Michael Gielen - Michael Gielen Edition, Vol. 6: Mahler Symphonies & Orchestral Song Cycles (Recorded 1988-2014) (2017)
BAND/ARTIST: Michael Gielen, SWR Sinfonieorchester des Südwestrundfunks
- Title: Michael Gielen Edition, Vol. 6: Mahler Symphonies & Orchestral Song Cycles (Recorded 1988-2014)
- Year Of Release: 2017
- Label: SWR Classic
- Genre: Classical
- Quality: flac lossless +booklet
- Total Time: 16:34:57
- Total Size: 4 gb
- WebSite: Album Preview
Tracklist
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CD1
01. Symphony No. 1 in D Major "Titan": I. Langsam. Schleppend-Im Anfang sehr gemächlich
02. Symphony No. 1 in D Major "Titan": II. Kräftig bewegt, doch nicht zu schnell
03. Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen
04. Symphony No. 1 in D Major "Titan": IV. Stürmisch bewegt
05. Symphony No. 2 in C Minor "Resurrection": I. Allegro maestoso
CD2
01. Symphony No. 2 in C Minor "Resurrection": II. Andante moderato
02. Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung
03. Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht
04. Symphony No. 2 in C Minor "Resurrection": V. Finale. Im tempo des scherzos
CD3
01. Symphony No. 3 in D Minor: I. Kräftig. Entschieden
CD4
01. Symphony No. 3 in D Minor: II. Tempo di menuetto. Sehr mäßig
02. Symphony No. 3 in D Minor: III. Comodo. Scherzando. Ohne Hast
03. Symphony No. 3 in D Minor: IV. Sehr langsam. Misterioso
04. Symphony No. 3 in D Minor: V. Lustig im Tempo und keck im Ausdruck
05. Symphony No. 3 in D Minor: VI. Langsam. Ruhevoll. Empfunden
CD5
01. Symphony No. 4 in G Major: I. Bedächtig, nicht eilen
02. Symphony No. 4 in G Major: II. In gemächlicher Bewegung. Ohne Hast
03. Symphony No. 4 in G Major: III. Ruhevoll. Poco adagio
04. Symphony No. 4 in G Major: IV. Sehr behaglich
CD6
01. Symphony No. 5: I. Trauermarsch. Streng. Wie ein kondukt
02. Symphony No. 5: II. Stürmisch bewegt, mit größter Vehemenz
03. Symphony No. 5: III. Scherzo. Kräftig, nicht zu schnell
04. Symphony No. 5: IV. Adagietto. Sehr langsam
05. Symphony No. 5: V. Rondo-Finale. Allegro
CD7
01. Symphony No. 6 in A Minor "Tragic": I. Allegro energico, ma non troppo. Heftig aber markig
02. Symphony No. 6 in A Minor "Tragic": II. Scherzo. Wuchtig
03. Symphony No. 6 in A Minor "Tragic": III. Andante moderato
CD8
01. Symphony No. 6 in A Minor "Tragic": IV. Finale. Allegro moderato-Allegro energico
CD9
01. Symphony No. 7 in E Minor: I. Langsam-Allegro risoluto, ma non troppo
02. Symphony No. 7 in E Minor: II. Nachtmusik I. Allegro moderato
03. Symphony No. 7 in E Minor: III. Scherzo. Schattenhaft
04. Symphony No. 7 in E Minor: IV. Nachtmusik II. Andante amoroso
05. Symphony No. 7 in E Minor: V. Rondo-Finale
CD10
01. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Ia. Veni, creator spiritus
02. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Ib. Imple superna gratia
03. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Ic. Infirma nostri corporis
04. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Id. Accende lumen sensibus
05. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Ie. Tu septiformis munere
06. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": If. Gloria sit Patri Domino
CD11
01. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIa. Poco adagio-Waldung, sie schwankt heran
02. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIb. Ewiger Wonnebrand
03. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIc. Wie Felsenabgrund mir zu Füßen
04. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IId. Gerettet ist das edle Glied
05. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIe. Uns bleibt ein Erdenrest
06. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIf. Hier ist die Aussicht frei
07. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIg. Dir, der Unberührbaren
08. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIh. Bei der Liebe, die den Füßen
09. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIi.Neige, neige, du Ohnegleiche
10. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIj. Komm! hebe dich zu höhern Sphären!
11. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIk. Blicket auf zum Retterblick, alle reuig Zarten
12. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIl. Alles Vergängliche ist nur ein Gleichnis
CD12
01. Symphony No. 9 in D Major: I. Andante comodo
02. Symphony No. 9 in D Major: II. Im Tempo eines gemächlichen Ländlers-Etwas täppisch und sehr derb
03. Symphony No. 9 in D Major: III. Rondo-Burleske
CD13
01. Symphony No. 9 in D Major: IV. Adagio-Sehr langsam und noch zurückhaltend
02. Symphony No. 10 in F-Sharp Major: I. Adagio (Arr. D. Cooke)
CD14
01. Symphony No. 10 in F-Sharp Minor (Completed by D. Cooke): I. Andante. Adagio
02. Symphony No. 10 in F-Sharp Minor (Completed by D. Cooke): II. Scherzo. Schnelle Viertel-Plötzlich viel langsamer-Gemächliches Landler-Tempo-Tempo I
03. Symphony No. 10 in F-Sharp Minor (Completed by D. Cooke): III. Purgatorio. Allegretto moderato
04. Symphony No. 10 in F-Sharp Minor (Completed by D. Cooke): IV. Scherzo. Allegro pesante-Nicht zu schnell-Bedeutend langsamer-Schattenhaft
05. Symphony No. 10 in F-Sharp Minor (Completed by D. Cooke): V. Finale. Einleitung-Langsam, schwer-Allegro moderato-Andante-Adagio
CD15
01. Lieder eines fahrenden Gesellen: No. 1, Wenn mein Schatz Hochzeit macht
02. Lieder eines fahrenden Gesellen: No. 2, Ging heut' morgen über's Feld
03. Lieder eines fahrenden Gesellen: No. 3, Ich hab' ein glühend Messer
04. Lieder eines fahrenden Gesellen: No. 4, Die zwei blauen Augen
05. Kindertotenlieder: No. 1, Nun will die Sonn' so hell aufgeh'n
06. Kindertotenlieder: No. 2, Nun seh' ich wohl, warum so dunkle Flammen
07. Kindertotenlieder: No. 3, Wenn dein Mütterlein
08. Kindertotenlieder: No. 4, Oft denk' ich, sie sind nur ausgegangen
09. Kindertotenlieder: No. 5, In diesem Wetter
10. Rückert Lieder: No. 3, Blicke mir nicht in die Lieder
11. Rückert Lieder: No. 4, Ich atmet' einen linden Duft
12. Rückert Lieder: No. 7, Liebst du um Schönheit
13. Rückert Lieder: No. 6, Um Mitternacht
14. Rückert Lieder: No. 5, Ich bin der Welt abhanden gekommen
CD16
01. Des Knaben Wunderhorn: No. 1, Der Schildwache Nachtlied
02. Des Knaben Wunderhorn: No. 4, Wer hat dies Liedlein erdacht?
03. Des Knaben Wunderhorn: No. 6, Des Antonius von Padua Fischpredigt
04. Des Knaben Wunderhorn: No. 8, Lied des Verfolgten im Turm
05. Des Knaben Wunderhorn: No. 7, Rheinlegendchen
06. Des Knaben Wunderhorn: No. 10, Lob des hohen Verstandes
07. Des Knaben Wunderhorn: No. 3, Trost im Unglück
08. Des Knaben Wunderhorn: No. 5, Das irdische Leben
09. Des Knaben Wunderhorn: No. 14, Der Tamboursg'sell
10. Symphony No. 1 in D Major "Titan": II. Blumine (Original Second Movement)
11. Des Knaben Wunderhorn: No. 9, Wo die schönen Trompeten blasen
12. Des Knaben Wunderhorn: No. 15, Das himmlische Leben
13. Des Knaben Wunderhorn: No. 2, Verlorne Müh
14. Des Knaben Wunderhorn: No. 13, Revelge
15. Des Knaben Wunderhorn: No. 12, Urlicht
CD17
01. Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde
02. Das Lied von der Erde: II. Der Einsame im Herbst
03. Das Lied von der Erde: III. Von der Jugend
04. Das Lied von der Erde: IV. Von der Schönheit
05. Das Lied von der Erde: V. Der Trunkene im Frühling
06. Das Lied von der Erde: VI. Der Abschied
Michael Gielen is among the best-known conductors in Germany, and is the leading European conductor of Central European avant-garde music. He is also a respected composer of complex, often twelve-tone, compositions.
