Werner Van Mechelen - Wagner: Siegfried, WWV 86C (2017) [Hi-Res]
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BAND/ARTIST: Hong Kong Philharmonic Orchestra, Heidi Melton, Jaap van Zweden, David Cangelosi, Simon O'Neill, Matthias Goerne, Werner van Mechelen, Falk Struckmann, Valentina Farcas, Deborah Humble
- Title: Wagner: Siegfried, WWV 86C
- Year Of Release: 2017
- Label: Naxos
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz
- Total Time: 04:01:51
- Total Size: 1183 / 4332 mb
- WebSite: Album Preview
Tracklist
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CD1
01. Siegfried, WWV 86C, Act I: Prelude
02. Siegfried, WWV 86C, Act I: Zwangvolle Plage! Müh' ohne Zweck!
03. Siegfried, WWV 86C, Act I: Hoiho! Hoiho! Hau' ein! Hau' ein!
04. Siegfried, WWV 86C, Act I: Als zullendes Kind zog ich dich auf
05. Siegfried, WWV 86C, Act I: Es sangen die Vöglein so selig im Lenz
06. Siegfried, WWV 86C, Act I: Einst lag wimmernd ein Weib
07. Siegfried, WWV 86C, Act I: Heil dir, weiser Schmied!
08. Siegfried, WWV 86C, Act I: Wie werd' ich den Lauernden los?
09. Siegfried, WWV 86C, Act I: Nun rede, weiser Zwerg
10. Siegfried, WWV 86C, Act I: Nun, ehrlicher Zwerg
11. Siegfried, WWV 86C, Act I: Verfluchtes Licht!
12. Siegfried, WWV 86C, Act I: Bist du es, Kind?
13. Siegfried, WWV 86C, Act I: Fühltest du nie im finstren Wald
14. Siegfried, WWV 86C, Act I: Hättest du fleissig die Kunst gepflegt
15. Siegfried, WWV 86C, Act I: Notung! Notung! Neidliches Schwert!
16. Siegfried, WWV 86C, Act I: Hoho! Hoho! Hohei! Schmiede, mein Hammer, ein hartes Schwert
17. Siegfried, WWV 86C, Act I: Den der Bruder schuf
CD2
01. Siegfried, WWV 86C, Act II: Prelude
02. Siegfried, WWV 86C, Act II: In Wald und Nacht vor Neidhöhl' halt' ich Wacht
03. Siegfried, WWV 86C, Act II: Wer naht dort schimmernd im Schatten?
04. Siegfried, WWV 86C, Act II: Mit Mime räng' ich allein um den Ring?
05. Siegfried, WWV 86C, Act II: Wir sind zur Stelle! Bleib hier stehn!
06. Siegfried, WWV 86C, Act II: Dass der mein Vater nicht ist
07. Siegfried, WWV 86C, Act II: Siegfrieds Hornruf-Haha! Da hätte mein Lied
08. Siegfried, WWV 86C, Act II: Wer bist du, kühner Knabe
09. Siegfried, WWV 86C, Act II: Ist mir doch fast, als sprächen die Vöglein zu mir
10. Siegfried, WWV 86C, Act II: Wohin schleichst du eilig und schlau
11. Siegfried, WWV 86C, Act II: Willkommen, Siegfried!
12. Siegfried, WWV 86C, Act II: Neides Zoll zahlt Notung
13. Siegfried, WWV 86C, Act II: Heiß ward mir von der harten Last!
14. Siegfried, WWV 86C, Act II: Nun sing'! Ich lausche dem Gesang
CD3
01. Siegfried, WWV 86C, Act III: Prelude
02. Siegfried, WWV 86C, Act III: Wache, Wala! Wala! Erwach'!
03. Siegfried, WWV 86C, Act III: Stark ruft das Lied
04. Siegfried, WWV 86C, Act III: Mein Schlaf ist Träumen
05. Siegfried, WWV 86C, Act III: Wirr wird mir, seit ich erwacht
06. Siegfried, WWV 86C, Act III: Weisst du, was Wotan will?
07. Siegfried, WWV 86C, Act III: Dort seh ich Siegfried nahen
08. Siegfried, WWV 86C, Act III: Was lachst du mich aus?
09. Siegfried, WWV 86C, Act III: Bleibst du mir stumm, störrischer Wicht?
10. Siegfried, WWV 86C, Act III: Orchesterzwischenspiel
11. Siegfried, WWV 86C, Act III: Selige Öde auf sonniger Höh'!
12. Siegfried, WWV 86C, Act III: Das ist kein Mann!
13. Siegfried, WWV 86C, Act III: Brünnhildes Erwachen
CD4
01. Siegfried, WWV 86C, Act III: Heil dir, Sonne! Heil dir, Licht!
02. Siegfried, WWV 86C, Act III: Siegfried! Siegfried! Seliger Held!
03. Siegfried, WWV 86C, Act III: Dort seh' ich Grane
04. Siegfried, WWV 86C, Act III: Sangst du mir nicht
05. Siegfried, WWV 86C, Act III: Ewig war ich, ewig bin ich
06. Siegfried, WWV 86C, Act III: Dich lieb' ich, o liebtest mich du!
