Julius Rudel - Massenet: Thaïs (1975/2017) [Hi-Res]
![Julius Rudel - Massenet: Thaïs (1975/2017) [Hi-Res]](https://img.israbox.com/uploads/posts/2017-01/1484851051_julius-rudel-massenet-thais-19752017.jpg)
BAND/ARTIST: Julius Rudel
- Title: Massenet: Thaïs
- Year Of Release: 1975/2017
- Label: RCA Red Seal
- Genre: Classical, Romantic Era, Opera
- Quality: flac lossless / flac 24bits - 96.0kHz
- Total Time: 02:30:13
- Total Size: 713 / 2856 mb
- WebSite: Album Preview
Tracklist
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CD1
1.01. Thais (Highlights) : Thais: Act I: Scene 1: Voici le pain... et le sel
1.02. Thais (Highlights) : Thais: Act I: Scene 1: Le Voici! Le Voici!
1.03. Thais (Highlights) : Thais: Act I: Scene 1: Helas! Enfant encore
1.04. Thais (Highlights) : Thais: Act I: Scene 1: Ne nous melons jamais, mon fils
1.05. Thais (Highlights) : Thais: Act I: Scene 1: Vision - Honte! Horreur! Tenebres eternelles!
1.06. Thais (Highlights) : Thais: Act I: Scene 1: Toi qui mis la pitie dans nos ames
1.07. Thais (Highlights) : Thais: Act I: Scene 1: Mon fils, ne nous melons jamais
1.08. Thais (Highlights) : Thais: Act I: Scene 2: Prelude
1.09. Thais (Highlights) : Thais: Act I: Scene 2: Va, mendiant, chercher ailleurs ta vie!... Voila donc la terrible cite
1.10. Thais (Highlights) : Thais: Act I: Scene 2: Ah! Ah! Ah!... Athanael, c'est toi!
1.11. Thais (Highlights) : Thais: Act I: Scene 2: Ah! Ah! Ah!... Je vais donc te revoir
1.12. Thais (Highlights) : Thais: Act I: Scene 2: Garde-toi bien!
1.13. Thais (Highlights) : Thais: Act I: Scene 2: C'est Thais, l'idole fragile
1.14. Thais (Highlights) : Thais: Act I: Scene 2: Quel est cet etranger?
1.15. Thais (Highlights) : Thais: Act I: Scene 2: Qui te fait si severe
1.16. Thais (Highlights) : Thais: Act I: Scene 2: Non! Non! Je hais vos fausses ivresses!
1.17. Thais (Highlights) : Thais: Act II: Scene 1: Ah! Je suis seule, seule enfin!
1.18. Thais (Highlights) : Thais: Act II: Scene 1: Dis-moi que je suis belle
1.19. Thais (Highlights) : Thais: Act II: Scene 1: Etranger, te voila, comme tu l'avais dit!
1.20. Thais (Highlights) : Thais: Act II: Scene 1: Eh bien! Fais-moi connaitre tout cet amour
1.21. Thais (Highlights) : Thais: Act II: Scene 1: Je n'ai pas plus choisi mon sort que ma nature!
1.22. Thais (Highlights) : Thais: Act II: Scene 1: Meditation religieuse
CD2
2.01. Thais (Highlights) : Thais: Act II: Scene 2: Pere, Dieu m'a parle par ta voix!
2.02. Thais (Highlights) : Thais: Act II: Scene 2: Non loin d'ici, vers l'occident
2.03. Thais (Highlights) : Thais: Act II: Scene 2: Suivez-moi tous, amis!
2.04. Thais (Highlights) : Thais: Act II: Scene 2: Divertissement I - Allegro vivo
2.05. Thais (Highlights) : Thais: Act II: Scene 2: Divertissement II - Melopee orientale
2.06. Thais (Highlights) : Thais: Act II: Scene 2: Divertissement III - Allegro brillante
2.07. Thais (Highlights) : Thais: Act II: Scene 2: Divertissement IV - Allegretto con spirito
2.08. Thais (Highlights) : Thais: Act II: Scene 2: Divertissement V - Mouvement de valse
2.09. Thais (Highlights) : Thais: Act II: Scene 2: Voila l'incomparable! - Divertissement VI - La Charmeuse
2.10. Thais (Highlights) : Thais: Act II: Scene 2: Divertissement VII - Finale - Evohe!
2.11. Thais (Highlights) : Thais: Act II: Scene 2: Eh! C'est lui! Athanael!
2.12. Thais (Highlights) : Thais: Act III: Scene 1: L'ardent soleil m'ecrase
2.13. Thais (Highlights) : Thais: Act III: Scene 1: Ah! Des gouttes de sang coulent de ses pieds
2.14. Thais (Highlights) : Thais: Act III: Scene 1: O messager de Dieu
2.15. Thais (Highlights) : Thais: Act III: Scene 1: Baigne d'eau mes mains et mes levres