Michael Andreas Gielen's father was the stage producer Josef Gielen and his uncle was the eminent Polish pianist Edward Steuermann, who was Arnold Schoenberg's first important piano interpreter. The family moved to Buenos Aires in the 1930s, where Michael studied piano and composition with Erwin Leuchter. He debuted in Buenos Aires in 1949 as a pianist. During that year, he played all of Arnold Schoenberg's piano compositions. He also worked as a coach in the Teatro Colón Opera House.
In 1950 he moved to Vienna to study with Polnauer (1950 - 1953). While there he found a position as coach in the Vienna State Opera, and in 1954 became a resident conductor on its staff, remaining there until 1960. In that year he was appointed music director of the Royal Opera of Stockholm (1960 - 1965), then as a regular conductor of the Cologne Radio Symphony Orchestra (1965 - 1969) then chief conductor of the Belgian National Orchestra in Brussels (1968 - 1973), and was director of the Dutch National Opera (1972-1975).
From 1969 he was the permanent guest conductor of the South German Radio Symphony Orchestra. By this time he was closely associated with the latest modernist trends in European music, particularly in twelve-tone idioms. Among his most important premieres were the opera Die Soldaten by Bernd Alois Zimmerman (Cologne, 1965), György Ligeti's Requiem (1965), D'un opéra de voyage by Betsy Jolas, Carré and Mixture by Karlheinz Stockhausen, Namo by Isang Yun, and Zimmermann's Requiem für einen jungen Dichter. In the meantime he continued to compose, normally dense, complex music taking its point of departure from the serial music of the time.
From 1978 to 1981 he was principal guest conductor of the BBC Symphony Orchestra in London, and from 1977 - 1987 he was chief music director of the Opern- und Schauspielhaus Frankfurt. Coterminously, he was music director of the Cincinnati Orchestra (1980 - 1986), a period known for its challenging programming.
He received one of his most important posts, director of the South-West German Radio Symphony in Baden-Baden, which is one of the leading orchestras in the modern music world, in 1996. There he has focused on the entire repertory from Bach to contemporary music, giving incisive performances of the complete Beethoven and Mahler symphonies. In 1999 he relinquished the post of music director, and became permanent guest conductor of the orchestra.
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CD1
01. Symphony No. 1 in D Major "Titan": I. Langsam. Schleppend-Im Anfang sehr gemächlich
02. Symphony No. 1 in D Major "Titan": II. Kräftig bewegt, doch nicht zu schnell
03. Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen
04. Symphony No. 1 in D Major "Titan": IV. Stürmisch bewegt
05. Symphony No. 2 in C Minor "Resurrection": I. Allegro maestoso
CD2
01. Symphony No. 2 in C Minor "Resurrection": II. Andante moderato
02. Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung
03. Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht
04. Symphony No. 2 in C Minor "Resurrection": V. Finale. Im tempo des scherzos
CD3
01. Symphony No. 3 in D Minor: I. Kräftig. Entschieden
CD4
01. Symphony No. 3 in D Minor: II. Tempo di menuetto. Sehr mäßig
02. Symphony No. 3 in D Minor: III. Comodo. Scherzando. Ohne Hast
03. Symphony No. 3 in D Minor: IV. Sehr langsam. Misterioso
04. Symphony No. 3 in D Minor: V. Lustig im Tempo und keck im Ausdruck
05. Symphony No. 3 in D Minor: VI. Langsam. Ruhevoll. Empfunden
CD5
01. Symphony No. 4 in G Major: I. Bedächtig, nicht eilen
02. Symphony No. 4 in G Major: II. In gemächlicher Bewegung. Ohne Hast
