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Charles Richard-Hamelin, Les Violons du Roy & Jonathan Cohen - Mozart: Piano Concertos Nos. 22 & 24 (2020) [Hi-Res]

Charles Richard-Hamelin, Les Violons du Roy & Jonathan Cohen - Mozart: Piano Concertos Nos. 22 & 24 (2020) [Hi-Res]
  • Title: Mozart: Piano Concertos Nos. 22 & 24
  • Year Of Release: 2020
  • Label: Analekta
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-192kHz FLAC (tracks)
  • Total Time: 69:32
  • Total Size: 241 MB / 2.42 GB
  • WebSite:
Tracklist:

01. Piano Concerto No. 22 in E-Flat Major, K. 482: I. Allegro (13:11)
02. Piano Concerto No. 22 in E-Flat Major, K. 482: II. Andante (9:07)
03. Piano Concerto No. 22 in E-Flat Major, K. 482: III. Allegro (12:20)
04. Piano Concerto No. 24 in C Minor, K. 491: I. Allegro (13:54)
05. Piano Concerto No. 24 in C Minor, K. 491: II. Larghetto (7:24)
06. Piano Concerto No. 24 in C Minor, K. 491: III. Allegretto (9:19)
07. Le nozze di Figaro, K. 492: Overture (4:20)

In their very first recording together, pianist Charles Richard-Hamelin and the Violons du Roy present Wolfgang Amadeus Mozart’s piano concertos No. 22 and No. 24 that are replete with passionate outbursts, startling contrasts, rich orchestration and overt emotional fervor. Charles Richard-Hamelin, Silver medalist and winner of the Krystian Zimerman award at the International Chopin Piano Competition in 2015, impresses with his extremely refined playing and the Violons du Roy, under the direction of Jonathan Cohen, offer grandiose performances imbued with dignity and grace.


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  • User offline
  • olga1001
  •  wrote in 14:21
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    • 1
Booklet is on Album Preview (Qobuz)

https://static.qobuz.com/goodies/07/000131370.pdf

http://audiofil.hostronavt.ru/booklet.php?i=1

Bernard Labadie left but Jonathan Cohen came !
Piano and Winds are Modern while Brasses are Period and Strings are Gut ?
HIP but they trudge or linger deep in thought :(
Thanks
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  • platico
  •  wrote in 23:04
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gracias....
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  • Ockeghem2
  •  wrote in 19:30
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What a dull, unfortunate, boring performance. One expects far more from Jonathan Cohen. Instead, everything sounds tired, unimaginative, with nothing to offer. The piano player does nothing to improve the general dejà-vu impression. No single phrasing, no single articulation seems to have been prepared with a minimum respect or love for the music. With so many excellent HIP performances avilable, what's the point of this album, when it is clear that it adds NOTHING to the Mozart performance (be it HIP or modern)?