 5 in G Minor: I. Prelude
12. Violin Partita No. 5 in G Minor: II. Gavott
13. Violin Partita No. 5 in G Minor: III. Saraband
14. Violin Partita No. 5 in G Minor: IV. Rigodon
15. Violin Partita No. 5 in G Minor: V. Gigue
16. Violin Partita No. 5 in G Minor: VI. Menuett
17. Violin Partita No. 5 in G Minor: VII. Bouré
18. Violin Partita No. 5 in G Minor: VIII. Retirada
19. Violin Partita No. 6 in A Major: I. Prelude
20. Violin Partita No. 6 in A Major: II. Aria
21. Violin Partita No. 6 in A Major: III. Saraband
22. Violin Partita No. 6 in A Major: IV. Aria-Variatio
23. Violin Partita No. 6 in A Major: V. Menuett I
24. Violin Partita No. 6 in A Major: VI. Aria
25. Violin Partita No. 6 in A Major: VII. Menuett II
26. Violin Partita No. 6 in A Major: VIII. Aria
27. Violin Partita No. 6 in A Major: IX. Gigue
28. Violin Partita No. 6 in A Major: X. Eccho
29. Violin Partita No. 6 in A Major: XI. Aria variata
30. Violin Prelude in D Major
31. Rosary Sonatas (Mystery): No. 16 in G Minor, Passacaglia
H.I.F. Biber and J.J. Vilsmaÿr also appeared in the recent past a bit secluded and, let’s face it, they had been confined somehow to the shadows by all of us, dazzled by the marvelous expansion of musical art from the end of the 18th century throughout the 19th century with unimaginable peaks and then by the persistent search for new “avenidas” in the 1900s to the present day. But in the art of the violin - an instrument of recent creation and of absolute greatness- we had reached at the end of the 1600s, with the bold progresses of the Austrian violin school, as well as the Italian and the German ones, great achievements indeed. Biber, Schmelzer, Muffat, and Vilsmaÿr had risen high, thus inducing a persistent influence on their times and almost throughout the 1700s. The music of Austrian baroque composers, as it reached a point of high perfection, was proposed in its time to act as a musical pendant of secular ceremonies as well as convivial moments in which the “allowed satisfaction”, that is the enjoying of food, took place. it was exalted even more by the careful counterpoint of the sounds that were sometimes of joy, of support, of crossing over borders. While for greater glory the attention to the divine service was registered in the same composition, if need be, with a wealth of sounds intended this time to promote the ascent of the soul towards the divine Revelation. This programme of violin solos is performed by Liliana Bernardi.
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01. Violin Partita No. 1 in A Major: I. Prelude
02. Violin Partita No. 1 in A Major: II. Aria
03. Violin Partita No. 1 in A Major: III. Saraband
04. Violin Partita No. 1 in A Major: IV. Gavott-Variatio
05. Violin Partita No. 1 in A Major: V. Menuett I
06. Violin Partita No. 1 in A Major: VI. Aria
07. Violin Partita No. 1 in A Major: VII. Menuett II
08. Violin Partita No. 1 in A Major: VIII. Aria
09. Violin Partita No. 1 in A Major: IX. Menuett III
10. Violin Partita No. 1 in A Major: X. Gigue
11. Violin Partita No. 5 in G Minor: I. Prelude
12. Violin Partita No. 5 in G Minor: II. Gavott
13. Violin Partita No. 5 in G Minor: III. Saraband
14. Violin Partita No. 5 in G Minor: IV. Rigodon
15. Violin Partita No. 5 in G Minor: V. Gigue
16. Violin Partita No. 5 in G Minor: VI. Menuett
17. Violin Partita No. 5 in G Minor: VII. Bouré
18. Violin Partita No. 5 in G Minor: VIII. Retirada
19. Violin Partita No. 6 in A Major: I. Prelude
20. Violin Partita No. 6 in A Major: II. Aria
21. Violin Partita No. 6 in A Major: III. Saraband
22. Violin Partita No. 6 in A Major: IV. Aria-Variatio
23. Violin Partita No. 6 in A Major: V. Menuett I
24. Violin Partita No. 6 in A Major: VI. Aria
25. Violin Partita No. 6 in A Major: VII. Menuett II
26. Violin Partita No. 6 in A Major: VIII. Aria
27. Violin Partita No. 6 in A Major: IX. Gigue
28. Violin Partita No. 6 in A Major: X. Eccho
29. Violin Partita No. 6 in A Major: XI. Aria variata
30. Violin Prelude in D Major
31. Rosary Sonatas (Mystery): No. 16 in G Minor, Passacaglia
H.I.F. Biber and J.J. Vilsmaÿr also appeared in the recent past a bit secluded and, let’s face it, they had been confined somehow to the shadows by all of us, dazzled by the marvelous expansion of musical art from the end of the 18th century throughout the 19th century with unimaginable peaks and then by the persistent search for new “avenidas” in the 1900s to the present day. But in the art of the violin - an instrument of recent creation and of absolute greatness- we had reached at the end of the 1600s, with the bold progresses of the Austrian violin school, as well as the Italian and the German ones, great achievements indeed. Biber, Schmelzer, Muffat, and Vilsmaÿr had risen high, thus inducing a persistent influence on their times and almost throughout the 1700s. The music of Austrian baroque composers, as it reached a point of high perfection, was proposed in its time to act as a musical pendant of secular ceremonies as well as convivial moments in which the “allowed satisfaction”, that is the enjoying of food, took place. it was exalted even more by the careful counterpoint of the sounds that were sometimes of joy, of support, of crossing over borders. While for greater glory the attention to the divine service was registered in the same composition, if need be, with a wealth of sounds intended this time to promote the ascent of the soul towards the divine Revelation. This programme of violin solos is performed by Liliana Bernardi.
Year 2020 | Classical | FLAC / APE | Mp3
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