Bavarian Radio Symphony Orchestra & Pablo Heras-Casado - Mendelssohn: Symphonie No. 2 "Lobgesang" (2014) [Hi-Res]
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BAND/ARTIST: Bavarian Radio Symphony Orchestra, Pablo Heras-Casado
- Title: Mendelssohn: Symphonie No. 2 "Lobgesang"
- Year Of Release: 2014
- Label: harmonia mundi
- Genre: Classical
- Quality: flac lossless / flac 24bits - 44.1kHz
- Total Time: 01:01:48
- Total Size: 307 / 602 mb
- WebSite: Album Preview
Tracklist
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01. Symphonie Nr.2 "Lobgesang": Sinfonia, I. Maestoso con moto
02. Symphonie Nr.2 "Lobgesang": Sinfonia, II. Allegretto un poco agitato
03. Symphonie Nr.2 "Lobgesang": Sinfonia, III. Adagio religioso
04. Symphonie Nr.2 "Lobgesang": Cantate, 2. a. Allegro moderato maestoso-Allegro di molto: „Alles was Odem hat“ b. Molto più moderato ma con fuoco: „Lobe den Herr, meine Seele“
05. Symphonie Nr.2 "Lobgesang": Cantate, 3. a. Allegro moderato: „Saget es, die ihr erlöset seid durch den Herrn“ b. Allegro moderato: „Er zählet unsre Tränen in der Zeit der Not“
06. Symphonie Nr.2 "Lobgesang": Cantate, 4. A tempo moderato: „Saget es, die ihr erlöset seid“
07. Symphonie Nr.2 "Lobgesang": Cantate, 5. Duo: Andante: „Ich harrete des Herrn“
08. Symphonie Nr.2 "Lobgesang": Cantate, 6. Allegro un poco agitato-Allegro assai agitato-Tempo I moderato: „Stricke des Todes hatten uns umfangen“
09. Symphonie Nr.2 "Lobgesang": Cantate, 7. Allegro maestoso e molto vivace: „Die Nacht ist vergangen“
10. Symphonie Nr.2 "Lobgesang": Cantate, 8. Choral. Andante con moto-un poco più animato: „Nun danket alle Gott“ Coro: „Lob, Ehr’ und Preis sei Gott“
11. Symphonie Nr.2 "Lobgesang": Cantate, 9. Duo: Andante sostenuto assai: „Drum sing ich mit meinem Liede ewig dein Lob“
12. Symphonie Nr.2 "Lobgesang": Cantate, 10. Schlußchor: Allegro non troppo-Più vivace-Maestoso come I: „Ihr Völker, bringet her dem Herrn Ehre und Macht“
The 'Lobgesang' (or 'Hymn of Praise') was commissioned by the city of Leipzig from its Kapellmeister Mendelssohn to commemorate the 400th anniversary of the invention of printing in 1840, and has elements of the symphony, cantata and oratorio. But, at the opposite pole from Beethoven’s Ninth, we have here a symphonic miniature in three movements, intended to act as the overture to the sung part of the work, which is twice as long. Thus this splendid ‘Symphony-Cantata’ expands into a sweeping vocal and choral epic.
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01. Symphonie Nr.2 "Lobgesang": Sinfonia, I. Maestoso con moto
02. Symphonie Nr.2 "Lobgesang": Sinfonia, II. Allegretto un poco agitato
03. Symphonie Nr.2 "Lobgesang": Sinfonia, III. Adagio religioso
04. Symphonie Nr.2 "Lobgesang": Cantate, 2. a. Allegro moderato maestoso-Allegro di molto: „Alles was Odem hat“ b. Molto più moderato ma con fuoco: „Lobe den Herr, meine Seele“
05. Symphonie Nr.2 "Lobgesang": Cantate, 3. a. Allegro moderato: „Saget es, die ihr erlöset seid durch den Herrn“ b. Allegro moderato: „Er zählet unsre Tränen in der Zeit der Not“
06. Symphonie Nr.2 "Lobgesang": Cantate, 4. A tempo moderato: „Saget es, die ihr erlöset seid“
07. Symphonie Nr.2 "Lobgesang": Cantate, 5. Duo: Andante: „Ich harrete des Herrn“
08. Symphonie Nr.2 "Lobgesang": Cantate, 6. Allegro un poco agitato-Allegro assai agitato-Tempo I moderato: „Stricke des Todes hatten uns umfangen“
09. Symphonie Nr.2 "Lobgesang": Cantate, 7. Allegro maestoso e molto vivace: „Die Nacht ist vergangen“
10. Symphonie Nr.2 "Lobgesang": Cantate, 8. Choral. Andante con moto-un poco più animato: „Nun danket alle Gott“ Coro: „Lob, Ehr’ und Preis sei Gott“
11. Symphonie Nr.2 "Lobgesang": Cantate, 9. Duo: Andante sostenuto assai: „Drum sing ich mit meinem Liede ewig dein Lob“
12. Symphonie Nr.2 "Lobgesang": Cantate, 10. Schlußchor: Allegro non troppo-Più vivace-Maestoso come I: „Ihr Völker, bringet her dem Herrn Ehre und Macht“
The 'Lobgesang' (or 'Hymn of Praise') was commissioned by the city of Leipzig from its Kapellmeister Mendelssohn to commemorate the 400th anniversary of the invention of printing in 1840, and has elements of the symphony, cantata and oratorio. But, at the opposite pole from Beethoven’s Ninth, we have here a symphonic miniature in three movements, intended to act as the overture to the sung part of the work, which is twice as long. Thus this splendid ‘Symphony-Cantata’ expands into a sweeping vocal and choral epic.
Classical | FLAC / APE | HD & Vinyl
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