03. Symphony No. 4 in G Major: III. Ruhevoll. Poco adagio
04. Symphony No. 4 in G Major: IV. Sehr behaglich
CD6
01. Symphony No. 5: I. Trauermarsch. Streng. Wie ein kondukt
02. Symphony No. 5: II. Stürmisch bewegt, mit größter Vehemenz
03. Symphony No. 5: III. Scherzo. Kräftig, nicht zu schnell
04. Symphony No. 5: IV. Adagietto. Sehr langsam
05. Symphony No. 5: V. Rondo-Finale. Allegro
CD7
01. Symphony No. 6 in A Minor "Tragic": I. Allegro energico, ma non troppo. Heftig aber markig
02. Symphony No. 6 in A Minor "Tragic": II. Scherzo. Wuchtig
03. Symphony No. 6 in A Minor "Tragic": III. Andante moderato
CD8
01. Symphony No. 6 in A Minor "Tragic": IV. Finale. Allegro moderato-Allegro energico
CD9
01. Symphony No. 7 in E Minor: I. Langsam-Allegro risoluto, ma non troppo
02. Symphony No. 7 in E Minor: II. Nachtmusik I. Allegro moderato
03. Symphony No. 7 in E Minor: III. Scherzo. Schattenhaft
04. Symphony No. 7 in E Minor: IV. Nachtmusik II. Andante amoroso
05. Symphony No. 7 in E Minor: V. Rondo-Finale
CD10
01. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Ia. Veni, creator spiritus
02. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Ib. Imple superna gratia
03. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Ic. Infirma nostri corporis
04. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Id. Accende lumen sensibus
05. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Ie. Tu septiformis munere
06. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": If. Gloria sit Patri Domino
CD11
01. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIa. Poco adagio-Waldung, sie schwankt heran
02. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIb. Ewiger Wonnebrand
03. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIc. Wie Felsenabgrund mir zu Füßen
04. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IId. Gerettet ist das edle Glied
05. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIe. Uns bleibt ein Erdenrest
06. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIf. Hier ist die Aussicht frei
07. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIg. Dir, der Unberührbaren
08. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIh. Bei der Liebe, die den Füßen
09. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIi.Neige, neige, du Ohnegleiche
10. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIj. Komm! hebe dich zu höhern Sphären!
11. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIk. Blicket auf zum Retterblick, alle reuig Zarten
12. Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIl. Alles Vergängliche ist nur ein Gleichnis
CD12
01. Symphony No. 9 in D Major: I. Andante comodo
02. Symphony No. 9 in D Major: II. Im Tempo eines gemächlichen Ländlers-Etwas täppisch und sehr derb
03. Symphony No. 9 in D Major: III. Rondo-Burleske
CD13
01. Symphony No. 9 in D Major: IV. Adagio-Sehr langsam und noch zurückhaltend
02. Symphony No. 10 in F-Sharp Major: I. Adagio (Arr. D. Cooke)
CD14
01. Symphony No. 10 in F-Sharp Minor (Completed by D. Cooke): I. Andante. Adagio
02. Symphony No. 10 in F-Sharp Minor (Completed by D. Cooke): II. Scherzo. Schnelle Viertel-Plötzlich viel langsamer-Gemächliches Landler-Tempo-Tempo I
03. Symphony No. 10 in F-Sharp Minor (Completed by D. Cooke): III. Purgatorio. Allegretto moderato
04. Symphony No. 10 in F-Sharp Minor (Completed by D. Cooke): IV. Scherzo. Allegro pesante-Nicht zu schnell-Bedeutend langsamer-Schattenhaft
05. Symphony No. 10 in F-Sharp Minor (Completed by D. Cooke): V. Finale. Einleitung-Langsam, schwer-Allegro moderato-Andante-Adagio
