Enrico Mainardi - J.S. Bach: 6 Cello Suites (1963) [2016 SACD The Valued Collection Platinum]
![Enrico Mainardi - J.S. Bach: 6 Cello Suites (1963) [2016 SACD The Valued Collection Platinum]](https://www.dibpic.com/uploads/posts/2019-12/1577429309_folder.jpg)
BAND/ARTIST: Enrico Mainardi
- Title: J.S. Bach: 6 Cello Suites
- Year Of Release: 1963 [2016]
- Label: Tower Records [TWSA-1028~30]
- Genre: Classical
- Quality: DSD64 image (*.iso) | FLAC (24bit/88,2 kHz)
- Total Time: 03:08:43
- Total Size: 5,03 GB / 3,08 GB (+3%rec.)
- WebSite: Album Preview
Master recording of the great art of the great artist Minardi who breathes soul into each sound. The first impressive performance was made SACD by new remastering from the original master. The story of Mynaldi after the performance! Excellent recording board.
The great heritage of Minardi (1897-1976), who settled on tempo, put soul into every phrase, and utterly expressed Bach's spirituality. New remastering by high bit / high sampling from original analog master of home country. The CD layer has also been newly mastered for this release. It is a high-resolution, high-quality sound recording with a core. Bonus track, specially recorded words of precious performance after Minardi. Bach recorded a stereophonic recording on a Eurodisk from January 1963 to April 1964, from Italian cellist, composer and conductor Enrico Minardi (May 19, 1897-April 10, 1976). Unaccompanied cello suites. At this time, Minardi was in his mid-60s. He played Bach's third solo solo cello suite in May 1913, studying Bach's work for about 50 years since then, and technical training and bowing to make it a real sound. The search for law and fingering is the result of this recording. In the recording of Bach's unaccompanied cello suite, the recording on the SP record of Pablo Casals (1876-1973), famous as a rediscoverer of this work, was deified and greatly influenced the image of Bach and the work Was. It was a magnificent, remarkably spiritual and stoic Bach statue and work. However, Bach's performance of Minardi, who lived in the same era as Casals and performed mainly in Germany, showed much slower tempo and expression, without losing the original singing element of stringed instruments, Bach showed in this work We have succeeded in drawing a linear counterpoint in a variety of tones in three dimensions. Instead of the brilliant tones and the rush of vitality and condensed harshness presented by Casals, there is soft light, rich abundance and spacious openness here.
Minardi challenged Bach's solo cello suite three times in his lifetime. The first time was for English Decca from 1948 to 1950, but the first to the fourth were recorded (CD: 1 & 2 are not CD, the third & 4 are POCL-4718 [discontinued]) All songs were not completed. The second time was a monaural recording (CD: PROA-59 [discontinued] → re-released as DG40036 in 2013) to German Alhif in 1954-56. Completed recording of 6 songs on 4 LPs, but German Alhif But in 1960 Fournier made a stereo recording, so the Minardi monaural disc was quickly discontinued. For the third time from 1963 to 1964, the long-awaited stereo recording of all songs will be recorded. However, even in the 1960s, Casals was so great that the Minardi board was hidden behind it, and the LP record for this recording was long-awaited and out of print. However, it revived in 1996 only in Japan as a three-disc CD (CD: COCO-80165 [discontinued] → re-released in 2007 with COCQ-84278), so that the wonderfulness is re-recognized among lovers became. Twenty years later, it is remastered with the latest equipment and technology from the original master tape in Germany again, and reappears as a SACD hybrid board. Excellent recordings as if he was playing right in front of Minardi's breathing, the delicate sound of the cello that changes delicately, and the refreshing atmosphere of the recording venue. Can be soaked comfortably. Recordings from Eurodisc have been outstanding since then, thanks to excellent engineers and recording techniques. As a result of careful rehearsals and neat work, you can still enjoy the wonderful performance of today and the excellence of its recording. In particular, surprising sound quality has been revived by the discovery of the "genuine" original master tape from Germany, which was recently discovered. The clarity and high density were phenomenal even on CDs. In this re-release, new and up-to-date mastering has been performed, including those that were not previously SACDs, so the whole picture will be revealed at last. With SACD, it is possible to reproduce the sound quality close to the master sound source without exceptional high sound quality. In this second release, we will release a total of three titles.
~Google Interpreter
Tracks:
DISC1
1. 無伴奏チェロ組曲第1番 ト長調 BWV1007
2. 無伴奏チェロ組曲第2番 ニ短調 BWV1008
DISC2
3. 無伴奏チェロ組曲第3番 ハ長調 BWV1009
4. 無伴奏チェロ組曲第4番 変ホ長調 BWV1010
DISC3
5. 無伴奏チェロ組曲第5番 ハ短調 BWV1011
6. 無伴奏チェロ組曲 第6番 ニ長調 BWV1012
7. 演奏を終えて ― 結びの言葉(エンリコ・マイナルディ) *LPレコードより復刻。モノラル音源
![Enrico Mainardi - J.S. Bach: 6 Cello Suites (1963) [2016 SACD The Valued Collection Platinum]](https://www.dibpic.com/uploads/posts/2019-12/1577429284_back.jpg)
* First SACD
* Limited edition. Digipack specification
* Stereo recording
* Remastered in 2016 at 192kHz / 24bit from the original analog master: Mastering engineer: Atsushi Mohri (Nippon Columbia)
* There are some parts that are hard to listen to, but they are caused by the original tape (the missing and noises in the original master are also recorded as they are). Please note.
