Camilla Tilling & Paul Rivinius - Jugendstil (2019) [Hi-Res]
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BAND/ARTIST: Camilla Tilling, Paul Rivinius
- Title: Jugendstil
- Year Of Release: 2019
- Label: BIS
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.00kHz
- Total Time: 01:06:11
- Total Size: 274 / 1092 mb
- WebSite: Album Preview
Tracklist
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01. Einfache Lieder, Op. 9 (Excerpts): No. 1, Schneeglöckchen
02. Einfache Lieder, Op. 9 (Excerpts): No. 3, Ständchen
03. Einfache Lieder, Op. 9 (Excerpts): No. 4, Liebesbriefchen
04. Einfache Lieder, Op. 9 (Excerpts): No. 6, Sommer
05. 5 Lieder, Op. 38: No. 1, Glückwunsch
06. 7 Frühe Lieder (Version for Voice & Piano): No. 1, Nacht
07. 7 Frühe Lieder (Version for Voice & Piano): No. 2, Schilflied
08. 7 Frühe Lieder (Version for Voice & Piano): No. 3, Die Nachtigall
09. 7 Frühe Lieder (Version for Voice & Piano): No. 4, Traumgekrönt
10. 7 Frühe Lieder (Version for Voice & Piano): No. 5, Im Zimmer
11. 7 Frühe Lieder (Version for Voice & Piano): No. 6, Liebesode
12. 7 Frühe Lieder (Version for Voice & Piano): No. 7, Sommertage
13. Walzer-Gesänge, Op. 6: No. 1, Liebe Schwalbe
14. Walzer-Gesänge, Op. 6: No. 2, Klagen ist der Mond gekommen
15. Walzer-Gesänge, Op. 6: No. 3, Fensterlein, nachts bist du zu
16. Walzer-Gesänge, Op. 6: No. 4, Ich geh' des Nachts
17. Walzer-Gesänge, Op. 6: No. 5, Blaues Sternlein
18. Walzer-Gesänge, Op. 6: No. 6, Briefchen schrieb ich
19. 4 Lieder, Op. 2: No. 1, Erwartung
20. 4 Lieder, Op. 2: No. 2, Schenk mir deinen goldenen Kamm
21. 4 Lieder, Op. 2: No. 3, Erhebung
22. 4 Lieder, Op. 2: No. 4, Waldsonne
23. Rückert Lieder (Version for Voice & Piano): No. 1, Ich atmet' einen linden Duft!
24. Rückert Lieder (Version for Voice & Piano): No. 3, Blicke mir nicht in die Lieder!
25. Rückert Lieder (Version for Voice & Piano): No. 2, Liebst du um Schönheit
26. Rückert Lieder (Version for Voice & Piano): No. 5, Um Mitternacht
27. Rückert Lieder (Version for Voice & Piano): No. 4, Ich bin der Welt abhanden gekommen [Performed with Violin Solo]
Vienna around 1900 was a melting-pot in several ways: a city attracting artists from the entire Austro-Hungarian Empire where bohemian writers and musicians rubbed shoulders with aristocrats and establishment figures, and where late-Romanticism co-existed uneasily with the Wiener Moderne aesthetic of the fin-de-siècle. In the visual arts, Jugendstil (or Wiener Secession) was all the rage: its curlicues, floral patterns and fluid lines were seen everywhere – in architecture, interior design and graphic arts. In music, the term is usually associated with composers such as Mahler, Zemlinsky and Korngold, but also early works by Alban Berg and Arnold Schoenberg. Following on three previous acclaimed recital albums on BIS, Camilla Tilling and Paul Rivinius have devised a programme with songs by these very composers, written between 1898 and 1916. The songs range from the Einfache Lieder by a teenaged Korngold to Zemlinsky’s set of Walzer-Gesänge based on Tuscan folk poems and the much-loved Rückert-Lieder by Mahler. Schoenberg is represented by his Op. 2 collection 4 Lieder and his student Berg by the set of Sieben frühe Lieder, from 1905–08.
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01. Einfache Lieder, Op. 9 (Excerpts): No. 1, Schneeglöckchen
02. Einfache Lieder, Op. 9 (Excerpts): No. 3, Ständchen
03. Einfache Lieder, Op. 9 (Excerpts): No. 4, Liebesbriefchen
04. Einfache Lieder, Op. 9 (Excerpts): No. 6, Sommer
05. 5 Lieder, Op. 38: No. 1, Glückwunsch
06. 7 Frühe Lieder (Version for Voice & Piano): No. 1, Nacht
07. 7 Frühe Lieder (Version for Voice & Piano): No. 2, Schilflied
08. 7 Frühe Lieder (Version for Voice & Piano): No. 3, Die Nachtigall
09. 7 Frühe Lieder (Version for Voice & Piano): No. 4, Traumgekrönt
10. 7 Frühe Lieder (Version for Voice & Piano): No. 5, Im Zimmer
11. 7 Frühe Lieder (Version for Voice & Piano): No. 6, Liebesode
12. 7 Frühe Lieder (Version for Voice & Piano): No. 7, Sommertage
13. Walzer-Gesänge, Op. 6: No. 1, Liebe Schwalbe
14. Walzer-Gesänge, Op. 6: No. 2, Klagen ist der Mond gekommen
15. Walzer-Gesänge, Op. 6: No. 3, Fensterlein, nachts bist du zu
16. Walzer-Gesänge, Op. 6: No. 4, Ich geh' des Nachts
17. Walzer-Gesänge, Op. 6: No. 5, Blaues Sternlein
18. Walzer-Gesänge, Op. 6: No. 6, Briefchen schrieb ich
19. 4 Lieder, Op. 2: No. 1, Erwartung
20. 4 Lieder, Op. 2: No. 2, Schenk mir deinen goldenen Kamm
21. 4 Lieder, Op. 2: No. 3, Erhebung
22. 4 Lieder, Op. 2: No. 4, Waldsonne
23. Rückert Lieder (Version for Voice & Piano): No. 1, Ich atmet' einen linden Duft!
24. Rückert Lieder (Version for Voice & Piano): No. 3, Blicke mir nicht in die Lieder!
25. Rückert Lieder (Version for Voice & Piano): No. 2, Liebst du um Schönheit
26. Rückert Lieder (Version for Voice & Piano): No. 5, Um Mitternacht
27. Rückert Lieder (Version for Voice & Piano): No. 4, Ich bin der Welt abhanden gekommen [Performed with Violin Solo]
Vienna around 1900 was a melting-pot in several ways: a city attracting artists from the entire Austro-Hungarian Empire where bohemian writers and musicians rubbed shoulders with aristocrats and establishment figures, and where late-Romanticism co-existed uneasily with the Wiener Moderne aesthetic of the fin-de-siècle. In the visual arts, Jugendstil (or Wiener Secession) was all the rage: its curlicues, floral patterns and fluid lines were seen everywhere – in architecture, interior design and graphic arts. In music, the term is usually associated with composers such as Mahler, Zemlinsky and Korngold, but also early works by Alban Berg and Arnold Schoenberg. Following on three previous acclaimed recital albums on BIS, Camilla Tilling and Paul Rivinius have devised a programme with songs by these very composers, written between 1898 and 1916. The songs range from the Einfache Lieder by a teenaged Korngold to Zemlinsky’s set of Walzer-Gesänge based on Tuscan folk poems and the much-loved Rückert-Lieder by Mahler. Schoenberg is represented by his Op. 2 collection 4 Lieder and his student Berg by the set of Sieben frühe Lieder, from 1905–08.
Year 2019 | Classical | FLAC / APE | HD & Vinyl
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