2.16. Thais (Highlights) : Thais: Act III: Scene 1: La paix du Seigneur soit avec toi
2.17. Thais (Highlights) : Thais: Act III: Scene 1: Mon oeuvre est accomplie!
2.18. Thais (Highlights) : Thais: Act III: Scene 2: Que le ciel est pesant!
2.19. Thais (Highlights) : Thais: Act III: Scene 2: C'est lui qui vient!
2.20. Thais (Highlights) : Thais: Act III: Scene 2: Qui te fait si severe
2.21. Thais (Highlights) : Thais: Act III: Scene 2: Thais va mourir!
2.22. Thais (Highlights) : Thais: Act III: Scene 2: Seigneur, ayez pitie de moi
2.23. Thais (Highlights) : Thais: Act III: Scene 2: Sois le bienvenu dans nos tabernacles
2.24. Thais (Highlights) : Thais: Act III: Scene 2: C'est toi, mon pere!
Julius Rudel was one of the best-known American conductors and musical administrators mainly associated with operatic performances. As a child, he was deeply attracted to music, regularly attended the Vienna Philharmonic concerts and saw some of the great conductors of the age, including Knappertsbusch, Furtwängler, and Walter. He began his formal studies at the Academy of Music in Vienna. At the time of the Nazi occupation of Austria, he left the country and completed his musical studies at Mannes School of Music in New York, graduating in 1943. He became a naturalized U.S. citizen in 1944. After graduation, he was hired on the musical staff of the New York City Opera, where he helped prepare performances. His debut as a professional conductor was with the NYCO on November 25, 1944. He remained with the NYCO for 35 years, becoming its principal conductor and general director in 1957. One of his most astute decisions was in engaging soprano Beverly Sills as its leading singer. Rudel already had an interest in opera written before the time of Mozart and in the then-neglected era of Italian bel canto opera. Operas of Handel, Donizetti, Bellini, and Rossini were frequently represented on the NYCO stage. Their style was also well-suited to the abilities of Sills and her frequent partner, mezzo-soprano Marilyn Horne, and made the New York City Opera's seasons more exciting than the standard fare offered by the rival Metropolitan Opera Company (which became the NYCO's neighbor at the Lincoln Center in the 1960s). A feature of his seasons was a strong support for American operas. During his tenure at the NYCO, Rudel also often conducted in major opera centers in Vienna, Munich, Chicago, San Francisco, Paris, Rome, London, Hamburg, Berlin, and even the Met. He was also the first music director of the Kennedy Center in Washington and of the Wolf Trap Festival. He left the City Opera in 1979 in order to have more time for symphonic conducting. He accepted a position as music director of the Buffalo Philharmonic and frequently conducted the Orchestra of St. Luke's in New York, with which he recorded works of Weill, Schubert, and Mozart on the MusicMasters label. He also conducted the Montreal Symphony Orchestra, the Royal Scottish National Orchestra, and others. Meanwhile, he continued as an opera conductor, appearing at the Met, Teatro Colón in Buenos Aires, the Bastille Opera, Lyric Opera of Chicago, the Royal Opera in Copenhagen, and the Deutsche Oper of Berlin. He made a number of successful opera recordings and was nominated for Grammy Awards several times, winning once. In 1961, his home nation of Austria presented him a special award for his service to arts and sciences. He was also a Chevalier des Arts et Lettres in France, recipient of awards from Israel and Germany, and holder of several honorary doctorates. In 1996, New York City proclaimed his 75th birthday "Julius Rudel Day," which Rudel himself observed by conducting Madama Butterfly at the Met.
