David Goode - Bach: Complete Organ Works, Vol. 13 (2020)
BAND/ARTIST: David Goode
- Title: Bach: Complete Organ Works, Vol. 13
- Year Of Release: 2020
- Label: Signum Classics
- Genre: Classical
- Quality: FLAC (tracks+booklet)
- Total Time: 67:42 min
- Total Size: 325 MB
- WebSite: Album Preview
Tracklist:
01. Prelude and Fugue in F Minor, BWV 534: I. Prelude
02. Prelude and Fugue in F Minor, BWV 534: II. Fugue
03. Canzona, BWV 588
04. Alla breve, BWV 589
05. Fugue in C, BWV 575
06. Concerto after Vivaldi Grosso Mogul, BWV 594: I. Allegro
07. Concerto after Vivaldi Grosso Mogul, BWV 594: II. Recitativo (Adagio)
08. Concerto after Vivaldi Grosso Mogul, BWV 594: III. Allegro
09. Prelude and Fugue (Barenreiter VI, 63), BWV 551
10. Durch Adams Fall ist ganz verderbt (Kirnb. coll. No. 16), BWV 705
11. Allein Gott in der Hoh sei Ehr (Fantasia), BWV 716
12. Prelude and Fugue in B minor, BWV 544: I. Prelude
13. Prelude and Fugue in B minor, BWV 544: II. Fugue
01. Prelude and Fugue in F Minor, BWV 534: I. Prelude
02. Prelude and Fugue in F Minor, BWV 534: II. Fugue
03. Canzona, BWV 588
04. Alla breve, BWV 589
05. Fugue in C, BWV 575
06. Concerto after Vivaldi Grosso Mogul, BWV 594: I. Allegro
07. Concerto after Vivaldi Grosso Mogul, BWV 594: II. Recitativo (Adagio)
08. Concerto after Vivaldi Grosso Mogul, BWV 594: III. Allegro
09. Prelude and Fugue (Barenreiter VI, 63), BWV 551
10. Durch Adams Fall ist ganz verderbt (Kirnb. coll. No. 16), BWV 705
11. Allein Gott in der Hoh sei Ehr (Fantasia), BWV 716
12. Prelude and Fugue in B minor, BWV 544: I. Prelude
13. Prelude and Fugue in B minor, BWV 544: II. Fugue
The organ of Trinity College Chapel was built by the Swiss firm Metzler Söhne in 1976. The design, by Bernhardt Edskes, incorporated the surviving pipework of the two organs built for Trinity by “Father” Bernard Smith in 1694 and 1708. The organ has three manuals and forty-two ranks, of which seven are original. The 8’ Principal on the Rückpositiv is from Smith’s 1694 organ, while the 16’ Principal on the Pedal and the 16’ Principal, 8’ and 4’ Octave, 2’ Quinte, and 2’ Superoctave on the Great are from 1708. The Victorian enlargements to both the instrument and its cases have been removed, and all the pipework is contained within the restored Smith cases, whose carving recalls the school of Grinling Gibbons. The cases are likely to have been designed by Smith and executed by him or one of his team. The salient characteristics of this mechanical-action organ are the meticulous craftsmanship and artistic integrity employed by Metzlers, the durability of the instrument, together with its rich but gentle resonance, its aptness for the acoustics of the Chapel, and its exquisite balance. It is understandably regarded as one of the finest instruments in the United Kingdom.
Year 2020 | Classical | FLAC / APE
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