The Count Basie Orchestra - High Voltage (1970/2015) [HDtracks]
BAND/ARTIST: The Count Basie Orchestra
- Title: High Voltage
- Year Of Release: 1970/2015
- Label: MPS
- Genre: Jazz, Big Band
- Quality: FLAC (tracks) 24/44,1
- Total Time: 34:23
- Total Size: 337 MB
- WebSite: Album Preview
Tracklist:
01. Chicago (2:47)
02. Have You Met Miss Jones (2:42)
03. The Lady Is A Tramp (2:55)
04. I'm Getting Sentimental Over You (2:47)
05. Bewitched (4:01)
06. Day In Day Out (2:35)
07. Get Me To The Church On Time (2:14)
08. When Sunny Gets Blue (3:38)
09. On The Sunny Side Of The Street (2:16)
10. Together (3:10)
11. If I Were A Bell (3:07)
12. I Didn't Know What Time It Was (2:11)
Personnel:
Count Basie - piano
Sonny Cohn, Gene Goe, Joe Newman, Waymon Reed - trumpet
Frank Hooks, Grover Mitchell, Buddy Morrow - trombone
Bill Hughes - bass trombone
Bill Adkins, Jerry Dodgion - alto saxophone
Eric Dixon - tenor saxophone, flute
Eddie "Lockjaw" Davis - tenor saxophone
Cecil Payne - baritone saxophone
Freddie Greene - guitar
George Duvivier - bass
Harold Jones - drums
Chico O'Farrill - arranger
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01. Chicago (2:47)
02. Have You Met Miss Jones (2:42)
03. The Lady Is A Tramp (2:55)
04. I'm Getting Sentimental Over You (2:47)
05. Bewitched (4:01)
06. Day In Day Out (2:35)
07. Get Me To The Church On Time (2:14)
08. When Sunny Gets Blue (3:38)
09. On The Sunny Side Of The Street (2:16)
10. Together (3:10)
11. If I Were A Bell (3:07)
12. I Didn't Know What Time It Was (2:11)
Personnel:
Count Basie - piano
Sonny Cohn, Gene Goe, Joe Newman, Waymon Reed - trumpet
Frank Hooks, Grover Mitchell, Buddy Morrow - trombone
Bill Hughes - bass trombone
Bill Adkins, Jerry Dodgion - alto saxophone
Eric Dixon - tenor saxophone, flute
Eddie "Lockjaw" Davis - tenor saxophone
Cecil Payne - baritone saxophone
Freddie Greene - guitar
George Duvivier - bass
Harold Jones - drums
Chico O'Farrill - arranger
Not entirely the Basie we've grown up with. The earthy, blustering swing of the Kansas City days are gone and there are no new pieces to match the pinnacle that was The Atomic Mr. Basie. On the plus side, there are no Beatles or James Bond numbers which had been the theme of albums preceding this 1970 recording. Instead, we have an album of standards that display the band as a most superior dance band, and I'm not using the term in a derogatory manner. They'd just completed a ten-day cruise of the West Indies on the QEII and, obviously, the mixed audience weren't looking for Flight of the Foo Birds or Splanky.
Nevertheless, this was still a swinging band with Lockjaw booting it out, Eric Dixon adding some flute delicacies, Joe Newman handling the trumpet solos, Dodgion and Adkins the alto shots and, surprise guest, Buddy Morrow taking the 'bone blasts. Basie reveals he could play as sophisticated as anyone with Green comping alongside his career-length master and Harold Jones kicking it along on drums.
Back then, Harry James had a swinging Basie style band and, in many ways, apart from the soloists, this bears a close resemblance. Sort of, Basie plays James plays Basie - sort of but not quite!
The modern Basie band made it's comeback on Clef with Dance Sessions 1 and 2 so perhaps this could be classed as number 3. Green and Newman are on all 3.
I wonder, did those passengers on the QEII realise that what they were getting for their money was worth more than the rest of the cruise offerings combined!
Chicago; Have You Met Miss Jones; The Lady is a Tramp; I'm Getting Sentimental Over You; Bewitched; Day In Day Out; Get me to the Church on Time; When Sonny Gets Blue (I assumed this was to be a feature for Sonny Cohn but it wasn't - typo on sleeve I guess); On The Sunny Side of the Street; Together; If I Were a Bell; I Didn't Know What Time it Was.
Nevertheless, this was still a swinging band with Lockjaw booting it out, Eric Dixon adding some flute delicacies, Joe Newman handling the trumpet solos, Dodgion and Adkins the alto shots and, surprise guest, Buddy Morrow taking the 'bone blasts. Basie reveals he could play as sophisticated as anyone with Green comping alongside his career-length master and Harold Jones kicking it along on drums.
Back then, Harry James had a swinging Basie style band and, in many ways, apart from the soloists, this bears a close resemblance. Sort of, Basie plays James plays Basie - sort of but not quite!
The modern Basie band made it's comeback on Clef with Dance Sessions 1 and 2 so perhaps this could be classed as number 3. Green and Newman are on all 3.
I wonder, did those passengers on the QEII realise that what they were getting for their money was worth more than the rest of the cruise offerings combined!
Chicago; Have You Met Miss Jones; The Lady is a Tramp; I'm Getting Sentimental Over You; Bewitched; Day In Day Out; Get me to the Church on Time; When Sonny Gets Blue (I assumed this was to be a feature for Sonny Cohn but it wasn't - typo on sleeve I guess); On The Sunny Side of the Street; Together; If I Were a Bell; I Didn't Know What Time it Was.
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