Vincent van Amsterdam - J.S. Bach: Goldberg Variations arr. for Accordion (2019)
BAND/ARTIST: Vincent van Amsterdam
- Title: J.S. Bach: Goldberg Variations arr. for Accordion
- Year Of Release: 2019
- Label: Odradek Records
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 01:26:41
- Total Size: 470 Mb
- WebSite: Album Preview
Tracklist:
1. Goldberg Variations, BWV 988. Aria
2. Goldberg Variations, BWV 988. Variation 1 a 1 Clav.
3. Goldberg Variations, BWV 988. Variation 2 a 1 Clav.
4. Goldberg Variations, BWV 988. Variation 3 a 1 Clav. Canone all'Unisono
5. Goldberg Variations, BWV 988. Variation 4 a 1 Clav.
6. Goldberg Variations, BWV 988. Variation 5 a 1 ovvero 2 Clav.
7. Goldberg Variations, BWV 988. Variation 6 a 1 Clav. Canone alla Second
8. Goldberg Variations, BWV 988. Variation 7 a 1 ovvero 2 Clav. Al tempo
9. Goldberg Variations, BWV 988. Variation 8 a 2 Clav.
10. Goldberg Variations, BWV 988. Variation 9 a 1 Clav. Canone alla Terza
11. Goldberg Variations, BWV 988. Variation 10 a 1 Clav. Fughetta
12. Goldberg Variations, BWV 988. Variation 11 a 2 Clav.
13. Goldberg Variations, BWV 988. Variation 12 a 1 Clav. Canone alla Quart
14. Goldberg Variations, BWV 988. Variation 13 a 2 Clav.
15. Goldberg Variations, BWV 988. Variation 14 a 2 Clav.
16. Goldberg Variations, BWV 988. Variation 15 a 1 Clav. Canone alla Quint
17. Goldberg Variations, BWV 988. Variation 16 a 1 Clav. Ouverture
18. Goldberg Variations, BWV 988. Variation 17 a 2 Clav.
19. Goldberg Variations, BWV 988. Variation 18 a 1 Clav. Canone alla Sesta
20. Goldberg Variations, BWV 988. Variation 19 a 1 Clav.
21. Goldberg Variations, BWV 988. Variation 20 a 2 Clav.
22. Goldberg Variations, BWV 988. Variation 21. Canone alla Settima
23. Goldberg Variations, BWV 988. Variation 22 a 1 Clav. Alla breve
24. Goldberg Variations, BWV 988. Variation 23 a 2 Clav.
25. Goldberg Variations, BWV 988. Variation 24 a 1 Clav. Canone all'Ottava
26. Goldberg Variations, BWV 988. Variation 25 a 2 Clav. Adagio
27. Goldberg Variations, BWV 988. Variation 26 a 2 Clav.
28. Goldberg Variations, BWV 988. Variation 27 a 2 Clav. Canone alla Nona
29. Goldberg Variations, BWV 988. Variation 28 a 2 Clav.
30. Goldberg Variations, BWV 988. Variation 29 a 1 ovvero 2 Clav.
31. Goldberg Variations, BWV 988. Variation 30 a 1 Clav. Quodlibet
32. Goldberg Variations, BWV 988. Aria da Capo
Performers:
Vincent van Amsterdam (accordion)