07. Siegfried, WWV 86C, Act III: Lachend muss ich dich lieben
Without doubt, the Hong Kong Philharmonic Orchestra is one of the most important performing ensembles in Asia. While the HKPO has roots that date back to 1895, it came into existence as a viable entity under its current name in 1957. Yet it did not become a professional performing ensemble until 1974.
The orchestra was formed in 1895 and gave its inaugural concert that year under the baton of George Lammert. It disbanded the same year, but re-formed in 1903 and began giving concerts again. Once more it ceased, remaining idle until 1907, when Denman Fuller took over as conductor. Concerts were given irregularly and the players were amateurs, though the level of talent was considered relatively high and enthusiasm among the public was strong. For the next several decades, the orchestra sporadically performed under different conductors with no apparent serious intention by management of converting the players to professionals or the operations to a more regular schedule.
After World War II, the ensemble was reorganized and called the Sino-British Orchestra. Its conductor was talented violinist Solomon Bard, who helped shape the players into a quite talented ensemble, yet the orchestra's concerts always featured only native artists. That would change during the tenure of Bard's successor, Shanghai conductor Arrigo Foa, who assumed duties when Bard stepped down in 1953. Foa first attracted Hungarian pianist Louis (Lajos) Kentner, who collaborated with him in a performance of the Beethoven Piano Concerto No. 3. Near the end of 1957, the orchestra took its current name, splitting with the Hong Kong Philharmonic Society. Foa remained its music director. In 1962, the HKPO began performing in Hong Kong's newly constructed city hall. In 1969, Lim Kektjiang was appointed to succeed Foa as music director. It was owing to his initiative that the orchestra turned professional in 1973. Its size of 27 players, however, limited it mostly to the more lightly scored early Classical and Baroque repertory. Kektjiang was succeeded by Hans Gunter Mommer in 1975, who encouraged a more European sound and oversaw the orchestra's gradual increase in size. Mommer resigned in 1978 amid morale problems and difficulties with players, who now numbered 78. Chinese conductor Ling Tung was appointed music director that same year, but in a short time developed a strained relationship with the HKPO members, many of whom resigned or were dismissed. Tung resigned in 1981 and the orchestra was without a permanent conductor until 1984, though many prominent guest conductors were engaged, including Maxim Shostakovich, who had recently defected from the Soviet Union with his son Dmitry. In fact, Shostakovich was appointed to serve as principal guest conductor in 1982. American Kenneth Schermerhorn assumed the post of music director in 1984. Two years later, the HKPO made a successful concert tour of the Republic of China. Schermerhorn made several highly praised recordings with his new orchestra, including one of the Villa-Lobos Choros 8 & 9. In 1989, David Atherton assumed the podium duties and the orchestra, having already achieved much prestige under the leadership of Schermerhorn, continued to live up to its reputation as one of the finest orchestras in Asia. Atherton made a series of well-received Stravinsky recordings with the orchestra. The HKPO's music director in the new century was Samuel Wong, who made a critically successful recording with the orchestra of the Turandot Suite and other works by Ferruccio Busoni. In 2002, the HKPO consisted of 89 members and performed its regular concerts in the Hong Kong Cultural Center.