The great heritage of Minardi (1897-1976), who settled on tempo, put soul into every phrase, and utterly expressed Bach's spirituality. New remastering by high bit / high sampling from original analog master of home country. The CD layer has also been newly mastered for this release. It is a high-resolution, high-quality sound recording with a core. Bonus track, specially recorded words of precious performance after Minardi. Bach recorded a stereophonic recording on a Eurodisk from January 1963 to April 1964, from Italian cellist, composer and conductor Enrico Minardi (May 19, 1897-April 10, 1976). Unaccompanied cello suites. At this time, Minardi was in his mid-60s. He played Bach's third solo solo cello suite in May 1913, studying Bach's work for about 50 years since then, and technical training and bowing to make it a real sound. The search for law and fingering is the result of this recording. In the recording of Bach's unaccompanied cello suite, the recording on the SP record of Pablo Casals (1876-1973), famous as a rediscoverer of this work, was deified and greatly influenced the image of Bach and the work Was. It was a magnificent, remarkably spiritual and stoic Bach statue and work. However, Bach's performance of Minardi, who lived in the same era as Casals and performed mainly in Germany, showed much slower tempo and expression, without losing the original singing element of stringed instruments, Bach showed in this work We have succeeded in drawing a linear counterpoint in a variety of tones in three dimensions. Instead of the brilliant tones and the rush of vitality and condensed harshness presented by Casals, there is soft light, rich abundance and spacious openness here.
Minardi challenged Bach's solo cello suite three times in his lifetime. The first time was for English Decca from 1948 to 1950, but the first to the fourth were recorded (CD: 1 & 2 are not CD, the third & 4 are POCL-4718 [discontinued]) All songs were not completed. The second time was a monaural recording (CD: PROA-59 [discontinued] → re-released as DG40036 in 2013) to German Alhif in 1954-56. Completed recording of 6 songs on 4 LPs, but German Alhif But in 1960 Fournier made a stereo recording, so the Minardi monaural disc was quickly discontinued. For the third time from 1963 to 1964, the long-awaited stereo recording of all songs will be recorded. However, even in the 1960s, Casals was so great that the Minardi board was hidden behind it, and the LP record for this recording was long-awaited and out of print. However, it revived in 1996 only in Japan as a three-disc CD (CD: COCO-80165 [discontinued] → re-released in 2007 with COCQ-84278), so that the wonderfulness is re-recognized among lovers became. Twenty years later, it is remastered with the latest equipment and technology from the original master tape in Germany again, and reappears as a SACD hybrid board. Excellent recordings as if he was playing right in front of Minardi's breathing, the delicate sound of the cello that changes delicately, and the refreshing atmosphere of the recording venue. Can be soaked comfortably. Recordings from Eurodisc have been outstanding since then, thanks to excellent engineers and recording techniques. As a result of careful rehearsals and neat work, you can still enjoy the wonderful performance of today and the excellence of its recording. In particular, surprising sound quality has been revived by the discovery of the "genuine" original master tape from Germany, which was recently discovered. The clarity and high density were phenomenal even on CDs. In this re-release, new and up-to-date mastering has been performed, including those that were not previously SACDs, so the whole picture will be revealed at last. With SACD, it is possible to reproduce the sound quality close to the master sound source without exceptional high sound quality. In this second release, we will release a total of three titles.
~Google Interpreter
Tracks:
DISC1
1. 無伴奏チェロ組曲第1番 ト長調 BWV1007
2. 無伴奏チェロ組曲第2番 ニ短調 BWV1008
DISC2
3. 無伴奏チェロ組曲第3番 ハ長調 BWV1009
4. 無伴奏チェロ組曲第4番 変ホ長調 BWV1010
DISC3
5. 無伴奏チェロ組曲第5番 ハ短調 BWV1011
6. 無伴奏チェロ組曲 第6番 ニ長調 BWV1012
7. 演奏を終えて ― 結びの言葉(エンリコ・マイナルディ) *LPレコードより復刻。モノラル音源
* First SACD
* Limited edition. Digipack specification
* Stereo recording
* Remastered in 2016 at 192kHz / 24bit from the original analog master: Mastering engineer: Atsushi Mohri (Nippon Columbia)
* There are some parts that are hard to listen to, but they are caused by the original tape (the missing and noises in the original master are also recorded as they are). Please note.
Download:
SACD
Enrico Mainardi SACD 1
Enrico Mainardi SACD 2
Enrico Mainardi SACD 3
FLAC (24bit/88,2 kHz)
Enrico Mainardi HDtr
SACD
Enrico Mainardi SACD 1
Enrico Mainardi SACD 2
Enrico Mainardi SACD 3
FLAC (24bit/88,2 kHz)
Enrico Mainardi HDtr
Year 2016 | Classical | Oldies | FLAC / APE | HD & Vinyl
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