Nicolas Stavy - Brahms: Une jeunesse intrépide (2014) [Hi-Res]
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BAND/ARTIST: Nicolas Stavy
- Title: Brahms: Une jeunesse intrépide
- Year Of Release: 2014
- Label: HORTUS
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz
- Total Time: 01:20:53
- Total Size: 271 / 1259 mb
- WebSite: Album Preview
Tracklist
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01. Ballades, Op. 10: I. Andante
02. Ballades, Op. 10: II. Andante
03. Ballades, Op. 10: III. Intermezzo (Allegro)
04. Ballades, Op. 10: IV. Andante con moto
05. String Sextet No. 1 in B-Flat Major, Op. 18: II. Andante ma moderato (Version pour piano)
06. Piano Sonata No. 3 in F Minor, Op. 5: I. Allegro Maestoso
07. Piano Sonata No. 3 in F Minor, Op. 5: II. Andante (Andante espressivo)
08. Piano Sonata No. 3 in F Minor, Op. 5: III. Scherzo (Allegro energico)
09. Piano Sonata No. 3 in F Minor, Op. 5: IV. Intermezzo (Andante molto)
10. Piano Sonata No. 3 in F Minor, Op. 5: V. Finale (Allegro moderato)
For this album, Nicolas Stavy selected three very different pieces of Brahms’s music, composed in 1853/1854 by a then 20 year old musician. Variations in D minor – Originally for string sextet (it is in fact the slow movement of the First Sextet), this passionate piece, composed in one creative drive, is rarely played in its piano version. Brahms dedicated his transcription to Clara Schumann. Composed the same year as the Variations, yet in a more intimist - even somber - vein, the splendid Four Ballads, seem to open new stylistic perspectives… Their mysterious, contemplative atmosphere already announces the last opuses. More than a mere illustration of Grimm’s texts, Brahms’s sound world is spectacular. In the Third Sonata (opus 5!) - the only piece Brahms submitted to Robert Schumann during its compositional process - Brahms’s style already proves much more personal and accomplished than in the first two sonatas. It certainly does not yet have the technical mastery present in the second concerto or the later works, but it encompasses all the characteristics of Brahms’s inimitable world: full, dense texture, noble spirit, passion, lyric inspiration… The slow movement is one of the greatest pages of music of the 19th century, says Nicolas Stavy.
Nicolas Stavy is a lyrical and sensitive musician endowed with a rare imagination: „He imposes a dense personal subjective tone which is highly compelling: he goes to the limit.“ (Concertonet)
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01. Ballades, Op. 10: I. Andante
02. Ballades, Op. 10: II. Andante
03. Ballades, Op. 10: III. Intermezzo (Allegro)
04. Ballades, Op. 10: IV. Andante con moto
05. String Sextet No. 1 in B-Flat Major, Op. 18: II. Andante ma moderato (Version pour piano)
06. Piano Sonata No. 3 in F Minor, Op. 5: I. Allegro Maestoso
07. Piano Sonata No. 3 in F Minor, Op. 5: II. Andante (Andante espressivo)
08. Piano Sonata No. 3 in F Minor, Op. 5: III. Scherzo (Allegro energico)
09. Piano Sonata No. 3 in F Minor, Op. 5: IV. Intermezzo (Andante molto)
10. Piano Sonata No. 3 in F Minor, Op. 5: V. Finale (Allegro moderato)
For this album, Nicolas Stavy selected three very different pieces of Brahms’s music, composed in 1853/1854 by a then 20 year old musician. Variations in D minor – Originally for string sextet (it is in fact the slow movement of the First Sextet), this passionate piece, composed in one creative drive, is rarely played in its piano version. Brahms dedicated his transcription to Clara Schumann. Composed the same year as the Variations, yet in a more intimist - even somber - vein, the splendid Four Ballads, seem to open new stylistic perspectives… Their mysterious, contemplative atmosphere already announces the last opuses. More than a mere illustration of Grimm’s texts, Brahms’s sound world is spectacular. In the Third Sonata (opus 5!) - the only piece Brahms submitted to Robert Schumann during its compositional process - Brahms’s style already proves much more personal and accomplished than in the first two sonatas. It certainly does not yet have the technical mastery present in the second concerto or the later works, but it encompasses all the characteristics of Brahms’s inimitable world: full, dense texture, noble spirit, passion, lyric inspiration… The slow movement is one of the greatest pages of music of the 19th century, says Nicolas Stavy.
Nicolas Stavy is a lyrical and sensitive musician endowed with a rare imagination: „He imposes a dense personal subjective tone which is highly compelling: he goes to the limit.“ (Concertonet)
Classical | FLAC / APE | HD & Vinyl
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