Entrevero Instrumental - Incurso (2019)

After the long project “Entrevero +” (with 3 versions of a disc, songbook, documentary, patches for Pure Data), Entrevero Instrumental seeks in its 4th album, Incurso, to condense the concepts and references that built the group's identity in these almost 10 years of existence on a more direct album, composed mostly in the studio itself. A work that, from this synthesis, acquires its own atmosphere, contrasting and circular.

Grooves are built without breaking the beat, with an emphasis on the subtle changes of feels (4, 5, 6, and 7).

Harmonies and melodies are once again seeking possibilities in tonal chord cycles, going through polymodalism until they are abandoned in favor of textural composition.

Electronic syntheses, which arise from processed acoustic tones, especially from the drum case, are controlled and timely.

Incurso is also the first album after saxophonist Jota P's final entry into Hermeto Pascoal's band, reinforcing the wizard's influence on Entrevero Instrumental's sound.

Southern regional music, besides being present in improvised and modified versions of rhythms like chacarera and milonga, also appears in the form of excerpts from original recordings of musicians like Noel Guarany, bringing again the theme of material reuse, idea sharing and remixing. , raised by the band in other works, bringing to new ears the voices of artists who are no longer with us.

In this sense, Incurso also brings life to the futuristic work of.

French sound designer Qebrus, who shortly before his early death in 2017 sent Filipe Maliska unpublished samplers.

In short, a disc that connects times and places that are much less distant than they seem through circular rhythms and harmonies that sew ruptures and contradictions of traditions.