Keith Jarrett - J.S. Bach: The Well-Tempered Clavier, Book I (Live in Troy, NY / 1987) (2019) [Hi-Res]
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BAND/ARTIST: Keith Jarrett
- Title: J.S. Bach: The Well-Tempered Clavier, Book I (Live in Troy, NY / 1987)
- Year Of Release: 2019
- Label: ECM New Series
- Genre: Classical, Jazz
- Quality: Mp3 320 kbps / FLAC (tracks+.cue) / 24bit-44.1kHz FLAC (tracks+d.booklet)
- Total Time: 01:43:59
- Total Size: 255 / 316 / 830 MB
- WebSite: Album Preview
Tracklist:
1. 1. Prelude in C Major, BWV 846 (02:03)
2. 2. Fugue in C Major, BWV 846 (01:49)
3. 1. Prelude in C Minor, BWV 847 (01:53)
4. 2. Fugue in C Minor, BWV 847 (01:32)
5. 1. Prelude in C-Sharp Major, BWV 848 (01:17)
6. 2. Fugue in C-Sharp Major, BWV 848 (02:08)
7. 1. Prelude in C-Sharp Minor, BWV 849 (02:19)
8. 2. Fugue in C-Sharp Minor, BWV 849 (04:03)
9. 1. Prelude in D Major, BWV 850 (01:12)
10. 2. Fugue in D Major, BWV 850 (01:33)
11. 1. Prelude in D Minor, BWV 851 (01:43)
12. 2. Fugue in D Minor, BWV 851 (01:58)
13. 1. Prelude in E-Flat Major, BWV 852 (04:02)
14. 2. Fugue in E-Flat Major, BWV 852 (01:38)
15. 1. Prelude in D-Sharp Minor/E-Flat Minor, BWV 853 (03:37)
16. 2. Fugue in D-Sharp Minor/E-Flat Minor, BWV 853 (04:38)
17. 1. Prelude in E Major, BWV 854 (01:21)
18. 2. Fugue in E Major, BWV 854 (01:08)
19. 1. Prelude in E Minor, BWV 855 (01:40)
20. 2. Fugue in E Minor, BWV 855 (01:00)
21. 1. Prelude in F Major, BWV 856 (00:54)
22. 2. Fugue in F Major, BWV 856 (01:22)
23. 1. Prelude in F Minor, BWV 857 (01:47)
24. 2. Fugue in F Minor, BWV 857 (03:54)
25. 1. Prelude in F-Sharp Major, BWV 858 (01:27)
26. 2. Fugue in F-Sharp Major, BWV 858 (01:35)
27. 1. Prelude in F-Sharp Minor, BWV 859 (00:51)
28. 2. Fugue in F-Sharp Minor, BWV 859 (02:45)
29. 1. Prelude in G Major, BWV 860 (00:48)
30. 2. Fugue in G Major, BWV 860 (02:42)
31. 1. Prelude in G Minor, BWV 861 (01:37)
32. 2. Fugue in G Minor, BWV 861 (01:52)
33. 1. Prelude in A-Flat Major, BWV 862 (01:10)
34. 2. Fugue in A-Flat Major, BWV 862 (02:22)
35. 1. Prelude in A-Flat Minor/G-Sharp Minor, BWV 863 (01:09)
36. 2. Fugue in A-Flat Minor/G-Sharp Minor, BWV 863 (02:24)
37. 1. Prelude in A Major, BWV 864 (01:03)
38. 2. Fugue in A Major, BWV 864 (01:55)
39. 1. Prelude in A Minor, BWV 865 (01:05)
40. 2. Fugue in A Minor, BWV 865 (04:20)
41. 1. Prelude in B-Flat Major, BWV 866 (01:18)
42. 2. Fugue in B-Flat Major, BWV 866 (01:24)
43. 1. Prelude in B-Flat Minor, BWV 867 (02:47)
44. 2. Fugue in B-Flat Minor, BWV 867 (03:45)
45. 1. Prelude in B Major, BWV 868 (00:54)
46. 2. Fugue in B Major, BWV 868 (01:52)
47. 1. Prelude in B Minor, BWV 869 (05:16)
48. 2. Fugue in B Minor, BWV 869 (07:07)
1. 1. Prelude in C Major, BWV 846 (02:03)
2. 2. Fugue in C Major, BWV 846 (01:49)
3. 1. Prelude in C Minor, BWV 847 (01:53)
4. 2. Fugue in C Minor, BWV 847 (01:32)
5. 1. Prelude in C-Sharp Major, BWV 848 (01:17)
6. 2. Fugue in C-Sharp Major, BWV 848 (02:08)
7. 1. Prelude in C-Sharp Minor, BWV 849 (02:19)
8. 2. Fugue in C-Sharp Minor, BWV 849 (04:03)
9. 1. Prelude in D Major, BWV 850 (01:12)
10. 2. Fugue in D Major, BWV 850 (01:33)
11. 1. Prelude in D Minor, BWV 851 (01:43)
12. 2. Fugue in D Minor, BWV 851 (01:58)
13. 1. Prelude in E-Flat Major, BWV 852 (04:02)
14. 2. Fugue in E-Flat Major, BWV 852 (01:38)
15. 1. Prelude in D-Sharp Minor/E-Flat Minor, BWV 853 (03:37)
16. 2. Fugue in D-Sharp Minor/E-Flat Minor, BWV 853 (04:38)
