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Sharon Bezaly & Vladimir Ashkenazy - Franck, Fauré & Prokofiev: Works for Flute & Piano (2017) [Hi-Res]

Sharon Bezaly & Vladimir Ashkenazy - Franck, Fauré & Prokofiev: Works for Flute & Piano (2017) [Hi-Res]
  • Title: Franck, Fauré & Prokofiev: Works for Flute & Piano
  • Year Of Release: 2017
  • Label: BIS
  • Genre: Classical, Piano
  • Quality: flac lossless / flac 24bits - 96.0kHz
  • Total Time: 01:15:05
  • Total Size: 313 / 1254 mb
  • WebSite:
Tracklist
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01. Violin Sonata in A Major, FWV 8 (Arr. J.-P. Rampal for Flute & Piano): I. Allegretto ben moderato
02. Violin Sonata in A Major, FWV 8 (Arr. J.-P. Rampal for Flute & Piano): II. Allegro
03. Violin Sonata in A Major, FWV 8 (Arr. J.-P. Rampal for Flute & Piano): III. Recitativo-fantasia. Ben moderato
04. Violin Sonata in A Major, FWV 8 (Arr. J.-P. Rampal for Flute & Piano): IV. Allegretto poco mosso
05. Violin Sonata No. 1 in A Major, Op. 13 (Arr. S. Bezaly for Flute & Piano): I. Allegro molto
06. Violin Sonata No. 1 in A Major, Op. 13 (Arr. S. Bezaly for Flute & Piano): II. Andante
07. Violin Sonata No. 1 in A Major, Op. 13 (Arr. S. Bezaly for Flute & Piano): III. Allegro vivo
08. Violin Sonata No. 1 in A Major, Op. 13 (Arr. S. Bezaly for Flute & Piano): IV. Allegro quasi presto
09. Flute Sonata in D Major, Op. 94: I. Moderato
10. Flute Sonata in D Major, Op. 94: II. Scherzo. Presto
11. Flute Sonata in D Major, Op. 94: III. Andante
12. Flute Sonata in D Major, Op. 94: IV. Allegro con brio


The flautist Sharon Bezaly has, over the past 20 years, released some 40 discs on BIS, recordings which have contributed to the international recognition that she enjoys. Both on disc and in concert she has done much to champion new repertoire – she has had no less than 20 concertos dedicated to her. On her new disc, however, she turns to core repertoire, although not necessarily that of her own instrument.

The two sonatas by César Franck and Gabriel Fauré were composed with the violin in mind, and even though Prokofiev's sonata was originally intended for the flute it is often heard in the composer's own version for violin and piano. But joined by the legendary pianist and conductor Vladimir Askenazy, Sharon Bezaly now claims (and reclaims) the three works for her own instrument, in eloquent performances that make the best possible case for the flute.




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