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CD1
1.01. Thais (Highlights) : Thais: Act I: Scene 1: Voici le pain... et le sel
1.02. Thais (Highlights) : Thais: Act I: Scene 1: Le Voici! Le Voici!
1.03. Thais (Highlights) : Thais: Act I: Scene 1: Helas! Enfant encore
1.04. Thais (Highlights) : Thais: Act I: Scene 1: Ne nous melons jamais, mon fils
1.05. Thais (Highlights) : Thais: Act I: Scene 1: Vision - Honte! Horreur! Tenebres eternelles!
1.06. Thais (Highlights) : Thais: Act I: Scene 1: Toi qui mis la pitie dans nos ames
1.07. Thais (Highlights) : Thais: Act I: Scene 1: Mon fils, ne nous melons jamais
1.08. Thais (Highlights) : Thais: Act I: Scene 2: Prelude
1.09. Thais (Highlights) : Thais: Act I: Scene 2: Va, mendiant, chercher ailleurs ta vie!... Voila donc la terrible cite
1.10. Thais (Highlights) : Thais: Act I: Scene 2: Ah! Ah! Ah!... Athanael, c'est toi!
1.11. Thais (Highlights) : Thais: Act I: Scene 2: Ah! Ah! Ah!... Je vais donc te revoir
1.12. Thais (Highlights) : Thais: Act I: Scene 2: Garde-toi bien!
1.13. Thais (Highlights) : Thais: Act I: Scene 2: C'est Thais, l'idole fragile
1.14. Thais (Highlights) : Thais: Act I: Scene 2: Quel est cet etranger?
1.15. Thais (Highlights) : Thais: Act I: Scene 2: Qui te fait si severe
1.16. Thais (Highlights) : Thais: Act I: Scene 2: Non! Non! Je hais vos fausses ivresses!
1.17. Thais (Highlights) : Thais: Act II: Scene 1: Ah! Je suis seule, seule enfin!
1.18. Thais (Highlights) : Thais: Act II: Scene 1: Dis-moi que je suis belle
1.19. Thais (Highlights) : Thais: Act II: Scene 1: Etranger, te voila, comme tu l'avais dit!
1.20. Thais (Highlights) : Thais: Act II: Scene 1: Eh bien! Fais-moi connaitre tout cet amour
1.21. Thais (Highlights) : Thais: Act II: Scene 1: Je n'ai pas plus choisi mon sort que ma nature!
1.22. Thais (Highlights) : Thais: Act II: Scene 1: Meditation religieuse
CD2
2.01. Thais (Highlights) : Thais: Act II: Scene 2: Pere, Dieu m'a parle par ta voix!
2.02. Thais (Highlights) : Thais: Act II: Scene 2: Non loin d'ici, vers l'occident
2.03. Thais (Highlights) : Thais: Act II: Scene 2: Suivez-moi tous, amis!
2.04. Thais (Highlights) : Thais: Act II: Scene 2: Divertissement I - Allegro vivo
2.05. Thais (Highlights) : Thais: Act II: Scene 2: Divertissement II - Melopee orientale
2.06. Thais (Highlights) : Thais: Act II: Scene 2: Divertissement III - Allegro brillante
2.07. Thais (Highlights) : Thais: Act II: Scene 2: Divertissement IV - Allegretto con spirito
2.08. Thais (Highlights) : Thais: Act II: Scene 2: Divertissement V - Mouvement de valse
2.09. Thais (Highlights) : Thais: Act II: Scene 2: Voila l'incomparable! - Divertissement VI - La Charmeuse
2.10. Thais (Highlights) : Thais: Act II: Scene 2: Divertissement VII - Finale - Evohe!
2.11. Thais (Highlights) : Thais: Act II: Scene 2: Eh! C'est lui! Athanael!
2.12. Thais (Highlights) : Thais: Act III: Scene 1: L'ardent soleil m'ecrase
2.13. Thais (Highlights) : Thais: Act III: Scene 1: Ah! Des gouttes de sang coulent de ses pieds
2.14. Thais (Highlights) : Thais: Act III: Scene 1: O messager de Dieu
2.15. Thais (Highlights) : Thais: Act III: Scene 1: Baigne d'eau mes mains et mes levres
2.16. Thais (Highlights) : Thais: Act III: Scene 1: La paix du Seigneur soit avec toi
2.17. Thais (Highlights) : Thais: Act III: Scene 1: Mon oeuvre est accomplie!
2.18. Thais (Highlights) : Thais: Act III: Scene 2: Que le ciel est pesant!
2.19. Thais (Highlights) : Thais: Act III: Scene 2: C'est lui qui vient!