17. 1. Prelude in E Major, BWV 854 (01:21)
18. 2. Fugue in E Major, BWV 854 (01:08)
19. 1. Prelude in E Minor, BWV 855 (01:40)
20. 2. Fugue in E Minor, BWV 855 (01:00)
21. 1. Prelude in F Major, BWV 856 (00:54)
22. 2. Fugue in F Major, BWV 856 (01:22)
23. 1. Prelude in F Minor, BWV 857 (01:47)
24. 2. Fugue in F Minor, BWV 857 (03:54)
25. 1. Prelude in F-Sharp Major, BWV 858 (01:27)
26. 2. Fugue in F-Sharp Major, BWV 858 (01:35)
27. 1. Prelude in F-Sharp Minor, BWV 859 (00:51)
28. 2. Fugue in F-Sharp Minor, BWV 859 (02:45)
29. 1. Prelude in G Major, BWV 860 (00:48)
30. 2. Fugue in G Major, BWV 860 (02:42)
31. 1. Prelude in G Minor, BWV 861 (01:37)
32. 2. Fugue in G Minor, BWV 861 (01:52)
33. 1. Prelude in A-Flat Major, BWV 862 (01:10)
34. 2. Fugue in A-Flat Major, BWV 862 (02:22)
35. 1. Prelude in A-Flat Minor/G-Sharp Minor, BWV 863 (01:09)
36. 2. Fugue in A-Flat Minor/G-Sharp Minor, BWV 863 (02:24)
37. 1. Prelude in A Major, BWV 864 (01:03)
38. 2. Fugue in A Major, BWV 864 (01:55)
39. 1. Prelude in A Minor, BWV 865 (01:05)
40. 2. Fugue in A Minor, BWV 865 (04:20)
41. 1. Prelude in B-Flat Major, BWV 866 (01:18)
42. 2. Fugue in B-Flat Major, BWV 866 (01:24)
43. 1. Prelude in B-Flat Minor, BWV 867 (02:47)
44. 2. Fugue in B-Flat Minor, BWV 867 (03:45)
45. 1. Prelude in B Major, BWV 868 (00:54)
46. 2. Fugue in B Major, BWV 868 (01:52)
47. 1. Prelude in B Minor, BWV 869 (05:16)
48. 2. Fugue in B Minor, BWV 869 (07:07)
This never-before-released concert recording by pianist Keith Jarrett of Book I of Bach's The Well-Tempered Clavier, made in March 1987 at Troy Savings Bank Music Hall, New York, is now issued in ECM's 50th anniversary year.
"These are performances in which tempos, phrasing, articulation and the execution of ornaments are convincing," wrote Gramophone of Jarrett's first recorded account of the first 24 of Bach's "48" some three decades ago. "Both instrument and performer serve as unobtrusive media through which the music emerges without enhancement."
In this live recording from Troy, just one month after his studio recording of the work, Jarrett addresses the challenges of Bach's great set of preludes and fugues once more. Part of the goal is transparency, to bring the listener closer to the composer. As the pianist explained at the time: "The very direction of the lines, the moving lines of notes, are inherently expressiveWhen I play Bach, I hear almost the process of thought. Any coloration has nothing to do with this process."
"These are performances in which tempos, phrasing, articulation and the execution of ornaments are convincing," wrote Gramophone of Jarrett's first recorded account of the first 24 of Bach's "48" some three decades ago. "Both instrument and performer serve as unobtrusive media through which the music emerges without enhancement."
In this live recording from Troy, just one month after his studio recording of the work, Jarrett addresses the challenges of Bach's great set of preludes and fugues once more. Part of the goal is transparency, to bring the listener closer to the composer. As the pianist explained at the time: "The very direction of the lines, the moving lines of notes, are inherently expressiveWhen I play Bach, I hear almost the process of thought. Any coloration has nothing to do with this process."
Year 2019 | Jazz | Classical | FLAC / APE | Mp3 | CD-Rip | HD & Vinyl
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