---------
CD1
01. Siegfried, WWV 86C, Act I: Prelude
02. Siegfried, WWV 86C, Act I: Zwangvolle Plage! Müh' ohne Zweck!
03. Siegfried, WWV 86C, Act I: Hoiho! Hoiho! Hau' ein! Hau' ein!
04. Siegfried, WWV 86C, Act I: Als zullendes Kind zog ich dich auf
05. Siegfried, WWV 86C, Act I: Es sangen die Vöglein so selig im Lenz
06. Siegfried, WWV 86C, Act I: Einst lag wimmernd ein Weib
07. Siegfried, WWV 86C, Act I: Heil dir, weiser Schmied!
08. Siegfried, WWV 86C, Act I: Wie werd' ich den Lauernden los?
09. Siegfried, WWV 86C, Act I: Nun rede, weiser Zwerg
10. Siegfried, WWV 86C, Act I: Nun, ehrlicher Zwerg
11. Siegfried, WWV 86C, Act I: Verfluchtes Licht!
12. Siegfried, WWV 86C, Act I: Bist du es, Kind?
13. Siegfried, WWV 86C, Act I: Fühltest du nie im finstren Wald
14. Siegfried, WWV 86C, Act I: Hättest du fleissig die Kunst gepflegt
15. Siegfried, WWV 86C, Act I: Notung! Notung! Neidliches Schwert!
16. Siegfried, WWV 86C, Act I: Hoho! Hoho! Hohei! Schmiede, mein Hammer, ein hartes Schwert
17. Siegfried, WWV 86C, Act I: Den der Bruder schuf
CD2
01. Siegfried, WWV 86C, Act II: Prelude
02. Siegfried, WWV 86C, Act II: In Wald und Nacht vor Neidhöhl' halt' ich Wacht
03. Siegfried, WWV 86C, Act II: Wer naht dort schimmernd im Schatten?
04. Siegfried, WWV 86C, Act II: Mit Mime räng' ich allein um den Ring?
05. Siegfried, WWV 86C, Act II: Wir sind zur Stelle! Bleib hier stehn!
06. Siegfried, WWV 86C, Act II: Dass der mein Vater nicht ist
07. Siegfried, WWV 86C, Act II: Siegfrieds Hornruf-Haha! Da hätte mein Lied
08. Siegfried, WWV 86C, Act II: Wer bist du, kühner Knabe
09. Siegfried, WWV 86C, Act II: Ist mir doch fast, als sprächen die Vöglein zu mir
10. Siegfried, WWV 86C, Act II: Wohin schleichst du eilig und schlau
11. Siegfried, WWV 86C, Act II: Willkommen, Siegfried!
12. Siegfried, WWV 86C, Act II: Neides Zoll zahlt Notung
13. Siegfried, WWV 86C, Act II: Heiß ward mir von der harten Last!
14. Siegfried, WWV 86C, Act II: Nun sing'! Ich lausche dem Gesang
CD3
01. Siegfried, WWV 86C, Act III: Prelude
02. Siegfried, WWV 86C, Act III: Wache, Wala! Wala! Erwach'!
03. Siegfried, WWV 86C, Act III: Stark ruft das Lied
04. Siegfried, WWV 86C, Act III: Mein Schlaf ist Träumen
05. Siegfried, WWV 86C, Act III: Wirr wird mir, seit ich erwacht
06. Siegfried, WWV 86C, Act III: Weisst du, was Wotan will?
07. Siegfried, WWV 86C, Act III: Dort seh ich Siegfried nahen
08. Siegfried, WWV 86C, Act III: Was lachst du mich aus?
09. Siegfried, WWV 86C, Act III: Bleibst du mir stumm, störrischer Wicht?
10. Siegfried, WWV 86C, Act III: Orchesterzwischenspiel
11. Siegfried, WWV 86C, Act III: Selige Öde auf sonniger Höh'!
12. Siegfried, WWV 86C, Act III: Das ist kein Mann!
13. Siegfried, WWV 86C, Act III: Brünnhildes Erwachen
CD4
01. Siegfried, WWV 86C, Act III: Heil dir, Sonne! Heil dir, Licht!
02. Siegfried, WWV 86C, Act III: Siegfried! Siegfried! Seliger Held!
03. Siegfried, WWV 86C, Act III: Dort seh' ich Grane
04. Siegfried, WWV 86C, Act III: Sangst du mir nicht
05. Siegfried, WWV 86C, Act III: Ewig war ich, ewig bin ich
06. Siegfried, WWV 86C, Act III: Dich lieb' ich, o liebtest mich du!
07. Siegfried, WWV 86C, Act III: Lachend muss ich dich lieben
Without doubt, the Hong Kong Philharmonic Orchestra is one of the most important performing ensembles in Asia. While the HKPO has roots that date back to 1895, it came into existence as a viable entity under its current name in 1957. Yet it did not become a professional performing ensemble until 1974.