2.20. Thais (Highlights) : Thais: Act III: Scene 2: Qui te fait si severe
2.21. Thais (Highlights) : Thais: Act III: Scene 2: Thais va mourir!
2.22. Thais (Highlights) : Thais: Act III: Scene 2: Seigneur, ayez pitie de moi
2.23. Thais (Highlights) : Thais: Act III: Scene 2: Sois le bienvenu dans nos tabernacles
2.24. Thais (Highlights) : Thais: Act III: Scene 2: C'est toi, mon pere!
Julius Rudel was one of the best-known American conductors and musical administrators mainly associated with operatic performances. As a child, he was deeply attracted to music, regularly attended the Vienna Philharmonic concerts and saw some of the great conductors of the age, including Knappertsbusch, Furtwängler, and Walter. He began his formal studies at the Academy of Music in Vienna. At the time of the Nazi occupation of Austria, he left the country and completed his musical studies at Mannes School of Music in New York, graduating in 1943. He became a naturalized U.S. citizen in 1944. After graduation, he was hired on the musical staff of the New York City Opera, where he helped prepare performances. His debut as a professional conductor was with the NYCO on November 25, 1944. He remained with the NYCO for 35 years, becoming its principal conductor and general director in 1957. One of his most astute decisions was in engaging soprano Beverly Sills as its leading singer. Rudel already had an interest in opera written before the time of Mozart and in the then-neglected era of Italian bel canto opera. Operas of Handel, Donizetti, Bellini, and Rossini were frequently represented on the NYCO stage. Their style was also well-suited to the abilities of Sills and her frequent partner, mezzo-soprano Marilyn Horne, and made the New York City Opera's seasons more exciting than the standard fare offered by the rival Metropolitan Opera Company (which became the NYCO's neighbor at the Lincoln Center in the 1960s). A feature of his seasons was a strong support for American operas. During his tenure at the NYCO, Rudel also often conducted in major opera centers in Vienna, Munich, Chicago, San Francisco, Paris, Rome, London, Hamburg, Berlin, and even the Met. He was also the first music director of the Kennedy Center in Washington and of the Wolf Trap Festival. He left the City Opera in 1979 in order to have more time for symphonic conducting. He accepted a position as music director of the Buffalo Philharmonic and frequently conducted the Orchestra of St. Luke's in New York, with which he recorded works of Weill, Schubert, and Mozart on the MusicMasters label. He also conducted the Montreal Symphony Orchestra, the Royal Scottish National Orchestra, and others. Meanwhile, he continued as an opera conductor, appearing at the Met, Teatro Colón in Buenos Aires, the Bastille Opera, Lyric Opera of Chicago, the Royal Opera in Copenhagen, and the Deutsche Oper of Berlin. He made a number of successful opera recordings and was nominated for Grammy Awards several times, winning once. In 1961, his home nation of Austria presented him a special award for his service to arts and sciences. He was also a Chevalier des Arts et Lettres in France, recipient of awards from Israel and Germany, and holder of several honorary doctorates. In 1996, New York City proclaimed his 75th birthday "Julius Rudel Day," which Rudel himself observed by conducting Madama Butterfly at the Met.
Year 2017 | Classical | FLAC / APE | HD & Vinyl
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