CD15
01. Lieder eines fahrenden Gesellen: No. 1, Wenn mein Schatz Hochzeit macht
02. Lieder eines fahrenden Gesellen: No. 2, Ging heut' morgen über's Feld
03. Lieder eines fahrenden Gesellen: No. 3, Ich hab' ein glühend Messer
04. Lieder eines fahrenden Gesellen: No. 4, Die zwei blauen Augen
05. Kindertotenlieder: No. 1, Nun will die Sonn' so hell aufgeh'n
06. Kindertotenlieder: No. 2, Nun seh' ich wohl, warum so dunkle Flammen
07. Kindertotenlieder: No. 3, Wenn dein Mütterlein
08. Kindertotenlieder: No. 4, Oft denk' ich, sie sind nur ausgegangen
09. Kindertotenlieder: No. 5, In diesem Wetter
10. Rückert Lieder: No. 3, Blicke mir nicht in die Lieder
11. Rückert Lieder: No. 4, Ich atmet' einen linden Duft
12. Rückert Lieder: No. 7, Liebst du um Schönheit
13. Rückert Lieder: No. 6, Um Mitternacht
14. Rückert Lieder: No. 5, Ich bin der Welt abhanden gekommen
CD16
01. Des Knaben Wunderhorn: No. 1, Der Schildwache Nachtlied
02. Des Knaben Wunderhorn: No. 4, Wer hat dies Liedlein erdacht?
03. Des Knaben Wunderhorn: No. 6, Des Antonius von Padua Fischpredigt
04. Des Knaben Wunderhorn: No. 8, Lied des Verfolgten im Turm
05. Des Knaben Wunderhorn: No. 7, Rheinlegendchen
06. Des Knaben Wunderhorn: No. 10, Lob des hohen Verstandes
07. Des Knaben Wunderhorn: No. 3, Trost im Unglück
08. Des Knaben Wunderhorn: No. 5, Das irdische Leben
09. Des Knaben Wunderhorn: No. 14, Der Tamboursg'sell
10. Symphony No. 1 in D Major "Titan": II. Blumine (Original Second Movement)
11. Des Knaben Wunderhorn: No. 9, Wo die schönen Trompeten blasen
12. Des Knaben Wunderhorn: No. 15, Das himmlische Leben
13. Des Knaben Wunderhorn: No. 2, Verlorne Müh
14. Des Knaben Wunderhorn: No. 13, Revelge
15. Des Knaben Wunderhorn: No. 12, Urlicht
CD17
01. Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde
02. Das Lied von der Erde: II. Der Einsame im Herbst
03. Das Lied von der Erde: III. Von der Jugend
04. Das Lied von der Erde: IV. Von der Schönheit
05. Das Lied von der Erde: V. Der Trunkene im Frühling
06. Das Lied von der Erde: VI. Der Abschied
Michael Gielen is among the best-known conductors in Germany, and is the leading European conductor of Central European avant-garde music. He is also a respected composer of complex, often twelve-tone, compositions.
Michael Andreas Gielen's father was the stage producer Josef Gielen and his uncle was the eminent Polish pianist Edward Steuermann, who was Arnold Schoenberg's first important piano interpreter. The family moved to Buenos Aires in the 1930s, where Michael studied piano and composition with Erwin Leuchter. He debuted in Buenos Aires in 1949 as a pianist. During that year, he played all of Arnold Schoenberg's piano compositions. He also worked as a coach in the Teatro Colón Opera House.
In 1950 he moved to Vienna to study with Polnauer (1950 - 1953). While there he found a position as coach in the Vienna State Opera, and in 1954 became a resident conductor on its staff, remaining there until 1960. In that year he was appointed music director of the Royal Opera of Stockholm (1960 - 1965), then as a regular conductor of the Cologne Radio Symphony Orchestra (1965 - 1969) then chief conductor of the Belgian National Orchestra in Brussels (1968 - 1973), and was director of the Dutch National Opera (1972-1975).
From 1969 he was the permanent guest conductor of the South German Radio Symphony Orchestra. By this time he was closely associated with the latest modernist trends in European music, particularly in twelve-tone idioms. Among his most important premieres were the opera Die Soldaten by Bernd Alois Zimmerman (Cologne, 1965), György Ligeti's Requiem (1965), D'un opéra de voyage by Betsy Jolas, Carré and Mixture by Karlheinz Stockhausen, Namo by Isang Yun, and Zimmermann's Requiem für einen jungen Dichter. In the meantime he continued to compose, normally dense, complex music taking its point of departure from the serial music of the time.
From 1978 to 1981 he was principal guest conductor of the BBC Symphony Orchestra in London, and from 1977 - 1987 he was chief music director of the Opern- und Schauspielhaus Frankfurt. Coterminously, he was music director of the Cincinnati Orchestra (1980 - 1986), a period known for its challenging programming.
He received one of his most important posts, director of the South-West German Radio Symphony in Baden-Baden, which is one of the leading orchestras in the modern music world, in 1996. There he has focused on the entire repertory from Bach to contemporary music, giving incisive performances of the complete Beethoven and Mahler symphonies. In 1999 he relinquished the post of music director, and became permanent guest conductor of the orchestra.
Year 2017 | Classical | FLAC / APE
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