Sophie Karthäuser & Eugene Asti - Poulenc: Les anges musiciens - Mélodies (2014) [Hi-Res]
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BAND/ARTIST: Sophie Karthäuser, Eugene Asti
- Title: Poulenc: Les anges musiciens - Mélodies
- Year Of Release: 2014
- Label: harmonia mundi
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz
- Total Time: 01:06:13
- Total Size: 265 mb / 1.1 gb
- WebSite: Album Preview
Tracklist
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01. Deux poèmes de Louis Aragon, FP 122: 1. C.
02. Deux poèmes de Louis Aragon, FP 122: 2. Fêtes galantes
03. Bleuet, FP 102
04. Banalité, FP. 107: IV. Voyage à Paris
05. Deux mélodies de Guillaume Apollinaire, FP. 94: I. Montparnasse
06. Banalité, FP. 107: II. Hôtel
07. Trois poèmes de Louise Lalanne, FP 57: 1. Le présent
08. Trois poèmes de Louise Lalanne, FP 57: 2. Chanson
09. Trois poèmes de Louise Lalanne, FP 57: 3. Hier
10. Ce doux petit visage, FP 99
11. Main dominée par le cœur, FP 135
12. Tel jour telle nuit, FP 86: 1. Bonne journée
13. Tel jour telle nuit, FP 86: 2. Une ruine coquille vide
14. Tel jour telle nuit, FP 86: 3. Le front comme un drapeau perdu
15. Tel jour telle nuit, FP 86: 4. Une roulotte couverte en tuiles
16. Tel jour telle nuit, FP 86: 5. A toutes brides
17. Tel jour telle nuit, FP 86: 6. Une herbe pauvre
18. Tel jour telle nuit, FP 86: 7. Je n'ai envie que de t'aimer
19. Tel jour telle nuit, FP 86: 8. Figure de force brûlante et farouche
20. Tel jour telle nuit, FP 86: 9. Nous avons fait la nuit
21. Vocalise-Étude, FP 44
22. Fiançailles pour rire, FP 101: 1. La Dame d'André
23. Fiançailles pour rire, FP 101: 2. Dans l'herbe
24. Fiançailles pour rire, FP 101: 3. Il vole
25. Fiançailles pour rire, FP 101: 4. Mon cadavre est doux comme un gant
26. Fiançailles pour rire, FP 101: 5. Violon
27. Fiançailles pour rire, FP 101: 6. Fleurs
28. Fancy, FP 174
29. La courte paille, FP 178: 1. Le sommeil
30. La courte paille, FP 178: 2. Quelle aventure !
31. La courte paille, FP 178: 3. La reine de cœur
32. La courte paille, FP 178: 4. Ba, Be, Bi, Bo, Bu
33. La courte paille, FP 178: 5. Les anges musiciens
34. La courte paille, FP 178: 6. Le carafon
35. La courte paille, FP 178: 7. Lune d'Avril
36. Deux chansons pour Yvonne Printemps: À sa guitare, FP 79
37. Deux chansons pour Yvonne Printemps: Les chemins de l'amour, FP 106
Francis Poulenc’s corpus of songs is one of the most generous and accomplished in the French repertoire. Born in 1899 and living until 1963, he inherited the art of the 19th century, which he succeeded in renewing while remaining within the bounds of tonal language, setting mostly contemporary poets (Apollinaire, Éluard, Aragon, Louise de Vilmorin). He drew his inspiration from the atmosphere specific to each text, but also from listening attentively to the timbre and rhythm of the poet reading his or her own works. This was, in the composer’s view, an essential key to penetrating the mystery of their creations. Associating the specific experience of the poet with his own personal memories, Poulenc created an expressive aura unique in the song output of his time.
Belgian soprano Sophie Karthäuser studied with Noelle Barker at the Guildhall School of Music and Drama in London.
She is now in great demand in the foremost international venues, especially as a Mozart singer. She sang her first Pamina (Die Zauberflöte) under René Jacobs and her first Susanna (Le nozze di Figaro) under William Christie. She has especially close relationships with the Théâtre de la Monnaie (Brussels) and the Theater an der Wien (Vienna) in Baroque and Classical roles.
Since winning the Audience Prize at the Wigmore Hall Song Contest she has developed an acclaimed career as a recitalist, enjoying a particularly close artistic partnership with the distinguished American pianist Eugene Asti. [This is his first appearance on the harmonia mundi label.] Her extensive discography includes successful releases of aria and song recitals and complete operas. She may be heard in the harmonia mundi recordings of Mozart’s 'La finta giardiniera' and Pergolesi’s 'Septem verba a Christo' under the direction of René Jacobs. This is her first recital programme for harmonia mundi.