The orchestra was formed in 1895 and gave its inaugural concert that year under the baton of George Lammert. It disbanded the same year, but re-formed in 1903 and began giving concerts again. Once more it ceased, remaining idle until 1907, when Denman Fuller took over as conductor. Concerts were given irregularly and the players were amateurs, though the level of talent was considered relatively high and enthusiasm among the public was strong. For the next several decades, the orchestra sporadically performed under different conductors with no apparent serious intention by management of converting the players to professionals or the operations to a more regular schedule.
After World War II, the ensemble was reorganized and called the Sino-British Orchestra. Its conductor was talented violinist Solomon Bard, who helped shape the players into a quite talented ensemble, yet the orchestra's concerts always featured only native artists. That would change during the tenure of Bard's successor, Shanghai conductor Arrigo Foa, who assumed duties when Bard stepped down in 1953. Foa first attracted Hungarian pianist Louis (Lajos) Kentner, who collaborated with him in a performance of the Beethoven Piano Concerto No. 3. Near the end of 1957, the orchestra took its current name, splitting with the Hong Kong Philharmonic Society. Foa remained its music director. In 1962, the HKPO began performing in Hong Kong's newly constructed city hall. In 1969, Lim Kektjiang was appointed to succeed Foa as music director. It was owing to his initiative that the orchestra turned professional in 1973. Its size of 27 players, however, limited it mostly to the more lightly scored early Classical and Baroque repertory. Kektjiang was succeeded by Hans Gunter Mommer in 1975, who encouraged a more European sound and oversaw the orchestra's gradual increase in size. Mommer resigned in 1978 amid morale problems and difficulties with players, who now numbered 78. Chinese conductor Ling Tung was appointed music director that same year, but in a short time developed a strained relationship with the HKPO members, many of whom resigned or were dismissed. Tung resigned in 1981 and the orchestra was without a permanent conductor until 1984, though many prominent guest conductors were engaged, including Maxim Shostakovich, who had recently defected from the Soviet Union with his son Dmitry. In fact, Shostakovich was appointed to serve as principal guest conductor in 1982. American Kenneth Schermerhorn assumed the post of music director in 1984. Two years later, the HKPO made a successful concert tour of the Republic of China. Schermerhorn made several highly praised recordings with his new orchestra, including one of the Villa-Lobos Choros 8 & 9. In 1989, David Atherton assumed the podium duties and the orchestra, having already achieved much prestige under the leadership of Schermerhorn, continued to live up to its reputation as one of the finest orchestras in Asia. Atherton made a series of well-received Stravinsky recordings with the orchestra. The HKPO's music director in the new century was Samuel Wong, who made a critically successful recording with the orchestra of the Turandot Suite and other works by Ferruccio Busoni. In 2002, the HKPO consisted of 89 members and performed its regular concerts in the Hong Kong Cultural Center.
Year 2017 | Classical | FLAC / APE | HD & Vinyl
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