Donna Amato - Edward MacDowell: Piano Sonatas (2003/2019)
BAND/ARTIST: Donna Amato
- Title: Edward MacDowell: Piano Sonatas
- Year Of Release: 2019
- Label: Altarus Records
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 81:05 min
- Total Size: 243 MB
- WebSite: Album Preview
Tracklist:
01. Piano Sonata No. 1, Op. 45 'Sonata Tragica' : I. Largo maestoso - allegro risoluto
02. Piano Sonata No. 1, Op. 45 'Sonata Tragica' : II. Molto allegro, vivace
03. Piano Sonata No. 1, Op. 45 'Sonata Tragica' : III. Largo con maesta
04. Piano Sonata No. 1, Op. 45 'Sonata Tragica' : IV. Allegro eroica
05. Piano Sonata No. 2, Op. 50 'Sonata Eroica' : I. Slow, with nobility - fast, passionately
06. Piano Sonata No. 2, Op. 50 'Sonata Eroica' : II. Elf-Llke, as light and swift as possible
07. Piano Sonata No. 2, Op. 50 'Sonata Eroica' : III. Tenderly, longingly, yet with passion
08. Piano Sonata No. 2, Op. 50 'Sonata Eroica' : IV. Fiercely, very fast
09. Piano Sonata No. 3, Op. 57 'Norse Sonata' : I. Mesto, ma con passione
10. Piano Sonata No. 3, Op. 57 'Norse Sonata' : II. Tristamente, ma non tenerezza
11. Piano Sonata No. 3, Op. 57 'Norse Sonata' : III. Allegro con fuoco
12. Piano Sonata No. 4, Op. 59 'Keltic Sonata' : I. With great power and dignity
13. Piano Sonata No. 4, Op. 59 'Keltic Sonata' : II. With naive tenderness
14. Piano Sonata No. 4, Op. 59 'Keltic Sonata' : III. Very swift and fierce
01. Piano Sonata No. 1, Op. 45 'Sonata Tragica' : I. Largo maestoso - allegro risoluto
02. Piano Sonata No. 1, Op. 45 'Sonata Tragica' : II. Molto allegro, vivace
03. Piano Sonata No. 1, Op. 45 'Sonata Tragica' : III. Largo con maesta
04. Piano Sonata No. 1, Op. 45 'Sonata Tragica' : IV. Allegro eroica
05. Piano Sonata No. 2, Op. 50 'Sonata Eroica' : I. Slow, with nobility - fast, passionately
06. Piano Sonata No. 2, Op. 50 'Sonata Eroica' : II. Elf-Llke, as light and swift as possible
07. Piano Sonata No. 2, Op. 50 'Sonata Eroica' : III. Tenderly, longingly, yet with passion
08. Piano Sonata No. 2, Op. 50 'Sonata Eroica' : IV. Fiercely, very fast
09. Piano Sonata No. 3, Op. 57 'Norse Sonata' : I. Mesto, ma con passione
10. Piano Sonata No. 3, Op. 57 'Norse Sonata' : II. Tristamente, ma non tenerezza
11. Piano Sonata No. 3, Op. 57 'Norse Sonata' : III. Allegro con fuoco
12. Piano Sonata No. 4, Op. 59 'Keltic Sonata' : I. With great power and dignity
13. Piano Sonata No. 4, Op. 59 'Keltic Sonata' : II. With naive tenderness
14. Piano Sonata No. 4, Op. 59 'Keltic Sonata' : III. Very swift and fierce
In the case of this pianist it is not just that she seems to know no fears about tackling the unfashionable and peripheral – at least that which is viewed as peripheral by the mainstream. Amato plunges with gusto into the travails associated with learning such repertoire and brings to it the intellect and humanity of an artist in the grand tradition. Her Sorabji, Hinton, Stevenson, Cooman (Naxos and Altarus), Rosner and Scelsi (Stradivari) are testimony to her manifest valour and discriminating artistry.
Here she gives the only single disc traversal of the Macdowell piano sonatas. There have been complete surveys of the sonatas before now but never presented on one remarkably packed disc. Nothing feels rushed. She allows the composer’s woodland blossoms to unfold naturally alongside the Scottish skirls and Lisztian volatility and seismic upheavals of the Tragica. The Eroica was the sonata through which I came to know Macdowell. It was a 1976 LP by Clive Lythgow (1927-2006) on Philips 9500 095. This Eroica picks up on Macdowell’s mercurial transitions from woodland glades to Rachmaninovian drama. Amato is deeply impressive throughout but the second movement marked ‘elflike’ skims along like a merry firefly volplaning past inimical darkness. The Norse has a touch of Grieg about it but the Scotch snap again puts in an appearance in the weightily impassioned middle movement. Amato revels in the rhetoric of the finale. After the three movement Norse we stay with the format for the Keltic. This work is strenuously heroic, irradiated by the lyric essence of Grieg and alive with iron-shod goblin ruthlessness.
Amato is no stranger to Macdowell having recorded the two piano concertos in the mid-1990s. These can be heard on Alto. The Naxos Macdowell 4 CD series by James Barbagallo forms a smart and ideal complement to the sonatas. As for the competition for cycles of all four there are Alan Mandel on Phoenix (2 CDs) and James Tocco on Gasparo (4 CDs matched up with Griffes).
Here she gives the only single disc traversal of the Macdowell piano sonatas. There have been complete surveys of the sonatas before now but never presented on one remarkably packed disc. Nothing feels rushed. She allows the composer’s woodland blossoms to unfold naturally alongside the Scottish skirls and Lisztian volatility and seismic upheavals of the Tragica. The Eroica was the sonata through which I came to know Macdowell. It was a 1976 LP by Clive Lythgow (1927-2006) on Philips 9500 095. This Eroica picks up on Macdowell’s mercurial transitions from woodland glades to Rachmaninovian drama. Amato is deeply impressive throughout but the second movement marked ‘elflike’ skims along like a merry firefly volplaning past inimical darkness. The Norse has a touch of Grieg about it but the Scotch snap again puts in an appearance in the weightily impassioned middle movement. Amato revels in the rhetoric of the finale. After the three movement Norse we stay with the format for the Keltic. This work is strenuously heroic, irradiated by the lyric essence of Grieg and alive with iron-shod goblin ruthlessness.
Amato is no stranger to Macdowell having recorded the two piano concertos in the mid-1990s. These can be heard on Alto. The Naxos Macdowell 4 CD series by James Barbagallo forms a smart and ideal complement to the sonatas. As for the competition for cycles of all four there are Alan Mandel on Phoenix (2 CDs) and James Tocco on Gasparo (4 CDs matched up with Griffes).
Year 2019 | Classical | FLAC / APE
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