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01. Deux poèmes de Louis Aragon, FP 122: 1. C.
02. Deux poèmes de Louis Aragon, FP 122: 2. Fêtes galantes
03. Bleuet, FP 102
04. Banalité, FP. 107: IV. Voyage à Paris
05. Deux mélodies de Guillaume Apollinaire, FP. 94: I. Montparnasse
06. Banalité, FP. 107: II. Hôtel
07. Trois poèmes de Louise Lalanne, FP 57: 1. Le présent
08. Trois poèmes de Louise Lalanne, FP 57: 2. Chanson
09. Trois poèmes de Louise Lalanne, FP 57: 3. Hier
10. Ce doux petit visage, FP 99
11. Main dominée par le cœur, FP 135
12. Tel jour telle nuit, FP 86: 1. Bonne journée
13. Tel jour telle nuit, FP 86: 2. Une ruine coquille vide
14. Tel jour telle nuit, FP 86: 3. Le front comme un drapeau perdu
15. Tel jour telle nuit, FP 86: 4. Une roulotte couverte en tuiles
16. Tel jour telle nuit, FP 86: 5. A toutes brides
17. Tel jour telle nuit, FP 86: 6. Une herbe pauvre
18. Tel jour telle nuit, FP 86: 7. Je n'ai envie que de t'aimer
19. Tel jour telle nuit, FP 86: 8. Figure de force brûlante et farouche
20. Tel jour telle nuit, FP 86: 9. Nous avons fait la nuit
21. Vocalise-Étude, FP 44
22. Fiançailles pour rire, FP 101: 1. La Dame d'André
23. Fiançailles pour rire, FP 101: 2. Dans l'herbe
24. Fiançailles pour rire, FP 101: 3. Il vole
25. Fiançailles pour rire, FP 101: 4. Mon cadavre est doux comme un gant
26. Fiançailles pour rire, FP 101: 5. Violon
27. Fiançailles pour rire, FP 101: 6. Fleurs
28. Fancy, FP 174
29. La courte paille, FP 178: 1. Le sommeil
30. La courte paille, FP 178: 2. Quelle aventure !
31. La courte paille, FP 178: 3. La reine de cœur
32. La courte paille, FP 178: 4. Ba, Be, Bi, Bo, Bu
33. La courte paille, FP 178: 5. Les anges musiciens
34. La courte paille, FP 178: 6. Le carafon
35. La courte paille, FP 178: 7. Lune d'Avril
36. Deux chansons pour Yvonne Printemps: À sa guitare, FP 79
37. Deux chansons pour Yvonne Printemps: Les chemins de l'amour, FP 106
Francis Poulenc’s corpus of songs is one of the most generous and accomplished in the French repertoire. Born in 1899 and living until 1963, he inherited the art of the 19th century, which he succeeded in renewing while remaining within the bounds of tonal language, setting mostly contemporary poets (Apollinaire, Éluard, Aragon, Louise de Vilmorin). He drew his inspiration from the atmosphere specific to each text, but also from listening attentively to the timbre and rhythm of the poet reading his or her own works. This was, in the composer’s view, an essential key to penetrating the mystery of their creations. Associating the specific experience of the poet with his own personal memories, Poulenc created an expressive aura unique in the song output of his time.
Belgian soprano Sophie Karthäuser studied with Noelle Barker at the Guildhall School of Music and Drama in London.
She is now in great demand in the foremost international venues, especially as a Mozart singer. She sang her first Pamina (Die Zauberflöte) under René Jacobs and her first Susanna (Le nozze di Figaro) under William Christie. She has especially close relationships with the Théâtre de la Monnaie (Brussels) and the Theater an der Wien (Vienna) in Baroque and Classical roles.
Since winning the Audience Prize at the Wigmore Hall Song Contest she has developed an acclaimed career as a recitalist, enjoying a particularly close artistic partnership with the distinguished American pianist Eugene Asti. [This is his first appearance on the harmonia mundi label.] Her extensive discography includes successful releases of aria and song recitals and complete operas. She may be heard in the harmonia mundi recordings of Mozart’s 'La finta giardiniera' and Pergolesi’s 'Septem verba a Christo' under the direction of René Jacobs. This is her first recital programme for harmonia mundi.
Classical | FLAC / APE | HD & Vinyl
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