Filippo Mineccia, Ensemble Odyssee & Andrea Friggi - Ariosti: London - Arias for Alto (2016) [Hi-Res]
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BAND/ARTIST: Filippo Mineccia, Ensemble Odyssee, Andrea Friggi
- Title: Ariosti: London – Arias for Alto
- Year Of Release: 2017
- Label: Glossa
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz
- Total Time: 01:14:48
- Total Size: 375 / 1289 mb
- WebSite: Album Preview
Tracklist
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01. Vespasiano: Sorga pur l'oppressa roma
02. I gloriosi presagi di Scipione Africano: Bella mia, lascia ch'io vada
03. Caio Marzio Coriolano: Perdonate, o cari amori
04. Vespasiano: Premera soglio di morte
05. Caio Marzio Coriolano: Overture
06. Caio Marzio Coriolano: Overture: Presto
07. Aquilio consolo: Rinasce amor
08. Caio Marzio Coriolano: Act III: Spirate, o iniqui marmi
09. Caio Marzio Coriolano: Act III: Voi d'un figlio tanto misero
10. Dario: Voi del ciel pietosi numi
11. Tito Manlio: Venga pur quel si terribile
12. Le profezie d'Eliseo nell'assedio di Samaria: Sinfonia
13. Tito Manlio: Col nemico di mia pace
14. La madre dei Maccabei: Benche l’ultimo al tormento
15. Tito Manlio: Aure care
16. La madre dei Maccabei: Quando il mondo fabbrico
17. Caio Marzio Coriolano: Io spero che in quei guardi
With his London album for Glossa, Florentine countertenor Filippo Mineccia has constructed a compelling survey of arias written for the European stage by the colourful and much-travelled Attilio Ariosti. Mineccia has quickly become one of the exciting young talents revelling in the vocal demands called for from opera seria, whether in live performance he has been much in demand for roles in Handel; or on record he appeared as Tamerlano on the recent Gasparini Bajazet on Glossa release and has also recorded with the likes of Antonio Florio and Alan Curtis. For a composer who has received little attention on record, Ariosti was remarkably successful in his own time: whether as a composer, a performer or a diplomat (and he was a monk too) he was sought after in the courts of Mantua, Berlin, Vienna and Paris before he made his way to London in 1716. There he wrote for singers such as Senesino and Cuzzoni and went on to become one of the three leading composers at the Royal Academy alongside Handel and Giovanni Bononcini. Filippo Mineccias recital includes arias written for divos such as Senesino taken from drammi per musica such as the highly successful Caio Marzio Coriolano, Vespasiano and Tito Manlio which are strongly represented on this recording. Although formed as recently as 2010 Andrea Friggis Ensemble Odyssee has also quickly established itself with its dynamic interpretations of Italian music from across the eighteenth century. Friggi also provides us, in the booklet essay, with an insight into the chequered life and compositional variety of Attilio Ariosti.
---------
01. Vespasiano: Sorga pur l'oppressa roma
02. I gloriosi presagi di Scipione Africano: Bella mia, lascia ch'io vada
03. Caio Marzio Coriolano: Perdonate, o cari amori
04. Vespasiano: Premera soglio di morte
05. Caio Marzio Coriolano: Overture
06. Caio Marzio Coriolano: Overture: Presto
07. Aquilio consolo: Rinasce amor
08. Caio Marzio Coriolano: Act III: Spirate, o iniqui marmi
09. Caio Marzio Coriolano: Act III: Voi d'un figlio tanto misero
10. Dario: Voi del ciel pietosi numi
11. Tito Manlio: Venga pur quel si terribile
12. Le profezie d'Eliseo nell'assedio di Samaria: Sinfonia
13. Tito Manlio: Col nemico di mia pace
14. La madre dei Maccabei: Benche l’ultimo al tormento
15. Tito Manlio: Aure care
16. La madre dei Maccabei: Quando il mondo fabbrico
17. Caio Marzio Coriolano: Io spero che in quei guardi
With his London album for Glossa, Florentine countertenor Filippo Mineccia has constructed a compelling survey of arias written for the European stage by the colourful and much-travelled Attilio Ariosti. Mineccia has quickly become one of the exciting young talents revelling in the vocal demands called for from opera seria, whether in live performance he has been much in demand for roles in Handel; or on record he appeared as Tamerlano on the recent Gasparini Bajazet on Glossa release and has also recorded with the likes of Antonio Florio and Alan Curtis. For a composer who has received little attention on record, Ariosti was remarkably successful in his own time: whether as a composer, a performer or a diplomat (and he was a monk too) he was sought after in the courts of Mantua, Berlin, Vienna and Paris before he made his way to London in 1716. There he wrote for singers such as Senesino and Cuzzoni and went on to become one of the three leading composers at the Royal Academy alongside Handel and Giovanni Bononcini. Filippo Mineccias recital includes arias written for divos such as Senesino taken from drammi per musica such as the highly successful Caio Marzio Coriolano, Vespasiano and Tito Manlio which are strongly represented on this recording. Although formed as recently as 2010 Andrea Friggis Ensemble Odyssee has also quickly established itself with its dynamic interpretations of Italian music from across the eighteenth century. Friggi also provides us, in the booklet essay, with an insight into the chequered life and compositional variety of Attilio Ariosti.
Year 2016 | Classical | FLAC / APE | HD & Vinyl
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