1. Goldberg Variations, BWV 988. Aria
2. Goldberg Variations, BWV 988. Variation 1 a 1 Clav.
3. Goldberg Variations, BWV 988. Variation 2 a 1 Clav.
4. Goldberg Variations, BWV 988. Variation 3 a 1 Clav. Canone all'Unisono
5. Goldberg Variations, BWV 988. Variation 4 a 1 Clav.
6. Goldberg Variations, BWV 988. Variation 5 a 1 ovvero 2 Clav.
7. Goldberg Variations, BWV 988. Variation 6 a 1 Clav. Canone alla Second
8. Goldberg Variations, BWV 988. Variation 7 a 1 ovvero 2 Clav. Al tempo
9. Goldberg Variations, BWV 988. Variation 8 a 2 Clav.
10. Goldberg Variations, BWV 988. Variation 9 a 1 Clav. Canone alla Terza
11. Goldberg Variations, BWV 988. Variation 10 a 1 Clav. Fughetta
12. Goldberg Variations, BWV 988. Variation 11 a 2 Clav.
13. Goldberg Variations, BWV 988. Variation 12 a 1 Clav. Canone alla Quart
14. Goldberg Variations, BWV 988. Variation 13 a 2 Clav.
15. Goldberg Variations, BWV 988. Variation 14 a 2 Clav.
16. Goldberg Variations, BWV 988. Variation 15 a 1 Clav. Canone alla Quint
17. Goldberg Variations, BWV 988. Variation 16 a 1 Clav. Ouverture
18. Goldberg Variations, BWV 988. Variation 17 a 2 Clav.
19. Goldberg Variations, BWV 988. Variation 18 a 1 Clav. Canone alla Sesta
20. Goldberg Variations, BWV 988. Variation 19 a 1 Clav.
21. Goldberg Variations, BWV 988. Variation 20 a 2 Clav.
22. Goldberg Variations, BWV 988. Variation 21. Canone alla Settima
23. Goldberg Variations, BWV 988. Variation 22 a 1 Clav. Alla breve
24. Goldberg Variations, BWV 988. Variation 23 a 2 Clav.
25. Goldberg Variations, BWV 988. Variation 24 a 1 Clav. Canone all'Ottava
26. Goldberg Variations, BWV 988. Variation 25 a 2 Clav. Adagio
27. Goldberg Variations, BWV 988. Variation 26 a 2 Clav.
28. Goldberg Variations, BWV 988. Variation 27 a 2 Clav. Canone alla Nona
29. Goldberg Variations, BWV 988. Variation 28 a 2 Clav.
30. Goldberg Variations, BWV 988. Variation 29 a 1 ovvero 2 Clav.
31. Goldberg Variations, BWV 988. Variation 30 a 1 Clav. Quodlibet
32. Goldberg Variations, BWV 988. Aria da Capo
Performers:
Vincent van Amsterdam (accordion)
Award-winning accordionist Vincent van Amsterdam performs J.S. Bach’s Goldberg Variations, one of the great masterpieces of Western music. The music of J.S. Bach has been heard in countless guises, from those intended to be meticulous in their authenticity, to loose, improvisatory interpretations. Bach’s treatment of his own music was practical and versatile, often tailored to the musicians available rather than an ideal ensemble, so it seems likely that the composer himself would treat this spectrum of approaches with generosity and pleasure.
Hearing the Goldberg Variations on the accordion allows the listener the chance to hear Bach’s magnificent music in new ways. The instrument’s timbres bring out different nuances in the score, opening our ears to different facets of this intricate work. The accordion is closer to instruments with which Bach was familiar than might be expected. It was developed in the 19th century but, in common with the organs of Bach’s
day, uses a keyboard and the circulation of air to create its distinctive sound, using reeds like a harmonium rather than pipes like an organ. The accordion gained popularity as a folk instrument, and Bach drew upon folk styles in his music, taking the dance forms of his time and elevating them; in the Goldberg Variations themselves he uses folk songs in the final ‘quodlibet’.
This is a fascinating insight into one of the greatest works ever written, a must for lovers of the classical accordion, and for those seeking to hear the music of Bach in a fresh, original interpretation.
Hearing the Goldberg Variations on the accordion allows the listener the chance to hear Bach’s magnificent music in new ways. The instrument’s timbres bring out different nuances in the score, opening our ears to different facets of this intricate work. The accordion is closer to instruments with which Bach was familiar than might be expected. It was developed in the 19th century but, in common with the organs of Bach’s
day, uses a keyboard and the circulation of air to create its distinctive sound, using reeds like a harmonium rather than pipes like an organ. The accordion gained popularity as a folk instrument, and Bach drew upon folk styles in his music, taking the dance forms of his time and elevating them; in the Goldberg Variations themselves he uses folk songs in the final ‘quodlibet’.
This is a fascinating insight into one of the greatest works ever written, a must for lovers of the classical accordion, and for those seeking to hear the music of Bach in a fresh, original interpretation.
Year 2019 | Classical | FLAC / APE
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