La Real Cámara - Boccherini: Sei terzettini, Op. 47 (2016) [Hi-Res]
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BAND/ARTIST: La Real Cámara
- Title: Boccherini: Sei terzettini, Op. 47
- Year Of Release: 2016
- Label: Glossa
- Genre: Classical
- Quality: flac 24bits - 96.0kHz +booklet
- Total Time: 01:03:07
- Total Size: 1.3 gb
- WebSite: Album Preview
Tracklist
01. String Trio in A Major, Op. 47, No. 1, G. 107: I. Allegretto moderato
02. String Trio in A Major, Op. 47, No. 1, G. 107: II. Tempo di minuetto-Amoroso
03. String Trio in G Major, Op. 47 No. 2, G. 108: I. Andantino
04. String Trio in G Major, Op. 47 No. 2, G. 108: II. Tempo di minuetto
05. String Trio in B-Flat Major, Op. 47 No. 3, G. 109: I. Andante allegretto
06. String Trio in B-Flat Major, Op. 47 No. 3, G. 109: II. Tempo di minuetto
07. String Trio in E-Flat Major, Op. 47 No. 4, G. 110: I. Adagio
08. String Trio in E-Flat Major, Op. 47 No. 4, G. 110: II. Tempo di minuetto
09. String Trio in D Major, Op. 47 No. 5, G. 111: I. Andantino moderato assai
10. String Trio in D Major, Op. 47 No. 5, G. 111: II. Tempo di minuetto
11. String Trio in F Major, Op. 47 No. 6, G. 112: I. Allegretto moderato assai
12. String Trio in F Major, Op. 47 No. 6, G. 112: II. Allegro non tanto
Few musicians today possess so much awareness and experience with the music of Luigi Boccherini as Emilio Moreno, or can invest their performances with so much insight. With his ensemble La Real Cámara and for his seventh recording of Boccherini’s music for Glossa, Moreno has now turned to the set of six string trios or Terzettini, Op 47 – scored untypically for Boccherini for violin, viola and cello – written when he was in full maturity both in his compositional activity and in his own skills as a cellist.
The year was 1793 and Boccherini turned fifty at the start of it; he had now been working in Madrid for some seven years after the death of his principal patron, the Infante Don Luis de Borbón, remaining active as a composer (these Op 47 trios were dedicated to a new patron, the King of Prussia), cellist and conductor of various of the private orchestras then flourishing in the Spanish capital. His style has become tauter and more intense, almost Romantic in its expressiveness.
Over the decades Moreno has played chamber works of “Don Luis Boquerini” with many gifted musicians. Here, with La Real Cámara, he joins his own viola playing to that of two of his established colleagues and friends from Japan (the recording was made in Saitama), violinist Natsumi Wakamatsu and cellist Hidemi Suzuki. Emilio Moreno also provides a thoughtful essay about the composer as he turned 50 and about his music.
01. String Trio in A Major, Op. 47, No. 1, G. 107: I. Allegretto moderato
02. String Trio in A Major, Op. 47, No. 1, G. 107: II. Tempo di minuetto-Amoroso
03. String Trio in G Major, Op. 47 No. 2, G. 108: I. Andantino
04. String Trio in G Major, Op. 47 No. 2, G. 108: II. Tempo di minuetto
05. String Trio in B-Flat Major, Op. 47 No. 3, G. 109: I. Andante allegretto
06. String Trio in B-Flat Major, Op. 47 No. 3, G. 109: II. Tempo di minuetto
07. String Trio in E-Flat Major, Op. 47 No. 4, G. 110: I. Adagio
08. String Trio in E-Flat Major, Op. 47 No. 4, G. 110: II. Tempo di minuetto
09. String Trio in D Major, Op. 47 No. 5, G. 111: I. Andantino moderato assai
10. String Trio in D Major, Op. 47 No. 5, G. 111: II. Tempo di minuetto
11. String Trio in F Major, Op. 47 No. 6, G. 112: I. Allegretto moderato assai
12. String Trio in F Major, Op. 47 No. 6, G. 112: II. Allegro non tanto
Few musicians today possess so much awareness and experience with the music of Luigi Boccherini as Emilio Moreno, or can invest their performances with so much insight. With his ensemble La Real Cámara and for his seventh recording of Boccherini’s music for Glossa, Moreno has now turned to the set of six string trios or Terzettini, Op 47 – scored untypically for Boccherini for violin, viola and cello – written when he was in full maturity both in his compositional activity and in his own skills as a cellist.
The year was 1793 and Boccherini turned fifty at the start of it; he had now been working in Madrid for some seven years after the death of his principal patron, the Infante Don Luis de Borbón, remaining active as a composer (these Op 47 trios were dedicated to a new patron, the King of Prussia), cellist and conductor of various of the private orchestras then flourishing in the Spanish capital. His style has become tauter and more intense, almost Romantic in its expressiveness.
Over the decades Moreno has played chamber works of “Don Luis Boquerini” with many gifted musicians. Here, with La Real Cámara, he joins his own viola playing to that of two of his established colleagues and friends from Japan (the recording was made in Saitama), violinist Natsumi Wakamatsu and cellist Hidemi Suzuki. Emilio Moreno also provides a thoughtful essay about the composer as he turned 50 and about his music.
Year 2016 | Classical | FLAC / APE | HD & Vinyl
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