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Angela Hewitt - Bach: The Six Partitas (2019)

Angela Hewitt - Bach: The Six Partitas (2019)

BAND/ARTIST: Angela Hewitt

  • Title: Bach: The Six Partitas
  • Year Of Release: 2019
  • Label: Hyperion
  • Genre: Classical
  • Quality: FLAC (image + .cue, log, booklet)
  • Total Time: 2:29:57
  • Total Size: 490 MB
  • WebSite:
Tracklist:

Johann Sebastian Bach (1685-1750)

Disc 1
Partita No. 1 in B flat major BWV825
1. I. Praeludium
2. II. Allemande
3. III. Corrente
4. IV. Sarabande
5. V. Menuet
6. VI. Giga

Partita No. 2 in C minor BWV826
7. I. Sinfonia. Grave Adagio - Andante - (Allegro)
8. II. Allemande
9. III. Courante
10. IV. Sarabande
11. V. Rondeaux
12. VI. Capriccio

Partita No. 4 in D major BWV828
13. I. Ouverture - (Allegro)
14. II. Allemande
15. III. Courante
16. IV. Aria
17. V. Sarabande
18. VI. Menuet
19. VII. Gigue

Disc 2
Partita No. 3 in A minor BWV827
1. I. Fantasia
2. II. Allemande
3. III. Corrente
4. IV. Sarabande
5. V. Burlesca
6. VI. Scherzo
7. VII. Gigue

Partita No. 5 in G major BWV829
8. I. Praeambulum
9. II. Allemande
10. III. Corrente
11. IV. Sarabande
12. V. Tempo Di Minuetta
13. VI. Passepied
14. VII. Gigue

Partita No. 6 in E minor BWV830
15. I. Toccata - (Fugue)
16. II. Allemande
17. III. Corrente
18. IV. Air
19. V. Sarabande
20. VI. Tempo Di Gavotta
21. VII. Gigue

As a specialist in Johann Sebastian Bach's keyboard music, Angela Hewitt has recorded some of his works more than once, as she did with the Well-Tempered Clavier and the Goldberg Variations. It's not surprising that she has recorded the Six Partitas on two occasions for Hyperion, the first time in 1996-1997, and then this double-disc late in 2018, as part of her "Bach Odyssey" recital series. This interpretation doesn't differ greatly from her earlier set, but mostly in small matters of dynamics and phrasing, so the listener may have to flip a coin to choose between them. Even so, something must be said for a performer who periodically revisits the touchstones of her career, and lets the differences arise naturally from her years of thinking, playing, and recording, rather than by introducing radical changes or distracting novelties. Hewitt's consistent expressions have given her performances an organic quality, so the music always feels particularly shaped according to her sound and touch. This recording was made on Hewitt's own Fazioli piano, so the personal connection between the artist and a favorite instrument must not be overlooked. Hyperion's sound is immaculate, recorded in the Kulturzentrum Grand Hotel in Dobbiaco, Italy, and the recording is fully audible with credible presence. ~ Blair Sanderson

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  • platico
  •  wrote in 01:34
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gracias....
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  • olga1001
  •  wrote in 15:03
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Better than her 1st recording but gets like Glenn Gould ?
Thanks